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One of the seminal artists of contemporary photography, Philip-Lorca diCorcia produces work that exists on a wide spectrum of fictionalized documentary. Yet a thematic and conceptual unity, most often realized in serial form and particularly suited to monograph format marks each series in his oeuvre. With Thousand, diCorcia effectively inverts his own tendency: the monograph is now the work itself. The sheer volume of material, which spans over 20 years of personal and artistic creation, shifts notions of context, narrative, and individual perception. Flipping through the pages of Thousand is not so much a retrospective or summation of the artist s life as it is an exercise in the construction of memory. An unwashed pan soaking in the sink precedes an unknown woman resembling an odalisque; the familiar linoleum aisles of a generic supermarket give way to a verdant swatch of lawn. These images are bothalien and deeply familiar, and just as one moment in our lives may recall another, these photos echo among one another, within the book, within the canon of diCorcia's work, and within our personal experience. The Polaroid proves to be the perfect souvenir unique and subject to reinterpretation, like memory itself. Philip-Lorca diCorcia was born in Hartford, Connecticut, in 1951. He received his MFA in Photography from Yale University in 1979. Published volumes accompany his solo exhibits at the Museum of Modern Art (Philip-Lorca diCorcia, 1995) and PaceWildenstein Gallery, New York (Streetwork 1993-1997, 1997; Heads, 2001; A Storybook Life, 2003). His work is included in the collections of the Bibliotheque Nationale de France, the Museum of Modern Art, and the Metropolitan Museum of Art, among others. He has been named a Guggenheim Foundation Fellow and has received multiple grants from the National Endowment for the Arts. DiCorcia lives and works in New York City.
Between 1997 and 2008, Philip-Lorca diCorcia completed 11 photographic portfolios in collaboration with W magazine's creative director Dennis Freedman. In their epic scope and visual luxuriance, these enigmatic and glamour-soaked photographic narratives stand as one of the most ambitious editorial projects of the last decade. DiCorcia and Freedman traveled the globe to make these stories, deploying fabulous locations ranging from a Lautner house in Los Angeles and the Mariinsky Opera House in St. Petersburg to Windows on the World at the top of the World Trade Center and a notorious "club échangiste" (swinger's club) in Paris. The cast of characters included iconic models Nadja Auermann, Guinevere van Seenus, Kristen McMenamy, Karen Elson, Shalom Harlow and Hannelore Knuts, the actress Isabelle Huppert, the designer Marc Jacobs plus people cast on location. DiCorcia's fashion stories are collected for the first time in this superbly designed monograph, and reveal themselves as a masterpiece of staged photography and photographic storytelling. Philip-Lorca diCorcia was born in Hartford, Connecticut, in 1951. He received his MFA in Photography from Yale University in 1979. DiCorcia's work has been the subject of solo shows at The Museum of Modern Art, New York, the Institute of Contemporary Art, Boston, the Centre National de la Photographie, Paris, Whitechapel Art Gallery, London and the Museo Nacional Centro de Arte Reina Sofia, Madrid, among others. He has been named a Guggenheim Foundation Fellow and has received multiple grants from the National Endowment for the Arts. His work is included in the collections of the Bibliotheque Nationale de France, The Museum of Modern Art and the Metropolitan Museum of Art, among others. His previous books include A Storybook Life (2003) and Thousand (2007), a collection of Polaroids that was exhibited at the Los Angeles County Museum of Art. DiCorcia lives and works in New York City.
Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 15, 2010-May 2, 2011.
The photographer Philip-Lorca diCorcia is best known for his elaborately staged scenes made to look like real life, in which he meticulously plans every element of a shot-lighting, pose, etc, before taking the photograph, creating the "ur" moment. This is conceptual photography with the veneer of the documentary. As such, his photographs have been integral to contemporary dialogues on street photography, portraiture and constructed versus spontaneous tableaus. His most recent body of work, titled "Heads," is a departure from this method. Setting up shop in New York City, diCorcia took unstaged pictures of passers by that follow in the street photography tradition of Paul Strand, Walker Evans, Harry Callahan and Robert Frank. DiCorcia's work helps to redefine the genre, bringing street photography into our postmodern world.
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Essay and Interview with Dennis Freedman by Susan Kismaric and Dennis Freedman.
From early amateur snapshots to today’s advanced digital images, photography has been the perfect means to record people’s lives. This provocative book explores the complex and varied ways that five contemporary photographers––Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan––use their own daily experiences as inspiration for their art. Each of these artists has created highly personal, shifting, and intriguing visions of his or her life. The works range from Tina Barney’s orchestrated depictions of her friends and family in affluent New England settings to Nan Goldin’s unabashed portrayal of intimate, and often brutally honest, moments. Sally Mann turned to her children and their surroundings as her subject, and Larry Sultan has accomplished something similar in his depictions of his parents. Philip-Lorca diCorcia offers up his “storybook life” in photographs that—like others in this group—span nearly twenty years. So the Story Goes is arranged in portfolio format and features beautiful color reproductions of about twenty photographs by each artist. With an introductory essay that examines the development of personal narrative in photography, as well as insightful entries on each artist, the book analyzes how these works tell a life’s story.
Recognising strangeness in familiar objects, the present in the past, the construed in what is authentic -- the four masterly photographers show excerpts from our world in which the boundary between reality and imagination becomes blurred. From fleeting everyday scenes to mysterious happenings and historical events, they reveal a complex and multi-layered reality. Thomas Demand, Philip-Lorca diCorcia, Andreas Gursky and Jeff Wall use the proximity to reality and the momentary nature of photography in order to create their idiosyncratic viewpoints of reality. What is real? They play with the viewers' perceptions, irritate and invite them to an individual interpretation of what is shown. This exclusive volume presents the works of the stars of the contemporary international photography scene magnificently and in clearly narrated texts.
Foreword by Jill Medvedow. Interview by Lynne Tillman. Text by Bennett Simpson.