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Philip Larkin: A Writer's Life won the Whitbread Award for Biography in 1993 and was championed as 'an exemplary biography of its kind' (The Times). With a new introduction written by the author, this edition offers an engrossing portrait of one of the twentieth century's most popular, and most private, poets. 'There will be other lives of Larkin, but Motion's, like Forster's of Dickens, will always have a special place.' John Carey, Sunday Times'Larkin lived a quietly noble and exemplary version of the writer's life; Motion - affectionate but undeceived about the man's frailties, a diligent researcher and a deft reader of poetry - has written an equally exemplary 'Life' of him.' Peter Conrad, Observer'Honest but not prurient, critical but also compassionate, Motion's book could not be bettered.' Alan Bennett, London Review of Books
Philip Larkin: A Writer's Life won the Whitbread Award for Biography in 1993 and was championed as 'an exemplary biography of its kind' (The Times). With a new introduction written by the author, this edition offers an engrossing portrait of one of the twentieth century's most popular, and most private, poets. 'There will be other lives of Larkin, but Motion's, like Forster's of Dickens, will always have a special place.' John Carey, Sunday Times 'Larkin lived a quietly noble and exemplary version of the writer's life; Motion - affectionate but undeceived about the man's frailties, a diligent researcher and a deft reader of poetry - has written an equally exemplary 'Life' of him.' Peter Conrad, Observer 'Honest but not prurient, critical but also compassionate, Motion's book could not be bettered.' Alan Bennett, London Review of Books
_______________ 'Superb ... Booth's psychology is subtler than Motion's and more convincing' - Peter J. Conradi, Spectator 'Booth's diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed ... should render further attention by biographers superfluous for several years' - Guardian 'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent _______________ A fascinating and controversial study of Philip Larkin's world and how it bled into his work, James Booth's biography is a unique insight into the man whose life and art have been misunderstood for too long Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as 'Never such innocence again' and 'Sexual intercourse began / In nineteen sixty-three' made him one of the most popular poets of the last century. Larkin's reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving 'Love Songs in Age' have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words 'Deprivation is for me what daffodils were for Wordsworth' really have been so boorish? A very different public image is offered by those who shared the poet's life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets.
'A brilliant biography - John Sutherland has brought Monica Jones to life as she deserves.' Claire Tomalin 'Eye-opening... in this account [Monica Jones] comes alive.' The Sunday Times Monica Jones was Philip Larkin's partner for more than four decades, and was arguably the most important woman in his life. She was cruelly immortalised as Margaret Peel in Kingsley Amis's Lucky Jim and widely vilified for destroying Larkin's diaries and works in progress after his death. She was opinionated and outspoken, widely disliked by his friends and Philip himself was routinely unfaithful to her. But Monica Jones was also a brilliant academic and an inspiring teacher in her own right. She wrote more than 2,000 letters to Larkin, and he in turn poured out his heart to her. In this revealing biography John Sutherland explores the question: who was the real Monica? The calm and collected friend and teacher? The witty conversationalist and inspirational lecturer? Or the private Monica, writing desperate, sometimes furious, occasionally libellous, drunken letters to the only man, to the absent man, whom she could love? Was Monica's life - one of total sacrifice to a great poet - worthwhile? Through his careful reading of Monica's never-before-seen letters, and his own recollections, John Sutherland shows us a new side to Larkin's story, and allows Monica to finally step out from behind the poet's shadow.
For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis
The First Person and Other Stories is the fourth collection of short stories by Ali Smith. The First Person and Other Stories effortlessly appeals to our hearts, heads and funny bones. Always intellectually playful, but also very moving and funny, Smith explores the ways and whys of storytelling. In one, a middle-aged woman conducts a poignant conversation with her gauche fourteen-year-old self. In another, an innocent supermarket shopper finds in her trolley a foul-mouthed, insulting and beautiful child. Challenging the boundaries between fiction and reality, a third presents its narrator, 'Ali', as she drinks tea, phones a friend and muses on the relationship between the short story and - a nymph. Innovative, sophisticated and intelligent, the stories in The First Person and Other Stories are packed full of ideas, jokes, nuance and compassion. Ali Smith and the short story are made for each other. 'Smith's is a profoundly optimistic vision. These stories are frightening yet funny, and the sheer exuberance and playfulness of her language endows dark matters with a lightness of touch' New Statesman 'She's a genius, genuinely modern in the heroic, glorious sense' Alain de Botton 'Terrific . . . hurrah for Ali Smith . . . The best short-story writers make it look as easy as making a cup of tea. Ali Smith is one of these . . . A bold and brilliant collection of stories by a writer unafraid to give it to us as it is' Times 'A glorious collection that celebrates and subverts the short story form' Independent
Kingsley Amis was a mimic, jester, father, husband, atheist, pseudo-socialist and clubland Tory boozer with a limitless taste for adultery; Philip Larkin a glum misanthrope who lived in self-imposed solitude. And yet, after meeting at St John's, Oxford in 1941, this unlikely pair struck up a friendship to endure for more than forty years, despite a period of acrimony in the 1960s. From their early days of undergraduate ambitions and enthusiasms through to the bitterness of middle age, Richard Bradford charts the progress of a remarkable friendship, and shows how crucial it was to the making of these two literary giants. Without Larkin's inspiration and input, Amis would never have written his award-winning debut, Lucky Jim; if not for Amis's overnight success, Larkin would never have abandoned his hopes of becoming a novelist and turned instead to verse. Larkin's ensuing resentment would simmer beneath the surface of their relationship for years to come. Drawing on an enormous archive of letters, manuscripts and interviews, The Odd Couple not only offers a rare glimpse into the private correspondence of two controversial and eccentric men, it also illuminates some of the finest novels and poems of the twentieth century.
Andrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account. "Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review "Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review "Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer
Anthology of about 600 poems from more than 200 twentieth century English poets.