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What is strange? Or better, who is strange? When do we encounter the strange? This volume takes the question of hosting the Stranger to the deeper level of embodied imagination and the senses.It asks: How does the embodied imagination relate to the Stranger in terms of hospitality or hostility (given the common root of hostis as both host and enemy)? How do humans sensethe dimension of the strange and alien in different religions, arts, and cultures? How do the five physical senses relate to the spiritual senses, especially the famous sixthsense, as portals to an encounter with the Other? Is there a carnal perception of alterity, which would operate at an affective, prereflective, preconscious level? What exactly do embodied imaginariesof hospitality and hostility entail? And what, finally, are the topical implications of these questions for an ethics and practice of tolerance and peace?
Twenty-first-century media and political discourse sometimes makes "strangers" - refugees, immigrants, minorities - the scapegoats for social and economic disorder. In this heated climate, theatre has the potential to promote greater compassion and empathy for outsiders. A study of cultural difference in contemporary Canadian theatre, Staging Strangers considers how theatre facilitates an understanding of distant places and issues. Theatre in Canada, and especially in Toronto, has long been a place for communities to celebrate their traditions, but it is now emerging as a forum for staging stories that stretch beyond the local and the national. Combining archival research and performance analysis, Barry Freeman analyzes the possibilities and hazards of representing strangers, and the many ways the stranger on stage may be fetishized or domesticated, marked for assimilation, or turned into an object of fear. A fresh look at ways to cultivate ethical responsibility for global issues, Staging Strangers imagines a role for theatre in creating a more tolerant, caring, and cooperative world.
Exploring the relationship between hermeneutics and the arts, including painting, music, and literature, this book builds on hermeneutics from a practical perspective, connecting this area of critical research with others to reveal how it is viewed from different perspectives. International and interdisciplinary in scope, this edited volume draws on the work of scholars and practitioners working across a variety of subject areas, themes and topics, including philosophy, literature, religious paintings, musical oeuvres, Chinese urbanscapes, Moroccan proverbs, and Ukrainian internet blogs. Focusing on the idea of hermeneutics as a discipline that can connect different areas of interest, the book offers an inside view into how the contributors 'interpret' it within their own academic remits, demonstrating its presence in qualitative academic interpretations and canonical contemporary research in humanities.
From Husserl's account of protention to the recent turn to eschatology in "theological" phenomenology, the future has always been a key aspect of phenomenological theories of time. This book offers the first sustained reflection on the significance of futurity for the phenomenological method itself. In tracing the development of this theme, the author shows that only a proper understanding of the two-fold nature of the future (as constitution and as openness) can clarify the way in which phenomenology brings the subject and the world together. Futurity therefore points us to the centrality of the promise for phenomenology, recasting phenomenology as a promissory discipline.Clearly written and carefully argued, this book provides fresh insight into the phenomenological provenance of the "theological" turn and the phenomenological conclusions of Husserl, Levinas, and Derrida. Closely examining the themes of protention, eschatology, and the messianic, it will be essential reading for anyone interested in phenomenology, philosophy of religion, deconstruction, or philosophical theology.
Hospitality in a Time of Terror: Strangers at the Gate offers a reading of hospitality that suggests the encounter with strangers is at the core of cultural production and culture itself in the aftermath of the terrorist attacks of September 11, 2001. It documents the significance of hospitality after the terrorist attacks, particularly as such an ethics is so provocatively raised or disavowed by a predominantly visual and cultural archive that has been and continues to be consumed by millions of people around the world. This book utilizes works of cultural memory, film, art and literature that show the breadth of hospitality’s influence but that offer a depth of insight, historical specificity, and theoretical intensity that only a product created in the aftermath of 9/11 allows. The September 11 Memorial and Museum in New York City, for example, is best understood as an institution defined by the question of hospitality, particularly as hospitality is engaged or disavowed through an experience with loss. This bookalso considers how hospitality might function in consideration of the violence perpetuated against bodies marked by discourses of race, gender, and sexuality, as is the case in the 2011 film, Zero Dark Thirty, and separately explores how alternative modes of hospitality are enabled by the fluid and dynamic space of the street and the urban art found there. The final chapter examines Don DeLillo's 2007 novel Falling Man, and argues that the novel demonstrates a sustained engagement with hospitality through the figure of organic shrapnel, a metaphor that suggests the possibility of being literally and figuratively embedded by another. The purpose of this book is to point out the diverse and even devastating ways that hospitality appears in ways that remind us that, if hospitality as we understand it is failing, it matters more than ever how we deploy it.
