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The Omnidoxy is the founding treatise of the Astronist religion and was solely authored by the philosopher and religious founder, Cometan. Partitioned into twelve disquisitions, each of which are further divided into hundreds of discourses, which are themselves titled by those which are known as rubrals, The Omnidoxy has been codified according to a unique writing structure known as insentence. The Omnidoxy not only forms the foundations of Astronism, but it remains the primary modern contributor and the book that ignited the establishment of the Astronic tradition of religion which encompasses the philosophy of Astronism. Introducing brand new philosophical concepts such as cosmocentricity, reascensionism, transcensionism, and sentientism amongst many others, The Omnidoxy remains the principal signifier of a new era in philosophy. The Omnidoxy births hundreds of new belief orientations, schools of thought, neologisms, disciplines of study, theories, and concepts which, when combined and considered collectively, have formed the basis of Astronism. The authorship of The Omnidoxy rests with the single individual philosopher, Cometan who began writing The Omnidoxy at the age of seventeen driven by what he terms as personal inspiration. The historical origination of The Omnidoxy rests in its authorship by Brandon Taylorian during early 21st century England, specifically in the northern county of Lancashire. Like in all textual criticism, the timing and location of the codification of The Omnidoxy is integral to understanding why and how it was written, especially by considering the influential factors impacting Taylorian during his construction of the text, particularly the cultural, political, religious, and social contexts of Taylorian's personal life and of wider society at the time. This forms an important branch of study within omnidoxicology known as omnidoxical criticism, or omnidoxical exegesis in which scholars study and investigate The Omnidoxy in order to discern conclusive judgements inspired by how, where, why, by whom, for whom, and in what circumstances The Omnidoxy was written.
This text presents an intuitive and robust mathematical image of fundamental particle physics based on a novel approach to quantum field theory, which is guided by four carefully motivated metaphysical postulates. In particular, the book explores a dissipative approach to quantum field theory, which is illustrated for scalar field theory and quantum electrodynamics, and proposes an attractive explanation of the Planck scale in quantum gravity. Offering a radically new perspective on this topic, the book focuses on the conceptual foundations of quantum field theory and ontological questions. It also suggests a new stochastic simulation technique in quantum field theory which is complementary to existing ones. Encouraging rigor in a field containing many mathematical subtleties and pitfalls this text is a helpful companion for students of physics and philosophers interested in quantum field theory, and it allows readers to gain an intuitive rather than a formal understanding.
Philosophical contemplation means reflecting on fundamental life-issues from our inner depth. It takes us beyond our ordinary thought-patterns to new realms of understanding. When we contemplate on the writings of great philosophers of the past, we participate in the grand human choir and its encounter with the fundamental coordinates of human reality. This booklet is a practical and theoretical guide to philosophical contemplation, designed for beginning and experienced contemplators, philosophers and non-philosophers. It explains general principles, basic concepts, and a variety of practical techniques.
"This book is focused on the surprisingly large number of feminist women writers in literary history who use different genres for their feminist ideas while subverting or transgressing established boundaries between fictional and theoretical writing. In particular, texts by such diverse authors as Mary Wollstonecraft, Mary Hays, Mary Robinson, Harriet Martineau, Olive Schreiner, Virginia Woolf, the French Feminists Hélène Cixous and Monique Wittig, Margaret Cavendish, and Michèle Roberts are analysed. This chronological in-depth reading of feminist texts is based on the interrelation of content, genre and discourse. The study provides the first analysis of the phenomenon of the gendering of genre and feminists' troubled involvement in "theory" as well as "literature". In this way, key questions concerning the emergence of feminism during the last four hundred years are presented in a new and revealing light; e.g., for what reason did Mary Wollstonecraft not only write her famous feminist treatise A Vindication of the Rights of Woman, but also a novel in which she tests the arguments of her theoretical treatise by means of fiction? What is the significance of Virginia Woolf?s "Novel-Essay" The Pargiters, which seeks to connect theoretical and fictional parts by juxtaposing them? How can the mixture of genres be interpreted which Catherine Clément attributes to the texts of Hélène Cixous as a "writing halfway between theory and fiction?'--Back cover.
The Hierarchy of The Cosmos is the twenty-fifth instalment in the Little Blue Book Series and is comprised of the forty-first discourse from the Monodoxy, which is itself the first disquisition of the Omnidoxy, the founding book of Astronism. This single-discourse publication principally concerns itself with explaining and philosophising about the various interpreted hierarchies observable in The Cosmos between progeny and phenomena, especially according to their size, relevance, abundance, and frequency, in addition to other parameters for contemplation. These contemplation are categorised into the discipline known as dynastesiology. The Little Blue Book Series was created and first published by Cometan himself as a way to simplify and commercialise the immensity of the two million word length of the Omnidoxy into smaller, more bite-size publications. A successful series from its very first published entry, the Little Blue Book Series has gone on to become a symbol of Astronist commercial literature and a way for Cometan’s words to reach readers of all ages and abilities who remain daunted by the beauty and yet the sheer extensiveness of the Omnidoxy as the longest religious text in history.
