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Cambridge, Massachusetts-based architect Peter Rose has built on every scale during the first three decades of his practice. High-profile projects, such as his master plan for the Montreal waterfront and his award-winning Canadian Centre for Architecture in Montreal have brought him both public recognition and the respect of his peers. Besides being known for his artisan's love of solid building materials, craftsmanship, and old-fashioned building methods, it is perhaps no surprise that his residential projects function as laboratories for new ideas. Peter Rose: Houses presents five such houses in complete detail from client collaboration and site evaluation to construction. Rose draws inspiration from the outward simplicity and order of houses of the past but recognizes that their quiet strength depends on a complexity that comes only from thoughtful consideration of site, plan, exterior, and details. Rose insists on a close collaboration with his clients, who come to him because of his reputation for deliberately restrained, livable homes in harmony with the landscape. These residences and second homeson Martha's Vineyard, in New York City, Vermont, and Connecticutare masterful combinations of light, texture, and weight. They are an exquisite fusion of the natural and the man-made, of craft and architecture.
Robert Rose was a promising cricketer and footballer in the mould of his father, Bob, Collingwood's greatest player. Robert's brother, Peter, was on the way to a literary career as a poet and later a publisher. On St Valentine's Day in 1974 a terrible car accident changed the Roses forever. For the next quarter century Robert Rose lived as a quadriplegic. Rose Boys is Peter Rose's portrait of his brother. It is a heartbreaking account of a family united and ravaged by misfortune: a story of love, courage and endurance. This bestselling memoir comes with a new introduction by Brian Matthews. Peter Rose grew up in Wangaratta, Victoria, and is principally known as a poet and memoirist. His first book of poetry, The House of Vitriol, appeared in 1990. His fifth collection, Crimson Crop, won a Queensland Literary Award in 2012. In 2001 he published a family memoir, Rose Boys, about his late brother Robert, who was an outstanding sportsman before a car accident left him a quadriplegic. Rose Boys was a bestseller and won the 2003 National Biography Award. Rose is also the author of two novels, A Case of Knives (2005) and Roddy Parr (2010). He has twice edited the annual anthology The Best Australian Poems and is a frequent reviewer; his literary journalism has appeared in many publications. Throughout the 1990s he was a publisher at Oxford University Press. Since 2001 he has been editor of Australian Book Review. 'A book of immense emotional force that is a eulogy to his brother, a tribute to his parents and a powerful demonstration of the redemptive quality of suffering.' Meanjin 'A deeply felt, passionately uplifting story.' Weekend Australian 'A deep family story of suffering, love and passionate devotion, richly and freshly told.' Helen Garner 'Rose Boys is an intimate and moving - though never maudlin - story of familial love...often simple, sometimes rich and lyrical, and always cliche free.' Time 'I'm not sure when I last came across someone who has written so powerfully about death.' Martin Flanagan, Age
In this ambitious and venturesome book, Peter W. Rose applies the insights of Marxist theory to a number of central Greek literary and philosophical texts. He explores major points in the trajectory from Homer to Plato where the ideology of inherited excellence—beliefs about descent from gods or heroes—is elaborated and challenged. Rose offers subtle and penetrating new readings of Homer's Iliad and Odyssey, Pindar's Tenth Pythian Ode, Aeschylus's Oresteia, Sophokles' Philoktetes, and Plato's Republic. Rose rejects the view of art as a mere reflection of social and political reality—a view that is characteristic not only of most Marxist but of most historically oriented treatments of classical literature. He applies instead a Marxian hermeneutic derived from the work of the Frankfurt School and Fredric Jameson. His readings focus on illuminating a politics of form within the text, while responding to historically specific social, political, and economic realities. Each work, he asserts, both reflects contemporary conflicts over wealth, power, and gender roles and constitutes an attempt to transcend the status quo by projecting an ideal community. Following Marx, Rose maintains that critical engagement with the limitations of the utopian dreams of the past is the only means to the realization of freedom in the present. Classicists and their students, literary theorists, philosophers, comparatists, and Marxist critics will find Sons of the Gods, Children of Earth challenging reading.
Peter Schneider challenges the notorious myth that roses are difficult to grow, arguing that it’s all about choosing the right petals for the right place! Providing in-depth profiles of hundreds of varieties, Schneider helps you decide which roses will work best in your flower bed or along an eye-catching garden trellis. Simple instructions that use proven techniques make growing roses easy and enjoyable, even in colder climates, while more than 400 gorgeous photos make this book as visually irresistible as it is useful.
Rose finds a neglected patch of earth in the middle of a bustling city where she can plant the flower seeds collected from her travels in her magical teapot.
An eclectic Marxist approach reveals the centrality of conflict and ideological struggle in the socio-political and cultural changes in Archaic Greece.
Reorganized into four sections, this edition introduces the issues and ways in which sociologists see and define race, ethnicity and minority status; discusses the history and experiences of the various groups that comprise America; examines the nature of prejudice and patterns of discrimination; and explores issues of pluralism, power and politics.
"Youth and maturity, love and infatuation, memory, music, loss, landscape, Peter Rose exposes the human experience in poems that are gorgeously lucid and often profound. The Subject of Feeling reveals a fearless wisdom, a wry wit and a quiet depth. These poems stop you in your tracks." -- Andrea Goldsmith *** "The poetry of Peter Rose moves from classical Rome to contemporary Australia; from mordant comedy to moving elegy; from searing clarity to teasing obliquity. In his brilliant anatomies of the relationship between 'art' and 'life, ' the public and the private, Rose shows himself to be a master stylist. But style for Rose is not divorced from experience. Rather, experience is understood as, and through, style, a fact illustrated by the welcome new additions to the 'Catullan Rag, ' Rose's caustic and hilarious ongoing satire of Australian literary life." -- David McCooey *** "Peter Rose's poems encapsulate a passionate vision of life, fusing sardonic wit, sophisticated irony and unsettling gestures. Through their innovative imagery the poems repristinate the mundane and the quotidian, transforming their experience into a unique revelation of the uncanny and the miraculous. It is the poetry of the ultimate sensations, crystalised in lucid formal transparency and imperceptible rhythmic patterns. It is finally the space where words show their love for the real, and besiege its secrets, with intensity and empathy." -- Vrasidas Karalis *** Librarians: ebook available on ProQuest and EBSCO [Subject: Poetry]
The renowned food historian delves into the early culinary traditions of Dutch settlers in New York state and their influence on the American kitchen. In 1609, Henry Hudson, under contract with the Dutch East India Company, set out to discover the lucrative Northwest Passage. The Hudson River Valley is what he discovered instead, and along its banks Dutch culture took hold. While the Dutch influence can still be seen in local architecture and customs, it is food and drink that Peter Rose has made her life’s work. From beer to bread and cookies to coleslaw, Food, Drink and Celebrations of the Hudson Valley Dutch is a comprehensive look at this important early American influence, complete with recipes to try.
What does Peter Pan have to say about our conception of childhood, about how we understand the child's and our own relationship to language, sexuality, and death? What can Peter Pan tell us about the theatrical, literary, and educational institutions of which it is a part? In a new preface written especially for this edition, Rose accounts for some of the new developments since her book's first publication in 1984. She discusses some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of a transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.