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Evangelicalism appeared as a new pattern of Christian devotion at a moment when the foundations of Anglo-American society were shifting. The Spirit of Early Evangelicalism locates the rise of evangelical religion in relation to movements that we now routinely acknowledge with capital letters: Modernity, the Scientific Revolution, and the Enlightenment. The book examines the evangelical awakening in connection with the history of science, law, art, and literature. The eighteenth century saw a profound turn toward nature and the authority of natural knowledge in each of these discourses. As a more democratic public sphere became available for debating contemporary concerns, evangelicals forcefully pressed their agenda for "true religion," believing it was still possible to experience "the life of God in the soul of man." The results were dramatic and disruptive. Bruce Hindmarsh provides a fresh perspective, and presents new research, on the thought of leading figures such as John and Charles Wesley, George Whitefield, and Jonathan Edwards. He also traces the significance of evangelical spirituality for elites and non-elites across multiple genres. This book traces the meaning of evangelical devotion in a rich variety of contexts, from the scribbled marginalia of lay Methodists and the poetry of an African-American laywoman to the visual culture of grand manner portraits and satirical prints. Viewing devotion, culture, and ideas together, it is possible to see the advent of evangelicalism as a significant new episode in the history of Christian spirituality.
Perception and analogy explores ways of seeing scientifically in the eighteenth century. The book examines how sensory experience is conceptualised during the period, drawing novel connections between treatments of perception as an embodied phenomenon and the creative methods employed by natural philosophers. Covering a wealth of literary, theological, and pedagogical texts that engage with astronomy, optics, ophthalmology, and the body, it argues for the significance of analogies for conceptualising and explaining new scientific ideas. As well as identifying their use in religious and topographical poetry, the book addresses how analogies are visible in material culture through objects such as orreries, camera obscuras, and aeolian harps. It makes the vital claim that scientific concepts become intertwined with Christian discourse through reinterpretations of origins and signs, the scope of the created universe, and the limits of embodied knowledge.
Robert Schofield explores the rational elements of British experimental natural philosophy in the 18th century by tracing the influence of two opposing concepts of the nature of matter and its action—mechanism and materialism. Both concepts rested on the Newtonian interpretation of their proponents, although each developed more or less independently. By integrating the developments in all the areas of experimental natural philosophy, describing their connections and the influences of Continental science, natural theology, and to a lesser degree social and institutional changes, the author demonstrates that mechanistic concepts dominated interpretations from about 1687 to 1740, when they were replaced by materialistic concepts. A revival of the mechanistic approach early in the next century made England a fertile field for ideas on the dynamic interaction of forces. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.