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Contributed articles on 20th century English fiction.
Indian Writing In English Has Undoubtedly Acquired Its Own Independent Identity; It No More Remains Mere Imitative And Derivative. Its Long Journey From Colonial To Post-Colonial, From Imperial To Democratic And From English To Hinglish Forms A Remarkable Chapter In The History Of World Literature. Tagore Earned The First Recognition And Naipaul Is The Recent Laureate. In Between These Nobel Laureates Came A Number Of Writers Whose Work Earned Worldwide Appreciation.The Present Book Is An Attempt To Present The Different Genres Of Indian Writing In English. It Aims At Tracing Its Distinctive Features, Such As Cultural Alienation, Romanticism, Realism, Naturalism, Modernism Etc. While Nehru Has Furnished The Best English To The Globe, Amitav Ghosh, Shashi Tharoor, Arundhati Roy, Shiv K. Kumar And Dattani Have Stirred The West With Their Great Works. The Works Of These Renowned Literary Figures Have Been Considered Thoroughly And Meticulously In The Present Book.It Is Hoped That While The Student Community Will Find It Easily Accessible, The Teachers Will Also Consider It Exciting Study Material.
This is the fourth and final volume in the pioneering series on Perspectives on Ma,or Forms of indian English Literature edited by Professor M.K, Naik, Following the pattern of the earlier three volumes this collection also includes two types of essays-those evaluating the entire corpus of major fictionists and schools and those attempting intensive textual analyses of outstanding novels like Untoucl,ahle, The Guide. The Serpent and the Rope and Midnight's children. The final essay on “The Achievement of Indian Fiction in English" is an attempt to survey the entire field and evaluate the total achievement in this genre. A number of collections of critical essays on Indian fiction in English have appeared during recent years but perhaps none of them. has the range and depth of this volume. The contributors include distinguished scholars such as K.R. Srinivasa Iyengar, V.A. Shahane, D.V. K Raghavacharyulu, PremaNandakumar and the editor, M,K. Naik, himself. The carefully selective Bibliography appended to the volume has further enhanced its value as a comprehensive collection of incisivse critical studies covering the entire range of Indian fiction in English. and this series which is now complete easily constitutes a significant landmark in the ongoing scrutiny of Indian English literature.
This Book Will Be Of Use To The Scholars Who Take Up Indian English Fiction For Their Researchand Also To All Those Who Are Interested In Familiarising Themselves With The Recent Trends In This Area.
Perspectives On Indian English Literature Are Too Vast And Varied To Be Completely Evaluated Between The Covers Of A Single Book. The Present Volume Is A Modest Contribution To Explore This Area Through A Vast Cross-Section Of Scholars And Academicians From Different Universities Of The Country. Apart From Its Critical And Academic Importance, The Present Volume Would Also Help The Students, Teachers, Researchers And Scholars To Know India Through The Broadened Perspectives Profferred Through English Language.
New Perspectives On Indian English Writings Is A Collection Of Thirty-Eight Research Papers On Various Fictionists, Dramatists And Poets Of Indian Origin. These Papers, Contributed By Scholars And Teachers Of Repute, Study In Depth The Major Works Of The Pioneers As Well As Emerging Indian Authors, Writing In English. The Writers Included In This Volume Are Kamala Markandaya, Jhumpa Lahiri, Shashi Deshpande, Nayantara Sahgal, Girish Karnad, Manju Kapur, Bharati Mukherjee, R.K. Narayan, Salman Rushdie, Arundhati Roy, Gita Mehta, Kamala Das, Nissim Ezekiel, Ruth Prawer Jhabvala And Many Others. The Wide Range Of The Authors, Covered In This Volume, Makes It Useful For Researchers, Teachers And Postgraduate Students, Studying In Various Universities Of India.
The Study Is A Painstaking Probe Into The Unfolding Of A Hitherto Ignored Thematic And Stylistic Dimension Of Modern Indian English Fiction. Beginning With An In-Depth Analysis Of The Political Underpinnings In The Early Phase, The Study Moves To A Scholarly Critique Of The Same In The Post-Independence Context. Indian English Novel Has Been Appraised As A Human Document, Chronicling Most Credibly The Political Vicissitudes Of The People In General. The Crippling Nature Of The Popular Creed Has Been Isolated As The Cause Of The Personal As Well As The Political Tragedy. The Critique Discovers In Gandhism A Liberating Panacea Which Later Got Ossified Into A Myth. The Differing Perceptions In Novels Of The Light At The End Of The Tunnel Forms Part Of The Next Stage Of The Scholarly Argument. Last But Not The Least, The Book Examines The Artistic Modes Of Projection Of The Political Motif.A Refreshing Insight Into Indian English Fiction, Indian Socio-Political Psyche, The Sociology Of Faith As Well As The Artistic Amalgam Of Aesthetics And Ideology In Indian Literature.An Invaluable Source Book For Researchers, Teachers And Students Of Literature, Politics, Sociology And Philosophy.
In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Twenty-One Authors Who Are Both Established As Well As Upcoming Writers: Nissim Ezekiel, Nirad C. Chaudhuri, Girish Karnad, R.K. Narayan, Raja Rao, Manohar Malgonkar, Bhabani Bhattacharya, Taslima Nasrin, Salman Rushdie, Anita Desai, Shashi Deshpande, Amitav Ghosh, Vikram Seth, Githa Hariharan, Kavita Daswani, Manju Kapoor, M.N. Roy, Sri. Aurobindo, Mahatma Gandhi, Lohia And Ambedkar. The Articles On Poets Contained In This Anthology Acquaint The Readers With The Fluctuating Scene Of Thematic Concerns And Technical Experimentations In Indian English Poetry. All Other Articles Are Also Unique Of Its Kind, Reflecting The Above-Mentioned Authors Treatment Of Their Chosen Literary Genre.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find Them Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find Them Intellectually Stimulating.
Postmodernism In Indian English Literature Refers To The Works Of Literature After 1980. If Raja Rao S Kanthapura (1938) Marks Modernism, Salman Rushdie S Midnight S Children (1981) And Nissim Ezekiel S Latter-Day Psalms (1982) Mark Postmodernism In Indian English Literature. In This Book, Dr. Bijay Kumar Das Has Analysed Postmodern Indian English Literature Genre-Wise Poetry, Novel, Short Story, Drama And Autobiography. This Is A Critical History Of Indian English Literature In The Postmodern Period, Meant For Students, Researchers As Well As Teachers Who Seek An Introduction To It.