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The World reels from tragic events, yet Christian Delacroix and his band of willing Creatures cannot grieve. The Phoenixes of the Nest have bided their time upon the World and finally move to see if the Vampires can be saved—by mixing the blood of Phoenixes with the bloodthirsty Creatures. Victor Vonderheide has awakened to a remarkable difference. His heart beats and he shoots magical fyre from his fingertips. When not dodging the black fyre of a Phoenix that doesn’t agree with his new existence, he fights his urges for blood. Yet it is he the Head Phoenix wishes to lead the new breed. But Victor, forced to face his new state in a fast-changing World, is still grieving the loss of his creator. He blames the Vampire now rumored to have taken Xavier’s place as King. Alexandria Stone has warmed to her power. She is adept at sending the red light toward her enemies, controlling their blood at her leisure. Yet with news that the Phoenixes search for them, there is the fear that she won’t be able to keep at bay the winged beings’ powerful magic. But there is someone from her past who may be able to help—and they have a familiar magical book to assist her. Time is running out—the Phoenixes close in, their fyre burning everything it touches. To make matters worse, a familiar face with terrifying new power appears, threatening to end the Vampires’ existence as they know it. It’s a race to learn the truth of her power and defend the Dark World—and all Creatures within it—before the Phoenixes destroy everything Dracula has built.
With tensions rising and their powers no longer a secret, the Nightbirds must decide for whom and for what they are willing to fight for and how far they will go in the spellbinding sequel to the international bestseller Nightbirds. The Nightbirds were once their city’s best-kept secret, but now the secret’s out. What’s more, they can do feats of magic no one has seen in centuries. They’re like the Fyrebirds of old: the powerful women who once moved mountains, parted seas, and led armies. Some say that when four join together, they become a force that shakes the earth and sends magic rippling through it. It does seem as if something has awoken in Eudea, but the four girls responsible don’t want the world to know the full extent of what they can do—at least not yet. As the new leader of Eudea works to lift the prohibition on magic, the churchmen who do not support it—and the gang lords who profit from it—whisper rebellion. The secret resistance who once sheltered the Nightbirds is rallying, too. Smelling blood in the water, an ambitious Farlands king threatens to take Eudea. As war looms, and the empire’s fate hangs from a knife’s edge, the Nightbirds have to decide if becoming more than that are—Fyrebirds—to protect Simta is worth losing themselves entirely and the lives and loves they might have had.
The Dark World is, somehow, darker. Eleanor Black’s new energy canvasses the World, threatening all who move beneath the dread-filled sky, and Xavier Delacroix has made his choice at last. Eleanor Black has her King. Yet, the Dark World is without a King sanctioned by Dracula, one to rule the Dark World in his stead, and it is suffering for his absence... Christian Delacroix is hidden away in the Vampire City with Alexandria Stone, the woman whose blood continues to surround him, yet he cannot deny the connection that lingers between them. And as he trains with renowned Vampire Westley Rivers to better defend himself against deadly threats, the truth of his involvement under Dracula’s plans is revealed and he must stand where his brother could not to become the King the Dark World has needed since Dracula’s death. But he is not so sure he can easily shake the smell of Alexandria Stone’s cold blood long enough to do what must be done.
"Once in a lifetime." The phrase comes up over and over from the people who worked on Peter Jackson's The Lord of the Rings. The film's seventeen Oscars, record-setting earnings, huge fan base, and hundreds of ancillary products attest to its importance and to the fact that Rings is far more than a film. Its makers seized a crucial moment in Hollywood—the special effects digital revolution plus the rise of "infotainment" and the Internet—to satisfy the trilogy's fans while fostering a huge new international audience. The resulting franchise of franchises has earned billions of dollars to date with no end in sight. Kristin Thompson interviewed seventy-six people to examine the movie's scripting and design and the new technologies deployed to produce the films, video games, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema. In fast-paced, compulsively readable prose, she affirms Jackson's Rings as one the most important films ever made.
In the third book of The Watcher's Quest Trilogy, Emma discovers inner strength she didn't realize she had.
