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Vols. for 1969- include a section of abstracts.
ESTE LIBRO EXPLICA CON PROSA CLARA CÓMO SE LEGITIMA HOY EL ORDEN SOCIAL Y ARROJA UNA MIRADA INNOVADORA PARA ENTENDER LAS IDEOLOGÍAS EN LA SOCIEDAD ACTUAL. El objetivo de este libro es replantear la noción de ideología a partir de la idea del imaginario social. Aunque esta haya sido abordada desde diferentes ángulos en el pensamiento sociológico actual, aquí el autor liga ambos conceptos (ideología e imaginario social) para, desde esta ligazón, descifrar la legitimación del orden en las sociedades actuales, desarrollando, así, una nueva propuesta para la crítica ideológica.
This exhibition catalogue presents a series of works representatives of what has been the process of visual arts from the second half of the twentieth century to the present. It presents a collection where they are present more than seventy artists born between the decades of 30 and 50: as Gordon Matta-Clark, Donald Judd, Joseph Kosuth, Dan Flavin, Lazslo Moholy-Nagy, Matthew Barney, Thomas Ruff, Wolfgang Tillmans, Helio Oiticica, Douglas Gordon, Vanessa Beecroft, Francis Alys, Abraham Cruzvillegas, Santiago Sierra, Teresa Margolles, Gabriel Orozco among others, whose works make up this selection of high quality, representativeness and diversity of searches, finds and creative proposals. The common thread is the image, the starting point and destination of each of the works are collected in this selection: Drawing, painting, sculpture, installations, video art, and prominently, picture from several strands from the documentary to which explores the meaning and scope of the creative process.
To get to know in greater detail the history of Opus Dei and its founder: to get to know the central characters, what its documents say, its influence on the Catholic Church and contemporary society. Since 2007, this has benn the task of the journal "Studia et Documenta". The journal gathers together studies, annotated unpublished documents, news of academic interest, reviews and synopses, and a comprehensive bibliographic bulletin. Each volume contains in the region of 500 pages. The articles are prepared by specialists and are subjected to the peer review system.
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
The Continuity of Linguistic Change presents a collection of selected papers in honour of Professor Juan Andrés Villena-Ponsoda. The essays revolve around the study of linguistic variation and the mechanisms and processes associated with linguistic change, a field to which Villena-Ponsoda has dedicated so many years of research. The authors are researchers of renowned international prestige who have made significant contributions in this field. The chapters cover a range of related topics and provide modern theoretical and methodological perspectives, addressing the structural, cognitive, historical and social factors that underlie and promote linguistic change in varieties of Dutch, German, Greek, Italian, Spanish and Swedish. The reader will find contributions that explore topics such as phonology, acoustic phonetics and processes deriving from the contact between languages or linguistic varieties, specifically levelling, koineisation, standardisation and the emergence of ethnolects.