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"Philip Winwood" by Robert Neilson Stephens is a retrospective tale of adventure that looks at America during the Revolutionary War against England. Starting with the titular character's arrival in New York, the book takes audiences into battles and the livelihood of those who called the budding nation home during these times of struggle. Following Winwood even after the fighting, this patriotic book struck chords with readers around the US who would proudly fight for their country.
'Tis not the practice of writers to choose for biography men who have made no more noise in the world than Captain Winwood has; nor the act of gentlemen, in ordinary cases, to publish such private matters as this recital will present. But I consider, on the one hand, that Winwood's history contains as much of interest, and as good an example of manly virtues, as will be found in the life of many a hero more renowned; and, on the other, that his story has been so partially known, and so distorted, it becomes indeed the duty of a gentleman, when that gentleman was his nearest friend, to put forth that story truly, and so give the lie for ever to the detractors of a brave and kindly man. There was a saying in the American army, proceeding first from Major Harry Lee, of their famous Light Horse, that Captain Winwood was in America, in the smaller way his modesty permitted, what the Chevalier Bayard was in France, and Sir Philip Sidney in England. This has been received more than once (such is the malice of conscious inferiority) with derisive smiles or supercilious sneers; and not only by certain of his own countrymen, but even in my presence, when my friendship for Winwood, though I had been his rival in love and his enemy in war, was not less known than was my quickness to take offence and avenge it. I dealt with one such case, at the hour of dawn, in a glade near the Bowery lane, a little way out of New York. And I might have continued to vindicate my friend's character so: either with pistols, as at Weehawken across the Hudson, soon after the war, I vindicated the motives of us Englishmen of American birth who stood for the king in the war of Independence; or with rapiers, as I defended the name of our admired enemy, Washington, against a certain defamer, one morning in Hyde Park, after I had come to London. But it has occurred to me that I can better serve Winwood's reputation by the spilling of ink with a quill than of blood with a sword or pistol. This consideration, which is far from a desire to compete with the young gentlemen who strive for farthings and fame, in Grub Street, is my apology for profaning with my unskilled hand the implement ennobled by the use of a Johnson and a Goldsmith, a Fielding and an Addison.
Approximately fifty historical novels dealing with the American Revolution were published in the United States in the single ten-year period from 1896 to 1906. Benjamin Lawson critically examines the narrative strategies employed in these many novels, the ways in which fiction is made to serve the purpose of vivifying national history. The British conventions of the historical romance in one sense seem to preclude radical declarations of literary independence even in books purportedly about a war against Britain. Working within the formula, these many writers nonetheless created fictional plots which parallel and reflect the enveloping concerns of the War for Independence. Just as the war was sometimes viewed as an Anglo-American family squabble, these metaphorical narratives depict familial and love interests.
Includes music.