In view of the double vocative that characterizes the relation of Creator to creature, this book offers critiques of modern and postmodern philosophy for the ways in which they have separated philosophy, theology, and spirituality. This collection examines the complicated relationship of God to Being and the meaning of Revelation, as well as highlighting the context and the role of the Spiritual Exercises of Ignatius Loyola. Discussions include the Catholic Principle and its relevance in contemporary times, and Christian epic visionaries such as Dante, Milton, Blake, and Joyce, providing scholars a forum to debate their theological identity and its meaning for future studies. This volume contributes a unique engagement from many perspectives with the Catholic intellectual tradition in its philosophical, theological, spiritual, literary, and artistic dimensions.
This book explores the concept of the stranger as a ‘modern’ social form, identifying the differing conceptions of strangerhood presented in the literature since the publication of Georg Simmel’s influential essay ‘The Stranger’, questioning the assumptions around what it means to be regarded as ‘strange’, and identifying the consequences of being labelled a stranger. Organised both chronologically and thematically, the book begins with Simmel’s major essays on the stranger and culminates with an analysis of Zygmunt Bauman’s thought on the subject, with each chapter introducing an idea or key theme initially discussed by Simmel before exploring the development of the theme in the work of others, including Schütz, Derrida, and Levinas. The stranger is an enduring concept across many disciplines and is central to contemporary debates about refugees, asylum, the nature of inclusion and exclusion, and the struggle for recognition. As such, this book will be of interest to scholars across the social sciences.
Geographies of Embodiment provides a critical discussion of the literatures on the body and embodiment, and humanism and post-humanism, and develops arguments about "otherness" and "encounter" which have become key ideas in urban studies, and studies of the city. It situates these arguments in a wider political context, looking at power-relations through case studies at urban, national and transnational scales. These arguments are situated across disciplinary boundaries, at the borderline between between philosophy and social science that is associated to critical phenomenology, and reaches across Human Geography, Sociology, Philosophy, Anthropology, Cultural Studies and Urban Studies.
In our global, multicultural world, how we understand and relate to those who are different from us has become central to the politics of immigration in western societies. Who we are and how we perceive ourselves is closely associated with those who are different and strange. This book explores the pivotal role played by ‘the stranger’ in social theory, examining the different conceptualisations of the stranger found in the social sciences and shedding light on the ways in which these discourses can contribute to an analysis of cross-cultural interaction and cultural hybridity. Engaging with the work of Simmel, Park and Bauman and arguing for the need for greater theoretical clarity, Theories of the Stranger connects conceptual questions with debates surrounding identity politics, multiculturalism, online ethnicities and cross-cultural dialogue. As such, this rigorous, conceptual re-examination of the stranger will appeal to scholars across the social sciences with interests in social theory and the theoretical foundations of discourses relating to migration, cosmopolitanism, globalisation and multiculturalism.
Richard Kearney is one of the leading global thinkers in both Continental philosophy and post-metaphysical philosophy of religion, as well as an esteemed Irish professor in philosophy, currently teaching at Boston College, Massachusetts, USA. Professor Kearney first visited South Africa in May as joint visiting academic of the Universities of Stellenbosch, Pretoria and North-West. The visit prompted the publication of this scholarly collected work, authored by South African and international scholars. These specialists in philosophy and religious studies analysed Kearney’s influential work and brought his scholarly perspectives into dialogue with other leading thinkers in the field, both from Africa and abroad. This publication will be the first collective attempt to engage his work from the perspective of the African continent. This collected work contributes significantly in an interdisciplinary way to Ricoeurdian studies. The target audience of the book is peers and specialists in the field of Continental philosophy and philosophy of religion.