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Pharos is a very old Egyptian, at least ninety-years old, extremely knowledgeable about Egyptian antiquities. He meets Sir William Betford, a peer living in England, who owns an extensive collection of Egyptian antiquities collected earlier by his father, an historian and archeologist who focused on ancient Egypt. The meeting was contrived by Pharos because he wanted to retrieve a mummy he had been searching for a long time, which is now in Betford's collection. Pharos manages to lure Sir Betford into his sphere of influence, and eventually persuades Englishman to accompany him on a trip to Egypt, where it turns out that Pharos is not who he seems to be.
Pharos, The Egyptianby Guy BoothbyThe plague is spreading across Europe - a plague as vile and vicious as the plagues of the middle ages. It is a plague more virulent than any childhood disease: everyone will catch it; everyone who catches it will die. But this is no ordinary plague: it is the work of a sorcerer - a man of exactly the stripe as Boothby's infamous villain, Nikola. One man knows how it's spread. One man can stop it - if he can face Pharos, The Egyptian. If he dares, for the life of the world.
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Egypt's rich and celebrated ancient past has served many causes throughout history--in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity. Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular "Egyptomania" displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry. This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage--how it is perceived, constructed, claimed, and contested.