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Written in the 1830s and early 1840s, these comic stories tackle life behind the cold and elegant façade of the Imperial capital from the viewpoints of various characters, such as a collegiate assessor who one day finds that his nose has detached itself from his face and risen the ranks to become a state councillor (‘The Nose’), a painter and a lieutenant whose romantic pursuits meet with contrasting degrees of success (‘Nevsky Prospect’) and a lowly civil servant whose existence desperately unravels when he loses his prized new coat (‘The Overcoat’). Also including the ‘Diary of Madman’, these Petersburg Tales paint a critical yet hilarious portrait of a city riddled with pomposity and self-importance, masterfully juxtaposing nineteenth-century realism with madcap surrealism, and combining absurdist farce with biting satire.
Young Americans abroad in Central Asia find themselves pushed to their limits in these acclaimed, prize-winning stories by one of our most exciting and talented new authors. Combining bleak humor, ironic insight, deep compassion, and unflinching moral and ethical inquiry, Tom Bissell gives us a gripping collection that is both timeless and profoundly relevant to today’s complex world.
This is a new translation from the original Russian manuscript of Gogol's collection "Petersburg Stories"". This edition contains an Afterword by the Translator, a timeline of Gogol's life and works and an Index of Gogol's individual works. This collection focuses on life in the urban landscape of St. Petersburg, blending the mundane with the supernatural. This collection contains his most famous stories. Nevsky Avenue or Nevsky Prospekt Nose Portrait Overcoat Diary of a Madman
This volume brings together Gogol's Petersburg Tales with his two most famous plays, all of which guide us through the streets of St. Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions. This new translation by Christopher English brings out the unique vitality and humor of Russia's finest comic writer. --Publisher.
There are many legends about the city of St. Petersburg, where the master and owner of the depilation salon Sugar Nadya lives. Some, of course, were specially invented by their residents to make it more interesting for tourists, but there are also real ones, sometimes shocking and disturbing even to local residents. Nadezhda told one of these stories to her friend Svetlana, who came to St. Petersburg from the capital of Russia. The girl did not suspect that the city, to which she came to improve the qualifications of her sphere of work, is fraught with so many myths. Or maybe not myths at all? This time Nadezhda decided to share a story about a professor who wore women's clothes and then walked along Nevsky Prospekt. No, he was not a transvestite. It turned out that the professor is not an ordinary person, he has his own incredible story. Once he even managed to act in porn, but this profession did not lead him to anything good. Has his experience in the adult film industry influenced him that much?
Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, St. Petersburg's dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance, and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.
Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.
Written in the 1830s and early 1840s, these comic stories tackle life behind the cold and elegant facade of the Imperial capital from the viewpoints of various characters, such as a collegiate assessor who one day finds that his nose has detached itself from his face and risen the ranks to become a state councillor ('The Nose'), a painter and a lieutenant whose romantic pursuits meet with contrasting degrees of success ('Nevsky Prospect') and a lowly civil servant whose existence desperately unravels when he loses his prized new coat ('The Overcoat').Also including the 'Diary of Madman', these Petersburg Tales paint a critical yet hilarious portrait of a city riddled with pomposity and self-importance, masterfully juxtaposing nineteenth-century realism with madcap surrealism, and combining absurdist farce with biting satire.
This collection of short works forms a documentary of life in the mid-nineteenth-century metropolis.
Faberge jewels, the mysterious Rasputin, and a priceless violin: each plays a part in one young woman's fight for survival, and for love, in revolutionary Russia. St. Petersburg, 1911. Inna Feldman has fled the pogroms of the south to take refuge with distant relatives in Russia's capital. Welcomed by the flamboyant Leman family, she is apprenticed into their violin-making workshop. She feels instantly at home in their bohemian circle, but revolution is in the air, and as society begins to fracture, she is forced to choose between her heart and her head. She loves her brooding cousin, Yasha, but he is wild, destructive, and devoted to revolution. Horace Wallick, an Englishman who makes precious Faberge creations, is older and promises security and respectability. And, like many others, she is drawn to the mysterious, charismatic figure beginning to make a name for himself in the city: Rasputin. As the rebellion descends into anarchy and bloodshed, a commission to repair a priceless Stadivarius violin offers Inna a means of escape. But what man will she choose to take with her? And is it already too late? A magical and passionate story steeped in history and intrigue, Vanora Bennett's Midnight in St. Petersburg is an extraordinary novel of music, politics, and the toll that revolution exacts on the human heart.