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The past decade has witnessed the realization of Philip Johnson and John Burgee's most innovative buildings in their eighteen-year professional collaboration. No single architectural team has had a stronger impact on the shape of the American skyline. Their impressive output makes an updated volume on their work timely and welcome, both to the architectural community and to the interested public. The twenty-five projects featured in this volume include high-rise office buildings and urban complexes, colleges and cultural centers, commercial and religious monuments. A distinctive and highly varied repertory emerges: the Romanesque ensemble of the New Cleveland PlayHouse; the neoclassical AT&T building in NewYork City; a mansard-roofed skyscraper in San Francisco (adorned with classical statues); the Dutch-gabled Republic Bank Center in Houston; Boston's "village of skyscrapers," International Place at Fort Hill; and that major twentieth century space in Garden Grove, California- the steel and glass Crystal Cathedral. The volume also features buildings currently in production and under construction, such as the triple-tiered, oval-shaped office building on Fifty-third Street and Third Avenue in New York, a very creative manipulation of the New York City zoning laws and the new home of John Burgee Architects with Philip Johnson.The illustrated main text is supplemented by a chronological index providing in capsule form a history of their major built projects -- from dust jacket.
The past decade has witnessed the realization of Philip Johnson and John Burgee's most innovative buildings in their eighteen-year professional collaboration. No single architectural team has had a stronger impact on the shape of the American skyline. Their impressive output makes an updated volume on their work timely and welcome, both to the architectural community and to the interested public. The twenty-five projects featured in this volume include high-rise office buildings and urban complexes, colleges and cultural centers, commercial and religious monuments. A distinctive and highly varied repertory emerges: the Romanesque ensemble of the New Cleveland PlayHouse; the neoclassical AT&T building in NewYork City; a mansard-roofed skyscraper in San Francisco (adorned with classical statues); the Dutch-gabled Republic Bank Center in Houston; Boston's "village of skyscrapers," International Place at Fort Hill; and that major twentieth century space in Garden Grove, California- the steel and glass Crystal Cathedral. The volume also features buildings currently in production and under construction, such as the triple-tiered, oval-shaped office building on Fifty-third Street and Third Avenue in New York, a very creative manipulation of the New York City zoning laws and the new home of John Burgee Architects with Philip Johnson.The illustrated main text is supplemented by a chronological index providing in capsule form a history of their major built projects -- from dust jacket.
In this critically acclaimed biography, Franz Schulze probes the private and professional life of one of the most famous architects and architectural critics of the twentieth century. The only child of a wealthy Midwestern family, Philip Johnson was a millionaire by the time he graduated from Harvard, and in 1932 he helped stage the historic International Style exhibition at the Museum of Modern Art. A patron of the arts and a political activists who flirted with the politics of Hitler, Huey Long, and Father Coughlin, he went on to create controversial and historical structures such as the Glass House, the Roofless Church, the AT & T Building, the Crystal Cathedral, and many more. Johnson's personal charms paired with his manipulative ploys—like his "borrowing" of designs—shine through in this biography. Drawing on Johnson's correspondence, personal photographs, and speeches, and on interviews with his friends and contemporaries, Schulze fills the biography with fascinating information on the architect's family, travels, friends and lovers, and his many buildings and spaces themselves. Franz Schulze is a professor of art at Lake Forest College. He is the author of Fantastic Images: Chicago Art since 1945, One Hundred Years of Chicago Architecture, and Mies van der Rohe: A Critical Biography.
This book examines a period which is far more than a prelude to the age of steel and concrete. The first half-century culminated in the bold iron and glass of the Crystal Palace. There follows the creation of the modern styles of the era based on traditions of the past, and finally, in the 20th century, Art Nouveau and the modern architects in their generations - Perret, Wright, Gropius, Corbusier, Mies van der Rohe and others in many parts of the world.
Disfiguring is constructive or, perhaps more accurately, reconstructive. By exploring the religious dimensions of twentieth-century painting and architecture, he shows how the visual arts continue to serve as a rich resource for the theological imagination.
"The second edition of History of the Development of Building Construction in Chicago is a tribute to Frank Randall's vision and resource to Chicago area architects, engineers, preservation specialists, and other members of the building industry."--BOOK JACKET.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.