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It would be really easy to answer the main question of this text: What is flying? The investigation issolelyabout how todelinewhat flying is Kw/does one define flying?This question,at first, depends on thescalesand ieferencepoints.So,Invedoesonedefineflying?' is essemial b/ related to the question of 'with referred to what, does onedefineflying?' Ard in this point, just likethe impossibilkyd an owla r locati:m or address of the space and place itself, there is an impossibility. To surpass this impossibility, we have linguistic stmouiesand phrases, such as In itsessenoe 'truly; 'as such',"by definition', by itself' in itself' etc. Therefore, to go be and this impossibility whili comes with the lack of frame of references, we ask:'what is flying in its essence?; 'What is flying as suchr 'what truly is flying?' 01'what is truly flying?' ('truly, what is flying?' and 'what is flying is uubir),"what is flying in itselfr'what is flying in ItillretC.We ask becausewewant to have a definition by itself, that doesn't need any kind of reference (tool from) at fiist.We want to have a definition that Weis to nothing or rgth ing othw than itself, and also, we want this definition to be useful regarding that it can be the absolute reference that all the other perspectives regarding flying will refer to eventually. In slon, we ask: 'What is flying as such?' wh i:h means 'what is flying as flVilagr This as such at 'accuse (or the A ls-st tulatml when it is probkmattied, can open up new ways of thinking, especially in phenomenology. Hence the begin­ning of this text begins.
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Provides instructions for creating twenty-five paper airplanes using single sheets of paper.
Phenomenal Stories #11 is our first Special Issue, focusing upon the editor's obsession with once-world-famous author Robert W. Chambers. The editor literally wrote the book - the only biography - about Chambers, a writer who influenced such luminaries as H.P. Lovecraft, Clark Ashton Smith, Robert E. Howard and many others. This Special Issue features two of Chambers' classic horror stories - thankfully in the public domain - "The Yellow Sign" and "Repairer of Reputations." Also featured are cover art depicting Chambers by Carole A. Tomlinson and takes on Chambers from J.D. Hayes-Canell and Richard H. Nilsen, as well as the 2nd part of the 'The Darkness' from Carlos Rios. Don't worry, we're also continuing the Adirondack mystery story of Hal Johnson in 'An Old-Fashioned Shooting, ' as well as the science fiction novel 'Time: Book 01: Timenami' from Shawn M. Tomlinson. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s
The term ‘phenomenology’ has become almost as over-used and emptied of meaning as that other word from Continental Philosophy, namely ‘existentialism’. Yet Husserl, who first put forward the phenomenological method, considered it a rigorous alternative to positivism, and in the hands of Merleau-Ponty, a disciple of Husserl in France, phenomenology became a way of gaining a disciplined and coherent perspective on the world in which we live. When this study originally published in 1977 there were only a few books in English on Merleau-Ponty’s philosophy. It introduced the reader and suggested how his thought might throw light on some of the assumptions and presuppositions of certain contemporary forms of Anglo-Saxon philosophy and social science. It also demonstrates how phenomenology seeks to unite philosophy and social science, rather than define them as mutually exclusive domains of knowledge.
We press on with the third volume of Phenomenal Stories Quarterly, a collection of the April, May and June issues of Phenomenal Stories for 2019. Joining the Phenomenal Stories fray are new and veteran writers working in new - for us - areas such as nostalgia and murder mysteries. Phenomenal Stories Quarterly is a companion magazine to Phenomenal Stories in the tradition of the science fiction/fantasy/horror pulps of the 1920s, 1930s and 1940s. It's also a somewhat cheaper means to get all the issues together. This issue contains stories by Martin G. Collins, Richard H. Nilsen, Mary Brookman, Haldor R. Hallum, J.D. Hayes-Canell, Bridget Flynn-O'Leary, Delia McTavish and classic reprints by Henry Kuttner, H.P. Lovecraft and Clark Ashton Smith. Phenomenal Stories Quarterly is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
This fourth issue of Phenomenal Stories features the beginning of the six-part young adult fantasy novel, 'The Book of Power, ' by Richard H. Nilsen with illustrations by Linda Naske and a frontispiece by Richard's daughter, Cara Nilsen. The science fiction end of the world novel, 'After, ' continues and we start two new columns in this issue. The first is a travel log by put-upon reporter/columnist J.D. Hayes-Canell titled Dunces & Dragons. The second column is all about writer by Richard H. Nilsen titled The Write Stuff. The first installment is a general guide to writing, but future parts will go into specifics to help the budding writer write. The editor takes a look at Isaac Asimov's three laws of robotics, and 'Gosh! Wow! A Personal History of the Pulps' continues with part 4. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940
This fourth issue of Phenomenal Stories features the beginning of the six-part young adult fantasy novel, 'The Book of Power,' by Richard H. Nilsen with illustrations by Linda Naske and a frontispiece by Richard's daughter, Cara Nilsen. The science fiction end of the world novel, 'After,' continues and we start two new columns in this issue. The first is a travel log by put-upon reporter/columnist J.D. Hayes-Canell titled Dunces & Dragons. The second column is all about writer by Richard H. Nilsen titled The Write Stuff. The first installment is a general guide to writing, but future parts will go into specifics to help the budding writer write. The editor takes a look at Isaac Asimov's three laws of robotics, and 'Gosh! Wow! A Personal History of the Pulps' continues with part 4. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.