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Despite the high regard in which Francesco Petrarca (1304-74) held St. Augustine, scholars have been inclined to view Augustine’s impact on the content of Petrarch’s thought rather lightly. Wedded to the ancient classics, and prioritising literary imitation over intellectual coherence, Petrarch is commonly thought to have made inconsistent use of St. Augustine’s works. Adopting an entirely fresh approach, however, this book argues that Augustine’s early writings consistently provided Petrarch with the conceptual foundations of his approach to moral questions, and with a model for integrating classical precepts into a coherent Christian framework. As a result, this book offers a challenging re-interpretation of Petrarch’s humanism, and offers a provocative new interpretation of his role in the development of Italian humanism.
A trilogy of dialogues in Latin written by Petrarch sometime from 1347 to 1353, in which he examines his faith with the help of Saint Augustine, and "in the presence of The Lady Truth".
Examines facets of the relationship between Saint Augustine and the thinkers of the Italian Renaissance.
Petrarch was the leading spirit in the Renaissance movement to revive literary Latin, the language of the Roman Empire, and Greco-Roman culture in general. My Secret Book reveals a remarkable self-awareness as he probes and evaluates the springs of his own morally dubious addictions to fame and love.
"Petrarch's Secret; or, the Soul's Conflict with Passion: Three Dialogues Between Himself and S. Augustine" explores the inner struggles and conflicts of the soul through dialogues between the renowned poet Petrarch and Saint Augustine. This work delves into the complexities of human emotion and spirituality, making it a thought-provoking read for those interested in philosophical and theological discussions.
Die Buchreihe Mimesis präsentiert unter ihrem neuen Untertitel Romanische Literaturen der Welt ein innovatives und integrales Verständnis der Romania wie der Romanistik aus literaturwissenschaftlicher und kulturtheoretischer Perspektive. Sie trägt der Tatsache Rechnung, dass die faszinierende Entwicklung der romanischen Literaturen und Kulturen in Europa wie außerhalb Europas neue weltweite Dynamiken in Gang gesetzt hat, welche die großen Traditionen der Romania fortschreiben und auf neue Horizonte hin öffnen. In Mimesis kommt ein transareales, die europäische und die außereuropäische Welt romanischer Literaturen und Kulturen zusammendenkendes Verständnis der Romanistik zur Geltung, das über nationale wie disziplinäre Grenzziehungen hinweg die oft übersehenen Wechselwirkungen zwischen unterschiedlichen Traditions- und Entwicklungslinien in Europa und den Amerikas, in Afrika und Asien entfaltet. Im Archipel der Romanistik zeigt Mimesis auf, wie die dargestellte Wirklichkeit in den romanischen Literaturen der Welt die Tür zu einem vielsprachigen Kosmos verschiedenartiger Logiken öffnet.
Rereading the Renaissance - a study of Petrarch's uses of Augustine - uses methods drawn from history and literary criticism to establish a framework for exploring Petrarch's humanism. Carol Everhart Quillen argues that the essential role of Augustine's words and authority in the expression of Petrarch's humanism is best grasped through a study of the complex textual practices exemplified in the writings of both men. She also maintains that Petrarch's appropriation of Augustine's words is only intelligible in light of his struggle to legitimate his cultural ideals in the face of compelling opposition. Finally, Quillen shows how Petrarch's uses of Augustine can simultaneously uphold his humanist ideals and challenge the legitimacy of the assumptions on which those ideals were founded.
Augustine and the Humanists investigates the reception of Augustine’s De civitate Dei in Italian humanism during the fourteenth and fifteenth centuries. Augustine and the Humanists fills a persistent lacuna by investigating the reception of Augustine’s oeuvre in Italian humanism during the fourteenth and fifteenth centuries. In response to the urgent call for a more extensive and detailed investigation of the reception of Augustine’s works and thought in the Western world, numerous scholars have addressed the topic over the last decades. However, one of Augustine’s major works, the De civitate Dei, has received remarkably little attention. In a series of case studies by renowned specialists of Italian humanism, this volume now analyzes the various strategies that were employed in reading and interpreting the City of God at the dawn of the modern age. Augustine and the Humanists focuses on the reception of the text in the work of sixteen early modern writers and thinkers who played a crucial role in the era between Petrarch and Poliziano. The present volume thus makes a significant and innovative contribution both to Augustinian studies and to our knowledge of early modern intellectual history.
Three Dialogues Between Petrarch and St. Augustine. The dialogue opens with Augustine chastising Petrarch for ignoring his own mortality and his fate in the afterlife by not devoting himself fully to God. Petrarch concedes that this lack of piety is the source of his unhappiness, but he insists that he cannot overcome it. The dialogue then turns to the question of Petrarch's seeming lack of free will, and Augustine explains that it is his love for temporal things (specifically Laura), and his pursuit of fame through poetry that "bind his will in adamantine chains". Petrarch's turn towards religion in his later life was inspired in part by Augustine's Confessions, and Petrarch imitates Augustine's style of self-examination and harsh self-criticism in Secretum. The ideas expressed in the dialogues are taken mostly from Augustine, particularly the importance of free will in achieving faith. Other notable influences include Cicero and other Pre-Christian thinkers.