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Writing against historical forgetting, Charlie Samuya Veric reconstructs the foundations of Filipino postcolonial thought following Philippine independence from the United States in 1946. On the one hand, he narrates the rise of postcolonial knowledge after the formal birth of the nation. On the other, he examines the ideas of the first generation of intellectuals who came of age after independence--Edith L. Tiempo, Fernando Zobel, Bienvenido L. Lumbera, E. San Juan, Jr., and Jose Maria Sison--whose penetrating insights into literary formalism, modern art, vernacular tradition, subaltern internationalism, and mass revolution constitute key cultural archives of postcolonial knowledge production. Original and provocative, Children of the Postcolony illuminates Filipino decolonization and argues for the vitality of its still unrealized dreamworld.
Has its close connections with academe enriched or diminished Philippine literature in English? Are there alternatives to academe as literary arbiters? How do contemporary Filipino women writers "perform" the modern wonder tale? These are some of the questions that Hidalgo asks in her latest book.
Newly available with an updated bibliographic essay, this highly acclaimed work explores the Huk rebellion, a momentous peasant revolt in the Philippines. Unlike prevailing top-down analysis, Kerkvliet seeks to understand the movement from the point of view of its participants and sympathizers. He argues that seeing a peasant revolt through the eyes of those who rebelled explains and clarifies the actions of people who otherwise might appear irrational. Drawing on a rich array of documents and in-depth interviews with peasants and rebel leaders, the author provides definitive answers to the causes of the rebellion, the goals of the rebels, and the process of resistance.
These essays by Philippine and U.S.-based scholars illustrate the dynamism and complexities of the discursive field of Philippine studies as a critique of vestiges of "universalist" (Western/hegemonic) paradigms; as an affirmation of "traditional" and "emergent" cultural practices; as a site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarship; and as a liberative space for new art and literary genres.
Unlike other conventional histories, the unifying thread of A History of the Philippines is the struggle of the peoples themselves against various forms of oppression, from Spanish conquest and colonization to U.S. imperialism. Constantino provides a penetrating analysis of the productive relations and class structure in the Philippines, and how these have shaped―and been shaped by―the role of the Filipino people in the making of their own history. Additionally, he challenges the dominant views of Spanish and U.S. historians by exposing the myths and prejudices propagated in their work, and, in doing so, makes a major breakthrough toward intellectual decolonization. This book is an indispensible key to the history of conquest and resistance in the Philippine.
Using extensive interviews and first-hand observations, West traces the KMU's rise and eventual fragmentation in a time of economic and political crisis.
This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states. Taking the performing bodies of migrant musicians as the locus of sound, this book argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural consumption, and follows the migration of Manila musicians as they engaged in the modernization project of the neighboring Asian cities.
This 7-volume set reissues a range of classic out-of-print texts that cover a host of issues that have contributed to the development of modern East and South East Asia. With titles covering economics, politics, history, anthropology and security, this set provides the researcher with an essential resource on the region.