Immerse yourself into the most famous writings of Cometan; The Twelve Grand Disquisitions. This is where Astronism and the philosophership of Cometan truly began. The Core Omnidoxy publication compiles together the twelve disquisitions that form the "core" of the Omnidoxy. These disquisitions are the text's beating heart and they have held an incomparable impact on the development of Astronism. Buy your copy of Core Omnidoxy today and get all twelve disquisitions in just one book! Here's what is included in this publication: The Monodoxy: The Principles of The Aesthetic Cosmos The Duodoxy: The Principles of The Logical Cosmos The Tridoxy: The Principles of Aid & Stewardship The Tetradoxy: The Principles of Justice & Patience The Pentadoxy: The Principles of Ambition & Enlightenment The Hexadoxy: The Principles of Ontology & Perception The Septidoxy: The Principles of Cosmic Exploration The Octadoxy: The Principles of Advancement & Eschatology The Nonodoxy: The Principles of Epistemology & Ethics The Decadoxy: The Principles of Space & Time The Hendecadoxy: The Principles of Peace & Acceptance The Dodecadoxy: The Principles of Imagination & Freedom
The Monodoxy is a 275,000 word-long philosophical disquisition categorised as the first of twelve disquisitions that, when considered collectively, form The Omnidoxy, the founding treatise of the philosophy of Astronism established by Cometan. The disquisition comprises of hundreds of discourses which are themselves titled by rubrals and written according to a style and structure known as insentence. The Monodoxy's authorship solely rests with Cometan, the first Millettic philosopher and the founder of Astronism whom began writing The Monodoxy at the age of just seventeen through what he termed as personal inspiration. The Monodoxy has been said to formulate the thematic identity of the philosophy of Astronism due to its prominent focus on the elements, progeny, and phenomena of The Cosmos in a distinct way to all the other eleven disquisitions forming The Omnidoxy. Hundreds of new schools of thought, disciplines of study, and philosophical belief orientations hold their roots in The Monodoxy in addition to thousands of new terms, concepts, and theories which hold a distinguished originality and Cometanic style combined with an Astronic identity. There are a total of fifty-three discourses which constitute The Monodoxy, each of which holds its own special title known as a rubral which are used to provide overviews of the discourses to which they are associated.
The Oblivions of The Cosmos is the thirtieth instalment in the Little Blue Book Series and comprises of the forty-eighth discourse of the Monodoxy, which is itself the first disquisition of the Omnidoxy, the founding book of Astronism. A haunting single-discourse publication constituting over 250 insentensations, The Oblivions of The Cosmos investigates one of the most ominous and chaotic progenies in The Cosmos; black holes. To introduce the discipline of cosmontology known as obliviology, this discourse examines all aspects and possibilities regarding the nature, form, purpose, eventualities, and physicalities of black holes with implicit connections to the beliefs of Astronism, particularly regarding the tradition of mystery surrounding black holes in Astronist philosophy and religion. The Little Blue Book Series was created and first published by Cometan himself as a way to simplify and commercialise the immensity of the two million word length of the Omnidoxy into smaller, more bite-size publications. A successful series from its very first published entry, the Little Blue Book Series has gone on to become a symbol of Astronist commercial literature and a way for Cometan’s words to reach readers of all ages and abilities who remain daunted by the beauty and yet the sheer extensiveness of the Omnidoxy as the longest religious text in history.
Vibrant Death links philosophy and poetry-based, corpo-affectively grounded knowledge seeking. It offers a radically new materialist theory of death, critically moving the philosophical argument beyond Christian and secular-mechanistic understandings. The book's ethico-political figuration of vibrant death is shaped through a pluriversal conversation between Deleuzean philosophy, neo-vitalist materialism and the spiritual materialism of decolonial, queerfeminist poet and scholar Gloria Anzaldua. The book's posthuman deexceptionalizing of human death unfurls together with a collection of poetry, and autobiographical stories. They are analysed through the lens of a posthuman, queerfeminist revision of the method of autophenomenography (phenomenological analysis of autobiographical material). Nina Lykke explores the speaking position of a mourning, queerfeminine ”I”, who contemplates the relationship with her dead beloved lesbian life partner. She reflects on her enactment of processes of co-becoming with the phenomenal and material traces of the deceased body, and the new assemblages with which it has merged through death's material metamorphoses: becoming-ashes through cremation, and becoming-mixed-with-algae-sand when the ashes were scattered across a seabed made of fiftyfive million-year-old, fossilized algae. It is argued that the mourning “I”'s intimate bodily empathizing (theorized as symphysizing) with her deceased, queermasculine beloved life partner facilitates the processes of vitalist-material and spiritual-material co-becoming, and the rethinking of death from a new and different perspective than that of the sovereign, philosophical subject.