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A contemporary critical theology has a double task: On one hand it should try to formulate the experience of faith in an appropriate language; on the other hand it must deal with the ideological misunderstandings of other disciplines concerning questions of faith. Pavel Vitalis takes up the challenge of mastering this double task. He uses Early Christianity as a source, which the West is gradually loosing. He makes the attempt at dealing with an essay written by the well-known television philosopher Peter Sloterdijk about the monotheistic religions. His central thesis is that Sloterdijk's unsuccessful and false assertions lead to a defamation of the Christian religion and seem like an intellectual caricature. Vitalis reasons that this is caused by the increasing intellectualism of the West. In addition to this argument, the book also offers an insight into the intellectual repertory of Early Christianity in an understandable language. www.w-publishing.com
An increasing immunodeficiency of civilization prepares the ground for a virus pandemic (H1N1), which will unfold its destructive influence in waves in the years to come. This book shows how we can collectively and individually prevent possible complications, effects of vaccination and unexpected deaths of this pandemic.As for the diagnosis and therapy of functional diseases there is a significant deficit in orthodox medicine. The correction of this deficit is the prerequisite to develop a better understanding of the global threat of the flu pandemic.
Fitness training should always promote health. In many cases, however, the opposite is the case, without public awareness of the possible kinds of health damage. The study of life energy and the functional disorders associated with it is a stepchild of orthodox medicine. In this respect, most fitness coaches are clueless, too.If you want to avoid unintended damage from fitness training, then this guide is indispensable for you. Moreover, it will make you familiar with training strategies such as sun fitness, or have you consider the Chinese organ clock.
Homeopathy is not a timeless object of research. Embedding it in today's postmodern culture requires a reflexive historicizing. Classical homeopathy is based on the classical subject. Today, the crisis of the civil subject is conspicuous. Homeopathy must find its answer to this challenge and to the cultural immunodeficiency of society. As a consequence of the crisis of the subject, the significance of life energy is substantially changing. The author speaks of a Copernican Revolution. The new way of dealing with life energy also demands a metamorphosis of classical homeopathy. The book is oriented towards the energy body philosophy, yet written in a language that is understandable for the interested layman.
The only scholarly book in English dedicated to recent European contemporary dance, Exhausting Dance: Performance and the Politics of Movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US. Through their vivid and explicit dialogue with performance art, visual arts and critical theory from the past thirty years, this new generation of choreographers challenge our understanding of dance by exhausting the concept of movement. Their work demands to be read as performed extensions of the radical politics implied in performance art, in post-structuralist and critical theory, in post-colonial theory, and in critical race studies. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France) * Juan Dominguez (Spain) * Trisha Brown (US) * La Ribot (Spain) * Xavier Le Roy (France-Germany) * Vera Mantero (Portugal) and visual and performance artists: * Bruce Nauman (US) * William Pope.L (US). This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.
A brilliant dissection and reconstruction of the three major faith-based systems of belief in the world today, from one of the world's most articulate intellectuals, Slavoj Zizek, in conversation with Croatian philosopher Boris Gunjévic. In six chapters that describe Christianity, Islam, and Judaism in fresh ways using the tools of Hegelian and Lacanian analysis, God in Pain: Inversions of Apocalypse shows how each faith understands humanity and divinity—and how the differences between the faiths may be far stranger than they may at first seem. Chapters include (by Zizek) (1) "Christianity Against Sacred," (2) "Glance into the Archives of Islam," (3) "Only Suffering God Can Save Us," (4) "Animal Gaze," (5) "For the Theologico-Political Suspension of the Ethical," (by Gunjevic) (1) "Mistagogy of Revolution," (2) "Virtues of Empire," (3) "Every Book Is Like Fortress," (4) "Radical Orthodoxy," (5) "Prayer and Wake."
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?
This collection investigates the culture and history of the Low Countries in the sixteenth and seventeenth centuries from both international and interdisciplinary perspectives. The period was one of extraordinary upheaval and change, as the combined impact of Renaissance, Reformation and Revolt resulted in the radically new conditions – political, economic and intellectual – of the Dutch Republic in its Golden Age. While many aspects of this rich and nuanced era have been studied before, the emphasis of this volume is on a series of interactions and interrelations: between communities and their varying but often cognate languages; between different but overlapping spheres of human activity; between culture and history. The chapters are written by historians, linguists, bibliographers, art historians and literary scholars based in the Netherlands, Belgium, Great Britain and the United States. In continually crossing disciplinary, linguistic and national boundaries, while keeping the culture and history of the Low Countries in the Renaissance and Golden Age in focus, this book opens up new and often surprising perspectives on a region all the more intriguing for the very complexity of its entanglements.
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka’s writings; the presence of animals in Kafka’s texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.