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This book is an enticing introduction to this unique art form, its range, diversity and location as well as a record of many sites that are endangered or damaged or have recently been destroyed. As destruction by both vandals and the bulldozer continues, it is the author's hope that this book will bring greater public awareness to a fragile and irreplaceable heritage.
This unique full-color field guide is essential for anyone who seeks to understand why shamans in the Far West created rock art and what they sought to depict. Whitley is on the cutting edge of dating and interpreting the images as well as describing the
Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind. The Rock-Art of Eastern North America brings together 20 papers from recent research at sites in eastern North America, where humidity and the actions of weather, including acid rain, can be very damaging over time. Contributors to this volume range from professional archaeologists and art historians to avocational archaeologists, including a surgeon, a lawyer, two photographers, and an aerospace engineer. They present information, drawings, and photographs of sites ranging from the Seven Sacred Stones in Iowa to the Bald Friar Petroglyphs of Maryland and from the Lincoln Rise Site in Tennessee to the Nisula Site in Quebec. Discussions of the significance of artist gender, the relationship of rock-art to mortuary caves, and the suggestive link to the peopling of the continent are particularly notable contributions. Discussions include the history, ethnography, recording methods, dating, and analysis of the subject sites and integrate these with the known archaeological data.
This comprehensive guide to the rock art of Missouri presents major design motifs and links those images to Native American beliefs.
An adventure tale of archaeological research, discovery, and preservation in the South Carolina upcountry. For years Tommy Charles searched South Carolina's upcountry for examples of ancient rock art carvings and paintings, efforts conducted on behalf of the South Carolina Institute of Archaeology and Anthropology (SCIAA). As SCIAA's collections coordinator, Charles amassed considerable field experience in both prehistoric and historic archaeology and had firsthand involvement in cataloging sixty-four sites of South Carolina rock art. Charles chronicles his adventures in exploration and preservation in Discovering South Carolina's Rock Art. Although Native American rock art is common in the western United States and even at many sites east of the Mississippi, it was believed to be almost nonexistent in South Carolina until the 1980s, when several randomly discovered petroglyphs were reported in the upstate. These discoveries set in motion the first organized endeavor to identify and document these ancient examples of human expression in South Carolina. Over the ensuing years, and assisted by a host of volunteers and avocational collectors, Charles scoured the Piedmont and mountains of South Carolina in search of additional rock art. Frustrated by the inability to find these elusive artifacts, many of which are eroded almost beyond visibility, Charles began employing methods still considered unorthodox by current scientific standards for archaeological research to assist with his search and documentation. Survey efforts led to the discovery of rock art created by Native Americans and Europeans. Of particular interest are the many circle-and-line petroglyphs the survey found in South Carolina. Seeking a reason for this repetitive symbol, Charles's investigation into these finds led to the discovery that similar motifs had been identified along the Appalachian Mountains from Alabama to New York, as well as in the American Southwest and Western Europe. This engrossing account of the search for South Carolina's rock art brings awareness to the precarious state of these artifacts, threatened not only by natural attrition but also by human activities. Charles argues that, if left unprotected, rock art is ultimately doomed to exist only in our historical records.
The Jeffers Petroglyphs Site is one of the oldest and largest surviving concentrations of Native American rock art in the Upper Midwest of the United States. The rock face of this site is covered with representations of animals, humans, dream symbols, hunting and warfare motifs, shamanic symbols, mythic figures, geometric forms, and other subjects. In this book, Kevin Callahan offers readers a well-rounded survey and analysis of the site. He has geared his text for both the general rock art enthusiast as well as the scholar, dividing it into sections on Native American belief systems, motifs and symbols depicted at the site, analysis of the images, as well as a "Frequently Asked Questions" section. The book contains numerous drawings and photographs and a large removable map that can be used as a walking guide for site visitors.
An introduction to native American art through petroglyphs and pictographs.
Guide to petroglyphs in Arizona, Utah, Colorado, and New Mexico. Concise information about how, when, where, and why petroglyphs were made.
Ancient rock art is better known in western North America, but it is also an important feature in the historical landscape of eastern North America. This booklet reprints a report first published in 1934 by the Pennsylvania Historical Commission. Donald A. Cadzow, an archaeologist, surveyed the petroglyphs discovered on certain rocks in the lower Susquehanna River, between York County and Lancaster County. In addition, petroglyphs from other parts of the state are noted.
With no written alphabet, records of the Southwest Native Americans were kept in the form of either petroglyphs or pictographs on rock surfaces. By examining their symbolism, we are able to gain significant insight of their existence, a deeper understanding of their spiritual and ceremonial beliefs, and a glimpse into their daily lives. Hundreds of such sites exist and are scattered throughout the world with some of the most artistic ones located in the Mountainair, New Mexico, region. Today, this area is referred to as the Salinas Pueblo Missions National Monument and the "gateway to ancient cities."