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Based on rumors of a Soviet manned flight to the moon, this novel follows the adventures of Peter Nevsky, a cosmonaut-in-training with dreams of claiming the moon for Mother Russia
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.
A collection of the best stories published in 1994.
The Historical Dictionary of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.
The dozens of delightful stories in this anthology dazzle the mind with visions of tomorrow and yesterday, of here and now. On display is the work of many of today's greatest writers--and tomorrow's--including: Brian W. Aldiss, Stephen Baxter, Neal Barrett, Jr., Pat Cadigan, Jack Cady, Greg Egan, Joe Haldeman, David B. Kisor, Nancy Kress, Ian R. MacLeod, Maureen F. McHugh, G. David Nordley, Rebecca Ore, Robert Reed, Mike Resnick, Mark Rich, Charles Sheffield, Dan Simmons, William Browning Spencer, Bruce Sterling, Steven Utley, Don Webb, Walter Jon Williams, Connie Willis. A long list of Honorable Mentions and an insightful roundup of the year in science fiction make the book indispensable for every fan of fantastic fiction. "Intriguing characters, creative settings and a certain amount of consciousness-raising are evident in many selections...Readers have a useful jumping-off point should they wish to continue their explorations of an expanding literary universe."--Publishers Weekly