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The author tells of her experiences as a child in Malta during WWII. Also provides information about the history of Malta during the war years. Includes a bibliography and an index.
At home; Crimes of the Calcutta convicts; The camp at Sullivan Bay; The hobart towm of David Collins; From camp to colony.
This innovative book marks a new way of looking at convict women. It tells their stories in a powerful and evocative way, drawing out broader themes of gender and sexual disorder and race and class dynamics in a colonial context. It considers the convict past in light of contemporary concerns, looking at the cultural meanings of aspects of life in the colony: on ships, in the factories and in orphanages. Using startlingly original research, Joy Damousi considers such varied topics as headshaving as punishment in the prisons and the subversive nature of laughter and play, as well as analysing the language of pollution, purity and abandonment. She also dicusses the nature of sexual relationships, including evidence of lesbianism. The book shows how understanding about sexual and racial difference was crucial for both the maintenance and disturbance of colonial society, and became a focus for cultural anxiety.
"Notorious strumpets tells the story of more than 1,600 convict women who came to Van Diemen's Land before 1830. Their experiences as convicts were infinately diverse. For some their lives where marked with tragedy, others faced brutality; some found a type of redemption, while others spent their lives rebelling against the colonial authority. Many built a new life for themselves in their new land" -- Screen.
“Notwithstanding their differing approaches—digital, archival, historical, iterative, critical, creative, reflective—the essays gathered here articulate new ways of seeing, investigating, and apprehending literature and culture.” – From the Preface This collection of essays enriches digital humanities research by examining various Canadian cultural works and the advances in technologies that facilitate these interdisciplinary collaborations. Fourteen essays—eleven in English and three in French—survey the helix of place and space. Contributors to Part I chart new archival and storytelling methodologies, while those in Part II venture forth to explore specific cultural and literary texts. Cultural Mapping and the Digital Sphere will serve as an indispensable road map for researchers and those interested in the digital humanities, women’s writing, and Canadian culture and literature. Contributors: Jeffery Antoniuk, Susan Brown, Constance Crompton, Ravit H. David, Patricia Demers, Shawn DeSouza-Coelho, Cecily Devereux, Teresa M. Dobson, Sandra Gabriele, Isobel Grundy, Andrea Hasenbank, Paul Hjartarson, Kathleen Kellett, Sasha Kovacs, Vanessa Lent, Margaret Mackey, Breanna Mroczek, Bethany Nowviskie, Ruth Panofsky, Mariana Paredes-Olea, Harvey Quamen, Jennifer Roberts-Smith, Omar Rodriguez-Arenas, Mary-Jo Romaniuk, Stan Ruecker, Lori Saint-Martin, Michelle Schwartz, Stéfan Sinclair, Mireille Mai Truong, Stéphanie Walsh Matthews, Heather Zwicker.
What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.
Provides the first full-scale, theoretically informed exploration of the rhetorical function of emotions in a New Testament epistle.