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Night themed poetry
Poetry. Andrew Zawacki's third book explores the dynamics of one and of none: being and nothingness, binary code, virtual flowers in a bulletproof vase, she loves me she loves me not. Inflected by an ecopoetics that lets the electro in, PETALS OF ZERO PETALS OF ONE consists of three concatenated tracks, sequenced in a low-tech echo chamber. Winner of the 1913 Prize, Georgia has been praised by Cole Swensen as a vibrant disaster that keeps us feeling falling, while Peter Gizzi calls it a high velocity tour-de-force. The central series, Arrow's shadow is a fractured ars poetica and an elegiac encounter with landscape and syllable, with pixelated forms and light. Storm, lustral choreographs an epileptic last dance along the ditch waters and wanderlust of the Dasein. This volume affirms Susan Howe's claim that Zawacki combines the disciplined perception of a naturalist with the inspired perception of a poet.
The title of the book PETALS IN THE WIND is also the title of his longest poem in this book. It depicts events that lead to India's partition into two separate states, India and Pakistan. It is about the greatest exodus on earth that took place in 1947 when millions of people flee from their country in search of another home in a distant land. In the process they got separated from their families, friends, relatives, and loved ones never to meet them again like petals that fell off the flower and got scattered in the wind never to reattach again. Back in Kenya, he saw the independence movement brewing up. Although born in Kenya, he sailed to India in a dhow during World War II, at the age of six. This book contains poems written in different parts of the world and can be enjoyed by any reader, especially those with political or historical perspective.
A dozen poems on love by a New Jersey obstetrician (1883-1963) who often wrote them on office prescription pads. In the title poem, first published when he was 72, he wrote: "What power has love but forgiveness? / In other words / by its intervention / what has been done / can be undone."
In his first collection of poems, Rising Petals, Ashwini Rath deciphers the anxiety of a modern human through objects, moods, events, places and phenomena. Each poem illustrates the conflict in our minds and strengthens our resolve to stay true to our elements.
A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.
How a Poem Moves is a collection of 35 short essays that walk readers through an array of contemporary poems. Sol is a dynamic teacher, and delivers essays that demonstrate poetry's range and pleasures through encounters with individual poems that span traditions, techniques, and ambitions.
During the Winters of the 1980s in a small Northwest Indiana farm town called Dyer, where the days and nights were long, quiet and cold, I would often look out our kitchen window at the massive snow drifts and wonder if and when Spring would arrive. In the depths of depression and with nothing else to do, these poems emerged, one by one, like petals dropping from a big, beautiful red rose.
Ming Neng, entering a retreat to test her karma as a Buddhist nun, becomes trapped between her long-held spiritual quest and forbidden passion when she succumbs to temptation with the young American doctor who saved her life. Original.