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Petrus Alfonsi was an important and unusual figure in the "twelfth-century renaissance" whose interests embraced polemical theology, astronomy, and literature, each an area in which he made important contributions to the development of medieval thought. Perhaps this diversity of interests is what has robbed Alfonsi of his due in modern scholarship, for he has fallen through the cracks, between various academic disciplines; he has received less acclaim among modern medievalists than he had among medieval writers. In this first book-length treatment of Alfonsi, Tolan presents a thorough introduction to Alfonsi's thought and its importance to the Middle Ages.
"I cannot emphasize enough the importance of this work; it is by far the best thing ever done on the subject, totally superseding all previous work on all aspects of this important author's work . . . a major contribution to medieval scholarship in a variety of areas."--Norman Roth, University of Wisconsin Petrus Alfonsi was an important and unusual figure in the "twelfth-century renaissance" whose interests embraced polemical theology, astronomy, and literature, each an area in which he made important contributions to the development of medieval thought. Perhaps this diversity of interests is what has robbed Alfonsi of his due in modern scholarship, for he has fallen through the cracks, between various academic disciplines; he has received less acclaim among modern medievalists than he had among medieval writers. In this first book-length treatment of Alfonsi, Tolan presents a thorough introduction to Alfonsi's thought and its importance to the Middle Ages. A Spanish Jew who converted to Christianity, Alfonsi immigrated to England and later to France, wrote a polemic against Judaism and Islam, and translated moral fables and astronomical works from Arabic into Latin. The author shows that he was an important early transmitter of Arabic and Hebrew learning to the Latin north and greatly influenced later medieval thinkers. Drawing from his analysis of nearly 170 manuscripts containing Alfonsi's works, along with the works of later authors who turned to Alfonsi as a source, Tolan uncovers much about who used Alfonsi's works and to what ends his works were put. He finds, for example, that Alfonsi's Disciplina clericalis provided a mine of materials not only for thirteenth-century preachers but also for Boccaccio and Chaucer, and that arguments from his Dialogis contra Iudaeos were taken up by Christian polemicists from Peter the Venerable to Alonso de Espina. Tolan's straightforward style makes this work accessible to anyone with a general knowledge of the Middle Ages. Petrus Alfonsi will be important reading for a wide range of medievalists. John Tolan teaches history at Stanford University.
The Literature of Al-Andalus is an exploration of the culture of Iberia, present-day Spain and Portugal, during the period when it was an Islamic, mostly Arabic-speaking territory, from the eighth to the thirteenth century, and in the centuries following the Christian conquest when Arabic continued to be widely used. The volume embraces many other related spheres of Arabic culture including philosophy, art, architecture and music. It also extends the subject to other literatures - especially Hebrew and Romance literatures - that burgeoned alongside Arabic and created the distinctive hybrid culture of medieval Iberia. Edited by an Arabist, an Hebraist and a Romance scholar, with individual chapters compiled by a team of the world's leading experts of Islamic Iberia, Sicily and related cultures, this is a truly interdisciplinary and comparative work which offers a interesting approach to the field.
When civilizations first encounter each other a cascade of change is triggered that both challenges and reinforces the identities of all parties. Making Contact revisits key encounters between cultures in the medieval and early modern world. Contributors cross disciplinary boundaries to explore the implications of contact. Scott D. Westrem examines the imagined Africa depicted in the Bell Mappamundi. Day-to-day accommodations between the religious identities of Vilnius, in the Polish-Lithuanian Commonwealth, are explored by David Frick. Steven F. Kruger argues that medieval Christian identity was destabilized by the living Talmudic tradition. Individual Jesuits who were critical to the success of contact in Japan are evaluated by Nakai Ayako. Linda Woodbridge argues that Elizabethan attitudes towards aboriginals paralleled their attitudes towards English vagrants. Despite a nod to Arcadian conventions, travel narratives of Virginia were preoccupied with finding wealth, according to Paul W. DePasquale’s research. Rick H. Lee examines the conflicting loyalties of Pierre Raddisson in the New World. Richard A. Young demonstrates that the Florida shipwreck narratives of Cabeza de Vaca were groomed for intended audiences, past and present. This rich interdisciplinary collaboration contributes to the debate on boundaries between disciplines, as well as boundaries between the Middle Ages and the early modern period, and also between historical and theoretical perspectives. Making Contact draws our attention to the important ways in which historic encounters with contrasting ‘others’ have shaped the identities of both individual and corporate ‘selves’ over a span of five centuries.
Never before translated into English, this work presents to the reader perhaps the most important source for an intensifying medieval Christian-Jewish debate.
In 1322, a Jewish doctor named Abner entered a synagogue in the Castilian city of Burgos and began to weep in prayer. Falling asleep, he dreamed of a "great man" who urged him to awaken from his slumber. Shortly thereafter, he converted to Christianity and wrote a number of works attacking his old faith. Abner tells the story in fantastic detail in the opening to his Hebrew-language but anti-Jewish polemical treatise, Teacher of Righteousness. In the religiously plural context of the medieval Western Mediterranean, religious conversion played an important role as a marker of social boundaries and individual identity. The writers of medieval religious polemics such as Teacher of Righteousness often began by giving a brief, first-person account of the rejection of their old faith and their embrace of the new. In such accounts, Ryan Szpiech argues, the narrative form plays an important role in dramatizing the transition from infidelity to faith. Szpiech draws on a wide body of sources from Christian, Jewish, and Muslim polemics to investigate the place of narrative in the representation of conversion. Making a firm distinction between stories told about conversion and the experience of religious change, his book is not a history of conversion itself but a comparative study of how and why it was presented in narrative form within the context of religious disputation. He argues that between the twelfth and fifteenth centuries, conversion narratives were needed to represent communal notions of history and authority in allegorical, dramatic terms. After considering the late antique paradigms on which medieval Christian conversion narratives were based, Szpiech juxtaposes Christian stories with contemporary accounts of conversion to Islam and Judaism. He emphasizes that polemical conflict between Abrahamic religions in the medieval Mediterranean centered on competing visions of history and salvation. By seeing conversion not as an individual experience but as a public narrative, Conversion and Narrative provides a new, interdisciplinary perspective on medieval writing about religious disputes.
Medieval Christian writers distorted the teachings of Islam and caricatured its believers in a variety of ways. This book provides a comprehensive study of Christian polemical responses to Islam in the Middle Ages.
This classic bestseller — the inspiration for the PBS series — is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." —Christopher Hitchens, The Nation
In Christian Identity amid Islam in Medieval Spain Charles L. Tieszen explores a small corpus of texts from medieval Spain in an effort to deduce how their authors defined their religious identity in light of Islam, and in turn, how they hoped their readers would distinguish themselves from the Muslims in their midst. It is argued that the use of reflected self-image as a tool for interpreting Christian anti-Muslim polemic allows such texts to be read for the self-image of their authors instead of the image of just those they attacked. As such, polemic becomes a set of borders authors offered to their communities, helping them to successfully navigate inter-religious living.