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Archaeologists across the Midwest have pooled their data and perspectives to produce this indispensable volume on the Native cultures of the Late Woodland period (approximately A.D. 300?1000). Sandwiched between the well-known Hopewellian and Mississippian eras of monumental mound construction, theøLate Woodland period has received insufficient attention from archaeologists, who have frequently characterized it as consisting of relatively drab artifact assemblages. The close connections between this period and subsequent Mississippian and Fort Ancient societies, however, make it especially valuable for cross-cultural researchers. Understanding the cultural processes at work during the Late Woodland period will yield important clues about the long-term forces that stimulate and enhance social inequality. Late Woodland Societies is notable for its comprehensive geographic coverage; exhaustive presentation and discussion of sites, artifacts, and prehistoric cultural practices; and critical summaries of interpretive perspectives and trends in scholarship. The vast amount of information and theory brought together, examined, and synthesized by the contributors produces a detailed, coherent, and systematic picture of Late Woodland lifestyles across the Midwest. The Late Woodland can now be seen as a dynamic time in its own right and instrumental to the emergence of complex late prehistoric cultures across the Midwest and Southeast.
Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind. The Rock-Art of Eastern North America brings together 20 papers from recent research at sites in eastern North America, where humidity and the actions of weather, including acid rain, can be very damaging over time. Contributors to this volume range from professional archaeologists and art historians to avocational archaeologists, including a surgeon, a lawyer, two photographers, and an aerospace engineer. They present information, drawings, and photographs of sites ranging from the Seven Sacred Stones in Iowa to the Bald Friar Petroglyphs of Maryland and from the Lincoln Rise Site in Tennessee to the Nisula Site in Quebec. Discussions of the significance of artist gender, the relationship of rock-art to mortuary caves, and the suggestive link to the peopling of the continent are particularly notable contributions. Discussions include the history, ethnography, recording methods, dating, and analysis of the subject sites and integrate these with the known archaeological data.