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In Experiencing Peter Gabriel, author Durrell Bowman delves into the sounds and stories of the innovative, versatile, English pop icon. As not only a singer-songwriter and musician, but also a music technologist, world-music champion, and humanitarian, Gabriel has consistently maintained an unabashed individualism and dedication to his artistry. From 1969 to 1975, Gabriel served as the lead singer, flute player, occasional percussionist, and frequent songwriter and lyricist of the progressive rock band Genesis. With the band, Gabriel made six studio albums, a live album, and numerous performances and concert tours. The early version of Genesis made some of the most self-consciously complex pop music ever released. However, on the cusp of Genesis becoming a major act internationally, Gabriel did the unthinkable and left the group. Gabriel’s solo career has encompassed nine studio albums, plus five film/media scores, additional songs, videos, major tours, and other projects. As a solo artist and collaborator, he has worked with first-rate musicians and produced unrivaled tracks such as the U.S. No. 1 hit “Sledgehammer.” Gabriel won six Grammy Awards in the 1990s and 2000s, as well as numerous additional awards and honors for his music and his videos, as well as for his humanitarian work. From his early work with Genesis to his substantial contributions as a solo artist, Gabriel’s music ranges from chart-topping pop songs to experimental explorations often filled with disarmingly personal emotions. Experiencing Peter Gabriel investigates the career of this magnetic performer and uncovers how Gabriel developed a sound so full of raw authenticity that it continues to attract new fans from across the world.
The long-awaited, definitive story of one of the worlds most creative and commercial rock groups, this beautiful, full-color book coincides with the bands Fall 2007 reunion tour. All former band members have collaborated in presenting their story that spans 30 years and 30 albums.
Regarding his song "Solsbury Hill" (1977), Peter Gabriel has written: "It's about being prepared to lose what you have for what you might get, or what you are for what you might be. It's about letting go. By letting go, you create the space for something new to happen. It's a personal struggle to learn to jump off the diving board." The fundamental meaning of Gabriel's words is to be willing to accept change within oneself; to let go of long-held beliefs, opinions, or perspectives in order to grow beyond them. This is very difficult for most adults to do without a personal revelation of some kind. So, if we take into consideration that the song was a direct result of a moment of meditation of Gabriel on Solsbury Hill, we can infer that the change within the English musician was sudden and not as a result of a gradual transition. Isn't it reasonable to assume then that something significant happened in Peter Gabriel's life while meditating on Solsbury Hill?
Ever since Peter Gabriel fronted progressive rock band Genesis, from the late 1960s until the mid 1970s, journalists and academics alike have noted the importance of Gabriel's contribution to popular music. His influence became especially significant when he embarked on a solo career in the late 1970s. Gabriel secured his place in the annals of popular music history through his poignant recordings, innovative music videos, groundbreaking live performances, the establishment of WOMAD (the World of Music and Dance) and the Real World record label (as a forum for musicians from around the world to be heard, recorded and promoted) and for his political agenda (including links to a variety of political initiatives including the Artists Against Apartheid Project, Amnesty International and the Human Rights Now tour). In addition, Gabriel is known as a sensitive, articulate and critical performer whose music reflects an innate curiosity and deep intellectual commitment. This collection documents and critically explores the most central themes found in Gabriel's work. These are divided into three important conceptual areas arising from Gabriel's activity as a songwriter and recording artist, performer and activist: 'Identity and Representation', 'Politics and Power' and 'Production and Performance'.
If Genesis, according to British comedian and fan, Al Murray 'were the progressive rock band who progressed', then Peter Gabriel, once solo, would be the one who progressed the most. Who would have thought listening to early Genesis would eventually take the listener to Senegal, Armenia, South Africa and beyond via the artistic endeavours of their former vocalist? This is a journey through Peter Gabriel's the solo albums, his live recordings and soundtrack compositions. During his forty-year plus solo career, Gabriel has become a worldwide pop star with his early, self-titled albums and his seminal 1986 record So. He has had hit singles throughout his career, including 'Big Time' and the poignant 'In Your Eyes'. He also helped pioneer video creativity with the song 'Sledgehammer'. In doing so, he has reached beyond his progressive rock background to achieve a level of respect that other musicians from that genre could only dream about. You may have heard many of these songs before, but there's always something new to be found by digging in the dirt. This is the prefect guide to his music for new listeners and long term fans alike. What on earth is going on? In the words of the Burgermiester: 'I...will...find...out.'
TURN IT ON AGAIN PETER GABRIEL, PHIL COLLINS AND GENESIS
In this collection of quotations Peter Gabriel talks about his life and music from his days as lead singer with Genesis to his solo career. He discusses his spectacular live concerts, his involvement in the Womad Festival, and his support for the Anti-Apartheid Movement.
This biography traces Gabriel's early years, from his days as a singer in Genesis, to his departure and emergence as a solo artist in the mid 1970s. It also features chapters on his work with Third World musicians and his association with Womad.