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Read stories brought to life during encounters at Eastern State Penitentiary, where whispers from the famed Cell Block 12 were caught on tape. At Fort Mifflin, visions of bloody men of the Revolutionary time are seen and their agonizing cries are heard. Also visit apparitions of South Philly and Center City; read about a ghost who'd killed family members and then himself--he now interacts with the living; see a nostalgic spirit who stands at the corner of 9th and Passyunk. Included is information for ghost hunters about protection, equipment, and tips for investigating ghosts. Watch where you walk in Philadelphia; chances are there may be a spirit or two strolling next to you!
Philadelphia is known for many things: brotherly love, Revolutionary history, passionate sports fans, cheesesteaks, and Rocky are merely a few of them. But the Founding Fathers didn’t just walk the streets of Philadelphia 200 years ago, many still walk here…or so the story goes. Along the streets of Philadelphia you can find the ghosts of Ben Franklin, Betsy Ross, Alexander Hamilton, and Edgar Allen Poe. But those are only the famous ones. There are a few less known ghosts creeping around the historic streets. Nearby Fort Mifflin certainly has its share of hauntings, given its long history of sheltering soldiers and holding prisoners from the Revolutionary War up to the Civil War. And given all the cemeteries that have been established and then relocated--or not--it's almost a given that thousands of disturbed graves might stir up a ghost or two.
This is the first full-length study of literary tourism in North America as well as Britain, and a unique exploration of popular response to writers, literary house museums, and the landscapes or "countries " associated with their lives and works. An interdisciplinary study ranging from 1820-1940, Homes and Haunts: Touring Writers' Shrines and Countries unites museum and tourism studies, book history, narrative theory, theories of gender, space, and things, and other approaches to depict and interpret the haunting experiences of exhibited houses and the curious history of topo-biographical writing about famous authors. In illustrated chapters that blend Victorian and recent first-person encounters that range from literary shrines and plaques to guidebooks, memoirs, portraits, and monuments, Alison Booth discusses pilgrims such as William and Mary Howitt, Anna Maria and Samuel Hall, and Elbert Hubbard, and magnetic hosts and guests as Washington Irving, Wordsworth, Martineau, Longfellow, Hawthorne, James, and Dickens. Virginia Woolf's feminist response to homes and haunts shapes a chapter on Mary Russell Mitford, Gaskell, and the Brontës, and another on the Carlyles' house and Monk's House. Booth rediscovers collections of personalities, haunted shrines, and imaginative re-enactments that have been submerged by a century of academic literary criticism.
One of John Wideman’s most ambitious and celebrated works, the lyrical masterpiece and PEN/Faulkner winner inspired by the 1985 police bombing of the West Philadelphia row house owned by black liberation group Move. In 1985, police bombed a West Philadelphia row house owned by the Afrocentric cult known as Move, killing eleven people and starting a fire that destroyed sixty other houses. At the heart of Philadelphia Fire is Cudjoe, a writer and exile who returns to his old neighborhood after spending a decade fleeing from his past, and who becomes obsessed with the search for a lone survivor of the event: a young boy seen running from the flames. Award-winning author John Edgar Wideman brings these events and their repercussions to shocking life in this seminal novel. “Reminiscent of Ralph Ellison’s Invisible Man” (Time) and Norman Mailer’s The Executioner’s Song, Philadelphia Fire is a masterful, culturally significant work that takes on a major historical event and takes us on a brutally honest journey through the despair and horror of life in urban America.
Eerie stories of ghosts, spirits, and hauntings from across the Keystone State.
Ghosts and legends of the First State—from haunted houses and historic sites to chilling stories of demon dogs and the Bad Weather Witch. Delaware’s long history has created many ghostly echoes in the present day, places where the souls of the dead have not yet found rest. Experience the eerie legend of Fiddler’s Bridge, meet the ghosts in the Governor’s Mansion and learn the truth behind the Selbyville Swamp Monster. Discover many more terrifying tales that will chill your bones. These are the stories of the most frightening phantoms that lurk in New Castle, Kent and Sussex Counties—read them if you dare. Delaware native and paranormal historian Josh Hitchens takes a spooky road trip through the First State.
Continuing the success of the nationally acclaimed Haunted America, Historic Haunted America is a further investigation into North American ghost legends. This chilling collection documents yesterday's and today's most terrifying hauntings in the United States and Canada in more than seventy-five shocking stories! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The release of Ken Burns' documentary Baseball in 1994 and the commemoration of the 50th anniversary of Jackie Robinson's debut in the major leagues in 1997 once again brought attention to the integration of baseball. Integration did not guarantee equality or even begin to solve baseball's race-related struggles. In some instances, integration caused even more problems for the African American players and their white teammates. This was the case in Philadelphia, where, among other discriminatory actions, Phillies manager Ben Chapman instructed his players to verbally abuse Jackie Robinson. This work examines how Philadelphia acquired a reputation as a tough place for African American players. It follows the very slow and difficult progress of integration of the Philadelphia Phillies and Athletics. Attempts to integrate Philadelphia baseball began being made as early as the 1860s, and all of them proved futile until 1953. Those attempts and the reasons that they failed are discussed. The book provides biographical and statistical information on some of the African American players who were confronted with discrimination, and also looks at the white players, managers, coaches, and front office personnel who were having a difficult time accepting African American players on their teams.
Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race. Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history. It also offers a fresh take on the historiography of the antebellum minstrel show.