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Alain Badiou's work in philosophy, though daunting, has gained a receptive and steadily growing Anglophone readership. What is not well known is the extent to which Badiou's positions, vis-à-vis ontology, ethics, politics and the very meaning of philosophy, were hammered out in dispute with the late Jean-François Lyotard. Matthew R. McLennan's Philosophy, Sophistry, Antiphilosophy is the first work to pose the question of the relation between Lyotard and Badiou, and in so doing constitutes a significant intervention in the field of contemporary European philosophy by revisiting one of its most influential and controversial forefathers. Badiou himself has underscored the importance of Lyotard for his own project; might the recent resurgence of interest in Lyotard be tied in some way to Badiou's comments? Or deeper still: might not Badiou's philosophical Platonism beg an encounter with philosophy's other, the figure of the sophist that Lyotard played so often and so ably? Posing pertinent questions and opening new discursive channels in the literature on these two major figures this book is of interest to those studying philosophy, rhetoric, literary theory, cultural and media studies.
Alain Badiou takes on the standard bearer of the “linguistic turn” in modern philosophy, and anatomizes the “anti-philosophy” of Ludwig Wittgenstein, in his Tractatus Logico-Philosophicus. Addressing the crucial moment where Wittgenstein argues that much has to be passed over in silence—showing what cannot be said, after accepting the limits of language and meaning—Badiou argues that this mystical act reduces logic to rhetoric, truth to an effect of language games, and philosophy to a series of esoteric aphorisms. in the course of his interrogation of Wittgenstein’s anti-philosophy, Badiou sets out and refines his own definitions of the universal truths that condition philosophy. Bruno Bosteels’ introduction shows that this encounter with Wittgenstein is central to Badiou’s overall project—and that a continuing dialogue with the exemplar of anti-philosophy is crucial for contemporary philosophy.
Alain Badiou takes on the standard bearer of the "linguistic turn" in modern philosophy and anatomizes the "antiphilosophy" of Ludwig Wittgenstein. In the course of his interrogation of Wittgenstein's thinking, Badiou refines his own definitions of the universal truths that govern his work. Bruno Bosteels's introduction argues that a continuing dialogue with Wittgenstein is inescapable for contemporary philosophy.
Issues surrounding precarity, debility and vulnerability are now of central concern to philosophers as we try and navigate an increasingly uncertain world. Matthew R. McLennan delves into these subjects enthusiastically and sensitively, presenting a vision of the discipline of philosophy which is grounded in real, lived experience. Developing an invigorating, if at times painful, sense of the finitude and fragility of human life, Philosophy and Vulnerability provocatively marshals three disciplinary “nonphilosophers” to make its argument: French filmmaker and novelist Catherine Breillat, journalist and masterful cultural commentator Joan Didion and feminist poet and civil rights activist Audre Lorde. Through this encounter, this book suggests ways in which rigorous attention to difference and diversity must nourish a militant philosophical universalism in the future.
The oeuvre of Alain Badiou has gained international success and recognition, but most of the secondary literature focuses on internal problems of Badiou's philosophy, rather than its position within a broader philosophical genealogy. This book unites philosophers from Germany, Slovenia, the UK, Australia and France, to trace the relation between elements of Badiou's philosophy and the German philosophical tradition, namely the three significant movements of German Idealism, Phenomenology, Marxism and the Frankfurt School. This is a discussion that has not yet been established, although the parallels and decisive differences between poststructuralist French philosophy and German philosophy are apparent. Through these paradigms – Badiou's reception of German Idealism, Marxism, Adorno and the Critical Theory, and Heideggerian phenomenology – the authors shed light onto Badiou's inheritance of and engagement with these specific traditions, but also highlight the links between these philosophies to open up new questions for contemporary continental thought. With an original chapter from Alain Badiou himself, looking back at his influences and antagonisms within the German tradition, this book is essential for readers interested in the exploration of Badiou's legacy. It illustrates the continuation of poststructuralist philosophy, Critical Theory and the Frankfurt School, assessing the place of classic continental philosophy to tackle how we might benefit from these intellectual exchanges today.
