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"This book, by the renowned Petrarch scholar, remains an important basic study of the poetry, particularly of Laura. Bernardo discusses the major critics of Petrarch's Laura (DeSanctis, Croce), then devotes two chapters (26-87) to the figure of Laura in the Canzoniere and the Latin works. Seven chapters discuss the poetic image of Laura in the Triumphs, historically, critically, and contextually, the last focussing on Laura as nova figura, not allegory. It belongs in every library ad on every Petrarchist's shelf."
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An enlightening study of the contradictory character of this canonical fourteenth-century Italian poet. Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private. In this biography, Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike.
This is a complete translation of the works of Petrarch into English verse, featuring a variety of translators including Chaucer, Spenser, and Leigh Hunt. The book includes the life of the poet. This volume fills a notable gap in the English translations of the Italian poets, as Petrarch is the fourth and most popular poet of the "I Quattro Poeti Italiani" series, and has had a significant influence on English poetry from Chaucer to the present day.
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.