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Philosophical Tales “A lover of philosophical ideas and practiced debunker of intellectual sham, Martin Cohen knocks some thirty important philosophers from Socrates to Derrida off their pedestals, and presents in a series of philosophical tales various aspects of their thought, life and personality which few of us ever suspected.” Zenon Stavrinides, University of Bradford
Enlightening and entertaining, Philosophical Tales examinesa few of the fascinating biographical details of history’sgreatest philosophers (alas, mostly men) and highlights theircontributions to the field. By applying the true philosophicalapproach to philosophy itself, the text provides us with arefreshing 'alternative history' of philosophy. Opens up new philosophical debate by applying the truephilosophical approach to philosophy itself Provides summaries of the most celebrated and philosophicallyinteresting tales, their backgrounds, and assessments of theleading players Explores philosophers and schools of thought in one keyphilosophical text to supply a solid grounding in philosophicalideas and individuals Shakes some of the foundations of philosophy with the aim ofencouraging the reinvigoration of philosophy itself
A work in the history of systematic philosophy that is itself animated by a systematic philosophic aspiration, this book by one of the most prominent American philosophers working today provides an entirely new way of looking at the development of Western philosophy from Descartes to the present. Brandom begins by setting out a historical context and outlining a methodological rationale for his enterprise. Then, in chapters on Spinoza, Leibniz, Hegel, Frege, Heidegger, and Sellars, he pursues the most fundamental philosophical issues concerning intentionality, and therefore mindedness itself, revealing an otherwise invisible set of overlapping themes and explanatory strategies. Variously functionalist, inferentialist, holist, normative, and social pragmatist in character, the explanations of intentionality offered by these philosophers, taken together, form a distinctive tradition. The fresh perspective afforded by this tradition enriches our understanding of the philosophical topics being addressed, provides a new conceptual vantage point for viewing our philosophical ancestors, and highlights central features of the sort of rationality that consists in discerning a philosophical tradition--and it does so by elaborating a novel, concrete instance of just such an enterprise.
This book contains a broad overview of time travel in science fiction, along with a detailed examination of the philosophical implications of time travel. The emphasis of this book is now on the philosophical and on science fiction, rather than on physics, as in the author's earlier books on the subject. In that spirit there are, for example, no Tech Notes filled with algebra, integrals, and differential equations, as there are in the first and second editions of TIME MACHINES. Writing about time travel is, today, a respectable business. It hasn’t always been so. After all, time travel, prima facie, appears to violate a fundamental law of nature; every effect has a cause, with the cause occurring before the effect. Time travel to the past, however, seems to allow, indeed to demand, backwards causation, with an effect (the time traveler emerging into the past as he exits from his time machine) occurring before its cause (the time traveler pushing the start button on his machine’s control panel to start his trip backward through time). Time Machine Tales includes new discussions of the advances by physicists and philosophers that have appeared since the publication of TIME MACHINES in 1999, examples of which are the chapters on time travel paradoxes. Those chapters have been brought up-to-date with the latest philosophical thinking on the paradoxes.
The telling of tales is always a troubling business, and the way in which we tell stories about ourselves and about others always involves a degree of ethical risk. Levinas, Storytelling and Anti-Storytelling explores the troubling nature of storytelling through a reading of the work of Emmanuel Levinas. Levinas is a thinker who has a complex relationship with literature and with storytelling. At times, Levinas is a teller of powerful tales about ethics; at other times, on ethical grounds, he disavows storytelling altogether. Levinas, Storytelling and Anti-Storytelling explores the tensions between philosophy and storytelling that run throughout Levinas's work. By asking about how Levinas tells and untells his stories, and by risking the telling of tales that Levinas himself does not dare to tell, this book opens up new ways of thinking about Levinas's ethics of responsibility. It may be, as Levinas often insists, that storytelling presents us with ethical dangers; but Levinas, Storytelling and Anti-Storytelling makes the case that an ethics of responsibility may demand that, whilst mindful of these dangers, we nevertheless continually seek out new stories to tell about ourselves, about others and about the world.
Often we think of fairy tales as written for little children as entertainment. But fairy tales are much more and invite young and old alike to reflect on serious philosophical themes. This book offers readers opportunities to engage in philosophical dialogue over a range of important concepts such as truth, goodness, beauty, fairness, and many more. The prompts for these reflections will be fairy tales. In addition to offering guidelines for building a philosophical community with children and young people, the reader will read familiar stories with fresh eyes and encounter new ideas with surprising connections to contemporary issues and concerns. Parents will enjoy sharing a tale with their child and journeying into the big questions that fascinate children. Teens will relish the chance to revisit a favorite fairy tale but as now addressing their own questions and concerns. Finally, adults who are intrigued by philosophy can explore the power of stories, fairy tales, to bring forward serious questions of justice, identity, and meaning making. The values of doing philosophy are many: developing our critical thinking ability, learning how to question and explore alternative ideas, building good arguments for our positions, listening to those who may see the world differently than we do and learning to engage them in meaningful dialogue. The value of using fairy tales is their accessibility to a wide audience, their innate appeal to our imagination, and their magical ability to make us ponder.
"For those new to philosophy, 'Tetralogue' is a marvellous way into the subject. For those who are old hands, it neatly poses serious questions about truth and falsity, relativism and dogma."--Dust jacket flap.
This is a unique, groundbreaking collection of autobiographical essays by leading women in philosophy. It provides a glimpse at the experiences of the generation that witnessed, and helped create, the remarkable advances now evident for women in the field.