From Antiphilosophy to Worlds and from Beckett to Wittgenstein, the 110 entries in this dictionary provide detailed explanations and engagements with Badious's key concepts and major interlocutors.
This book aims to recast the way that philosophers understand rhetoric. Rather than follow most philosophers in conceiving rhetoric as a specific way of speaking or writing, it shows that rhetoric is better understood as a dimension of all human discourse and action—what the author calls “rhetoricity”. This book provides the first philosophical treatment of rhetoricity. It is motivated by two ongoing developments. The first is the debate between Alain Badiou and Barbara Cassin about philosophy’s relation to rhetoric. Both Badiou and Cassin are critical of rhetoric, albeit for different reasons. Second, there has been a growing resurgence of interest in rhetoric considering the recent rise in authoritarian politics as well as new forms of propaganda driven by “persuasive technologies”. This book identifies the common target of Badiou’s and Cassin’s otherwise incompatible critiques: rhetoric’s conception of audience. It offers a fresh take on the “new rhetoric” project of Chaïm Perelman and Lucie Olbrechts-Tyteca, putting their work into conversation with the Badiou-Cassin debate. The book then turns to the hermeneutic philosophy of Paul Ricoeur in search of an expanded conception of audience. It shows that Ricoeur’s hermeneutic philosophy allows us to extend Perelman and Olbrechts-Tyteca’s psychological notion of audience to texts themselves and to argue that human beings have a rhetorical capacity to reflect on audiences in search of what is potentially persuasive. The Rhetoricity of Philosophy will be of interest to scholars and advanced students working in contemporary European philosophy, rhetoric, argumentation studies, and social theory.
An urgent and provocative account of the modern ‘militant’, a transformative figure at the front line of emancipatory politics. Around the world, recent events have seen the creation of a radical phalanx comprising students, the young, workers and immigrants. It is Badiou’s contention that the politics of such militants should condition the tasks of philosophy, even as philosophy clarifies the truth of our political condition. To resolve the conflicts between politics, philosophy and democracy, Badiou argues for a resurgent communism – returning to the original call for universal emancipation and organizing for militant struggle.
Analysing the reception of contemporary French philosophy in architecture over the last four decades, Adventures with the Theory of the Baroque and French Philosophy discusses the problematic nature of importing philosophical categories into architecture. Focusing particularly on the philosophical notion of the Baroque in Gilles Deleuze, this study examines traditional interpretations of the concept in contemporary architecture theory, throwing up specific problems such as the aestheticization of building theory and practice. Identifying these and other issues, Nadir Lahiji constructs a concept of the baroque in contrast to the contemporary understanding in architecture discourse. Challenging the contemporary dominance of the Neo-Baroque as a phenomenon related to postmodernism and late capitalism, he establishes the Baroque as a name for the paradoxical unity of 'kitsch' and 'high' art and argues that the digital turn has enhanced the return of the Baroque in contemporary culture and architectural practice that he brands a pseudo-event in the term 'neobaroque'. Lahiji's original critique expands on the misadventure of architecture with French Philosophy and explains why the category of the Baroque, if it is still useful to keep in architecture criticism, must be tied to the notion of Post-Rationalism. Within this latter notion, he draws on the work of Alain Badiou to theorize a new concept of the Baroque as Event. Alongside close readings of Walter Benjamin, Theodor Adorno and Michel Foucault related to the criticism of the Baroque and Modernity and discussions of the work of Frank Gehry, in particular, this study draws on Jacque Lacan's concept of the baroque and presents the first comprehensive treatment of the psychoanalytical theory of the Baroque in the work of Lacan.
Justin Clemens examines psychoanalysis under the rubric of 'antiphilosophy': a practice that offers the strongest possible challenges to thought. Drawing on the work of Badiou, Freud, Lacan, Zizek and Agamben, he examines the relationships of humans to dr