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The February Revolution, Petrograd, 1917 is the most comprehensive book on the epic uprising that toppled the tsarist monarchy and ushered in the next stage of the Russian Revolution. Hasegawa presents in detail the intense drama of the nine days of the revolution, including the workers' strike, soldiers' revolt, the scrambling of revolutionary party activists to control the revolution, and the liberals’ conspiracy to force Tsar Nicholas II to abdicate. Based on his previous work, published in 1981, the author has revised, enlarged, and reinterpreted the complexity of the February Revolution, resulting in a major and timely reassessment on the occasion of its centennial. See inside the book.
"It's damned hard lines asking for bread and only getting a bullet!" The dramatic and chaotic events surrounding the Russian Revolution have been studied and written about extensively for the last hundred years, by historians and journalists alike. However, some of the most compelling and valuable accounts are those recorded by eyewitnesses, many of whom were foreign nationals caught in Petrograd at the time. Drawing from the Bodleian Library's rich collections, this book features extracts from letters, journals, diaries and memoirs written by a diverse cast of onlookers. Primarily British, the authors include Sydney Gibbes, English tutor to the royal children, Bertie Stopford, an antiques dealer who smuggled the Vladimir tiara and other Romanov jewels into the UK, and the private secretary to Lord Milner in the British War Cabinet. Contrasting with these are a memoir by Stinton Jones, an engineer who found himself sharing a train compartment with Rasputin, a newspaper report by governess Janet Jeffrey who survived a violent confrontation with the Red Army, and letters home from Labour politician, Arthur Henderson. Accompanied by seventy contemporary illustrations, these first-hand accounts are put into context with introductory notes, giving a fascinating insight into the tumultuous year of 1917.
SELECTED AS A BOOK OF THE YEAR IN THE TELEGRAPH AND EVENING STANDARD '[The] centenary will prompt a raft of books on the Russian Revolution. They will be hard pushed to better this highly original, exhaustively researched and superbly constructed account.' Saul David, Daily Telegraph 'A gripping, vivid, deeply researched chronicle of the Russian Revolution told through the eyes of a surprising, flamboyant cast of foreigners in Petrograd, superbly narrated by Helen Rappaport.' Simon Sebag Montefiore, author of The Romanovs Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil. Foreign visitors who filled hotels, bars and embassies were acutely aware of the chaos breaking out on their doorsteps. Among them were journalists, diplomats, businessmen, governesses and volunteer nurses. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareava. Drawing upon a rich trove of material and through eye-witness accounts left by foreign nationals who saw the drama unfold, Helen Rappaport takes us right up to the action – to see, feel and hear the Revolution as it happened.
For generations in the West, Cold War animosity blocked dispassionate accounts of the Russian Revolution. This history authoritatively restores the upheaval's primary social actors-workers, soldiers, and peasants-to their rightful place at the center of the revolutionary process.
Deals with problem of workers' control in Russia
Introduction -- Prelude to revolution -- Rising crime before the October revolution -- Why did the crime rate shoot up? -- Militias rise and fall -- An epidemic of mob justice -- Crime after the Bolshevik takeover -- The Bolsheviks and the militia -- Conclusion
Art for the workers explores the mythology and reality of post-revolutionary proletarian art in Russia as well as its expression in the festive decorations of Petrograd between 1917 and 1920. It covers this brief period chronologically, and so permits a close inspection of the development of artistic policies in Russia under the Provisional Government followed by the Bolsheviks. Specifically, this book focuses on the pre-and post-revolutionary debate about the nature of proletarian art and its role in the new Socialist society, particularly focusing on festive decorations, parades and mass performances as expressions of proletarian art and forms of propaganda.
"This beautifully written, serious work is of value to all who are interested in our country's [Russia's] past." --Genrikh Ioffe, Moscow News "This is a serious and mature book on a key event... " --History "The book in question is of exceptional value to anyone who cannot read Russian and wishes to know just what happened in the first months of 1917." --Scottish Slavonic Review "... a classic of Soviet historical writing." --Problems of Communism Capturing the drama and human side of the revolution, Burdzhalov's comprehensive and meticulously researched history of the social and political course of the February 1917 uprising in Petrograd challenged Stalinist orthodoxy in Soviet historical scholarship when it was published in Moscow in 1967, and Western historians have since characterized this as a landmark book.
Access to newly opened archives has allowed Alexander Rabinowitch to substantially rewrite the history of how the Bolsheviks consolidated their power in Russia. Focusing on the first year of Soviet rule in St Petersburg, he shows how state organs evolved in the face of repeated crises.