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Classic biography of one of the great figures of modern popular music, the inventor of the 'Wall Of Sound', legendary sixties record producer Phil Spector. First published in 1972, this book has been revised and updated to include details of Spector's life over the last 30 years, including the shooting in bizarre circumstances of actress Lana Clarkson at Spector's Los Angeles mansion on February 3, 2003.
New York Times bestselling author Carlton Smith, one of the award-winning journalists who covered the Green River Killer case, examines the rise and fall of a musical legend whose self-destructive personality resulted in murder in Reckless: Millionaire Record Producer Phil Spector and the Violent Death of Lana Clarkson. In the early morning hours of February 3, 2003, police were summoned to the spooky Alhambra, California castle of legendary music producer Phil Spector. There they discovered the body of actress Lana Clarkson, dying in a chair, shot through the mouth. Spector claimed she had killed herself, but was soon charged with murder. The pop music genius, who revolutionized music from the Beatles to the Ramones, was making headlines again. But Spector, notorious for his eccentric behavior, volatile temper, and fascination with guns, pleaded innocent. What really happened on that fateful pre-dawn morning in Spector’s hilltop mansion? As the controversial wunderkind’s life of fame, money, and excess was coming undone, a true Hollywood mystery was about to unfold.
Spector's achievements are well-chronicled in this tightly-written and very accessible book.
The most comprehensive guide yet published to the work & music of Phil Spector - rock & roll's greatest producer. Includes complete U.S. & U.K. discography, plus international discography of Spector releases with picture sleeves & albums suitable for collecting. Extensive bibliography of books & articles relating to Phil Spector & his major artists: including Ronnie Spector, the Ronettes, the Crystals, Darlene Love, Tina Turner, the Righteous Brothers, John Lennon, George Harrison, the Ramones, Cher, & Jerri Bo Keno. Hardback only, with more than two hundred photographs on top quality paper, including eight pages of full color. Huge discography of Spector soundalikes from the U.S. & Europe, & extended review of the rarest Spector records. Also includes section on care & preservation of collectible records.
Hardcover edition. A one-time-only songbook featuring photos, stories and 60 of the greatest rock & roll songs ever recorded. Includes: Be My Baby * Chapel of Love * Da Doo Ron Ron * He's a Rebel * I Love How You Love Me * Pretty Little Angels Eyes * Save the Last Dance for Me * Then He Kissed Me * Unchained Melody * You've Lost That Lovin' Feelin'.
They say there are no second acts in American lives, and third acts are almost unheard of. That's part of what makes Brian Wilson's story so astonishing. As a cofounding member of the Beach Boys in the 1960s, Wilson created some of the most groundbreaking and timeless popular music ever recorded. With intricate harmonies, symphonic structures, and wide-eyed lyrics that explored life's most transcendent joys and deepest sorrows, songs like "In My Room," "God Only Knows," and "Good Vibrations" forever expanded the possibilities of pop songwriting. Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and-finally-thriving. Now, for the first time, he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows. I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy, and who finally completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, and filled with perspective and forgiveness. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.
A fascinating study of Brian Wilson's creative career as a composer, producer, performer, and collaborator that addresses all aspects of Brian's five-decade-long music career through his creative methods and processes. The cofounder and central figure of one of America's most successful vocal groups, The Beach Boys, Brian Wilson is a standout artist with an astonishing volume of diverse work spanning over half a century that serves as testament to his creative output and influence on modern music. Today, Wilson stands as a survivor of life challenges stemming from substance abuse and mental illness and enjoys a revitalized career in which he continues to create new works and perform around the world to enthusiastic audiences in sold-out venues. This unique book covers the breadth of Wilson's creative life as composer, producer, performer, and collaborator, not only as a Beach Boy, but also as a solo artist and collaborator with artists such as Jan and Dean, The Honeys, Spring, The Castells, and The Hondells. The book also surveys his less-examined work as a performer of the music of George Gershwin, of the songs from Disney films, and of children's books and movies. Because of its breadth, The Words and Music of Brian Wilson will appeal both to dedicated and casual fans alike of The Beach Boys and of Brian Wilson as well as to scholars in popular music and American studies.
Popular Musicology and Identity paves new paths for studying popular music’s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.
In Leaders of the Pack: Girl Groups of the 1960s and their Influence on Popular Culture musician and music historian Sean MacLeod surveys the hundreds of girl groups that appeared not only in the United States but also in Great Britain during the early 1960s. This study corrects the neglect of their critical contribution of popular music history by exploring the social and political climate from which the girl groups emerged and their effect, in turn, on local and national music and culture. MacLeod organizes his argument around seven leading girl groups: The Shirelles, The Crystals, The Ronettes, The Marvelettes, The Vandellas, the Supremes and The Shangri-Las. These seven “sister” groups serve as the basis for a broader look at the many girl groups of the period, offering a roadmap through the work of the many stakeholder—the singers, songwriters, producers, and record labels—that the girl group phenomenon made possible. MacLeod also reviews the significant influence girl groups had on the many male bands of the 1960s, as well as their influence on the post-‘60s movements, from punk to new wave, ultimately serving as the template for the girl groups and all-girl bands that emerged in the 1980s. Finally, The Leaders of the Pack brings us to the present as MacLeod compares the original girl groups with female performers of today, drawing lines of connection and contrast between them. Leaders of the Pack is essential reading for students, scholars, and fans of 1960s music and culture. It will further interest anyone interested in women’s studies, modern American and British culture, and music history, with important forays into such topics as the Civil Rights Movement, second and third wave feminism, and post-war life.