The Dark World is falling. Two important Dark Creatures have gone missing, leaving strange letters behind. Faced with the impending threat of a new breed of creature, Xavier Delacroix he is forced to enter the fight. With a band of powerful creatures at his back, he braves the Dark World, hunting down the one creature he wishes nothing more than to evade. For the Great Vampire’s sword must be taken back. But the Dark World has changed drastically since he’d last been beneath the darkened sky. Creatures wait behind every strange wind for him, and they always seem to know where he will end up next. And the one who holds the sword is not ready to relinquish its power—a power that if used wrongly will change the face of the Dark World forever.
The Dark World is burning. With magic restored to its rightful place, Dracula’s secrets push Xavier to leave The Order of the Dragon behind. He strikes out on his own—driven by the sultry voice that continues its heady call through his mind. Pulled to the one Creature that can give him answers to the many question he seeks, Xavier takes matters into his own hands, and uncovers what could be a greater threat than even the Elite Creatures—the once-subdued Enchanters are on the move. Their leader has finally awoken from his centuries-long slumber, and he is angry, and determined to end the Vampires’ and Lycans’ existence once and for all. But there are beings in the clouds who have been kept from the Dark World by stronger forces. Now that Alexandria Stone’s beaming red light subdues Vampire, Lycan, and Elite Creature alike, they can return. And their wrath is greater than anything The Dark World has ever known.
NEW YORK TIMES BEST SELLER • An inspiring and intimate self-portrait of the champion of equality that encompasses her brilliant tennis career, unwavering activism, and an ongoing commitment to fairness and social justice. “A story about the personal strength, immense growth, and undeniable greatness of one woman who fearlessly stood up to a culture trying to break her down.”—Serena Williams In this spirited account, Billie Jean King details her life's journey to find her true self. She recounts her groundbreaking tennis career—six years as the top-ranked woman in the world, twenty Wimbledon championships, thirty-nine grand-slam titles, and her watershed defeat of Bobby Riggs in the famous "Battle of the Sexes." She poignantly recalls the cultural backdrop of those years and the profound impact on her worldview from the women's movement, the assassinations and anti-war protests of the 1960s, the civil rights movement, and, eventually, the LGBTQ+ rights movement. She describes the myriad challenges she's hurdled—entrenched sexism, an eating disorder, near financial peril after being outed—on her path to publicly and unequivocally acknowledging her sexual identity at the age of fifty-one. She talks about how her life today remains one of indefatigable service. She offers insights and advice on leadership, business, activism, sports, politics, marriage equality, parenting, sexuality, and love. And she shows how living honestly and openly has had a transformative effect on her relationships and happiness. Hers is the story of a pathbreaking feminist, a world-class athlete, and an indomitable spirit whose impact has transcended even her spectacular achievements in sports.
What can we know of the private lives of early British sovereigns? Through the unusually large number of letters that survive from King James VI of Scotland/James I of England (1566-1625), we can know a great deal. Using original letters, primarily from the British Library and the National Library of Scotland, David Bergeron creatively argues that James' correspondence with certain men in his court constitutes a gospel of homoerotic desire. Bergeron grounds his provocative study on an examination of the tradition of letter writing during the Renaissance and draws a connection between homosexual desire and letter writing during that historical period. King James, commissioner of the Bible translation that bears his name, corresponded with three principal male favorites—Esmé Stuart (Lennox), Robert Carr (Somerset), and George Villiers (Buckingham). Esmé Stuart, James' older French cousin, arrived in Scotland in 1579 and became an intimate adviser and friend to the adolescent king. Though Esmé was eventually forced into exile by Scottish nobles, his letters to James survive, as does James' hauntingly allegorical poem Phoenix. The king's close relationship with Carr began in 1607. James' letters to Carr reveal remarkable outbursts of sexual frustration and passion. A large collection of letters exchanged between James and Buckingham in the 1620s provides the clearest evidence for James' homoerotic desires. During a protracted separation in 1623, letters between the two raced back and forth. These artful, self-conscious letters explore themes of absence, the pleasure of letters, and a preoccupation with the body. Familial and sexual terms become wonderfully intertwined, as when James greets Buckingham as "my sweet child and wife." King James and Letters of Homoerotic Desire presents a modern-spelling edition of seventy-five letters exchanged between Buckingham and James. Across the centuries, commentators have condemned the letters as indecent or repulsive. Bergeron argues that on the contrary they reveal an inward desire of king and subject in a mutual exchange of love.