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Peter Sculthorpe, who died in 2014, remains Australia’s best-known composer and is widely held to be the most important creative musical spirit the country has produced. Beautifully written and fastidiously researched, this authorised biography provides an insight into Sculthorpe’s formation years: his quest for personal voice, and his arrival – through many creative friendships and collaborations – at a place in the collective heart of the nation. It charts the realisation of a youthful vocation to become not merely a composer, but an Australian composer. Graeme Skinner’s biography is also a social history, examining Sculthorpe’s unique role in the creation of Australian musical modernism in the 1960s – an important era in Australia’s cultural evolution.
This compilation of the classic artwork of Peter Sculthorpe spans four decades. By considering light, the passage of time, the use of different mediums and sizes, and inspiring locations, Peter brings to life moments and subjects that are important to classic art. Here, find 116 beautiful paintings that capture early domestic architecture, vast open landscapes, the rocky coastline, changing weather, and domestic farms--the cornerstones of his work. Along with pure landscapes; historic buildings; innocent creatures; the still of the moon; the wind, weather, sea, and stone of seacoasts; and found and cherished still life, Peter provides heartfelt essays as his introduction to timeless refuges that continue to renew. Whether the painting captures a moment when the late afternoon sun strikes the side of a building or the morning sun shimmers on a body of water, you will find these treasures significant to time and its passage.
An analytical survey of the music of Peter Sculthorpe.
The Acc07.143 instalment comprises pencil, proof and published music scores. It includes works hitherto missing from the W001-W305 series, belonging to Series 9 held at MS 9676 (2 fol. boxes).
Australia offers tremendous scope for understanding the relationship between music, spirituality and landscape. This major, generously-illustrated new volume examines, in fifteen chapters, some of the ways in which composers and performers have attempted to convey a sense of the Australian landscape through musical means. The book embraces the different approaches of ethnomusicology, gender studies, musical analysis, performance studies and cultural history. Ranging across the country, from remote parts of the Northern Territory to the bustling east coast cities, from Tasmanian wilderness to tropical Queensland, the book includes references to art and literature as well as music. Issues of national identity, belonging and aboriginalization are an integral part of the book, with indigenous responses to place examined alongside music from the western orchestral, chamber and choral repertories. The book provides valuable insight into a wide range of music inspired by Australia, from the Yanyuwa people to Jewish communities in Victoria; from Peter Sculthorpe's opera Quiros to the work of European expats living in Australia before the Second World War; from historic Ealing film scores to contemporary sound installations. The work of many significant composers is discussed in detail, among them Ross Edwards, Barry Conyngham, David Lumsdaine, Anne Boyd and Fritz Hart. Throughout the book there is a sense of the vibrancy and diversity of the music inspired by the sights and sounds of the Australian landscape.