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The definitive biography of Thin Lizzy's charismatic lead singer . Using dozens of interviews with family, friends and band members, Putterford gives a touching and sometimes shocking account of the life of the one and only black Irish rock legend.
'The truest measure of the man we have thus far' - Mojo 'Affectionate, impeccably researched biography' - Mail on Sunday 'Head and shoulders above the usual rock hagiography' - Sunday Telegraph The first biography to be written with the cooperation of the Lynott Estate, Cowboy Song is the definitive authorised account of the extraordinary life and career of Thin Lizzy guiding spirit, Philip Lynott. Leading music writer Graeme Thomson explores the fascinating contradictions between Lynott's unbridled rock star excesses and the shy, sensitive 'orphan' raised in working class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments to become Ireland's first rock star. Cowboy Song examines his key musical alliances as well as the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth and poetry to hard rock, progressive folk, punk, soul and New Wave. Published on the thirtieth anniversary of Lynott's death in January 1986, Thomson draws on scores of exclusive interviews with family, friends, band mates and collaborators. Cowboy Song is both the ultimate depiction of a multi-faceted rock icon, and an intimate portrait of a much-loved father, son and husband.
The story of Phil Lynott as told by his mother. It is also her story, from the days as a single mother bringing up a young black child in Manchester and Dublin, through the heady success of Thin Lizzy, to the tragic chain of events which ended her son's life and plunged her into depression.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
NOW UPDATED WITH A NEW EPILOGUE In the summer of 1964, aged twenty, Ray Davies led the Kinks to fame with their number one hit ‘You Really Got Me’. Within months, they were established among the pop elite, swamped by fans and fast becoming renowned for the rioting at their gigs. But Ray’s journey from working-class Muswell Hill to the Rock ’n’ Roll Hall of Fame was tumultuous in the extreme, featuring breakdowns, bitter lawsuits, spectacular punch-ups and a ban from entering the USA. His relationship with his brother Dave is surely the most ferocious and abusive in music history. Based on countless interviews conducted over several decades, this richly detailed and revelatory biography presents the most frank and intimate portrait yet of Ray Davies.
In The Studio With Rock Legends Thin Lizzy January 2016 sees the 30th anniversary of the death of Phil Lynott, Thin Lizzy’s charismatic frontman, who was also a much underrated songwriter. Lizzy are often thought of as a live band (and they were superb on stage), so how their albums were made is often overlooked … until now. Lizzy fan Alan Byrne rectifies the omission with this timely album-by-album account of how the records got made (or nearly didn’t in some cases!), using original interviews with many of the musicians, producers, friends and even the photographers who shot the pictures for the covers. No stone is left unturned in this exhaustive book, which will make it a must read for Lizzy’s army of fans. The book also features previously unseen photos taken by fans, which is a lovely touch. This is the first time the story has been told in this level of depth. Beginning with the eponymously titled 1971 LP, Byrne examines every album made in the Lynott era, culminating in 1983’s Thunder And Lightning. Amongst the interviewees are band members Scott Gorham, Brian Robertson and Brian Downey from the classic era. Interestingly, guitarist Snowy White has also given an interview, which is a coup as the reserved musician normally doesn’t talk about his time with this boisterous band. Whilst this is a serious study of Lizzy’s output, Byrne inevitably has to include some of the wilder stories, which give an insight into what life was like in a band that breakfasted on excess. It also charts Lizzy’s rise from struggling wannabes to rock superstars with multi-platinum albums under their belts. It is also the story of an innovative legacy that still reverberates today, 30 years after Phil Lynott’s passing. The music he helped to pioneer influences musicians today and each new generation brings more fans who fall under the spell of one of rock’s greatest ever bands.
Status Quo were one of the most successful, influential and innovative bands of the 1970s. During the first half of the decade, they wrote, recorded and performed a stream of inventive and highly complex rock compositions, developed 12 bar forms and techniques in new and fascinating ways, and affected important musical and cultural trends. But, despite global success on stage and in the charts, they were maligned by the UK music press, who often referred to them as lamebrained three-chord wonders, and shunned by the superstar Disk Jockeys of the era, who refused to promote their music. As a result, Status Quo remain one of the most misunderstood and underrated bands in the history of popular music. Cope redresses that misconception through a detailed study of the band’s music and live performances, related musical and cultural subtopics and interviews with key band members. The band is reinstated as a serious, artistic and creative phenomenon of the 1970s scene and shown to be vital contributors to the evolution of rock.