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When the new medium of CD-ROMs emerged, industry figures and critics alike proclaimed their virtually unlimited potential. Adapting material from well-established media like television and film, CD-ROMs have quickly transformed genres such as science fiction and horror. At the same time, the realities of actual CD-ROMs often fall short of their utopian visions. On a Silver Platter marks a "coming of age" for CD-ROMs as a commercially and aesthetically significant medium demanding critical attention. Greg Smith brings together media scholars such as Lisa Cartwright, Henry Jenkins, Janet Murray, and Scott Bukatman to analyze how CD-ROMs offer alternatives to familiar places—to museums, to cities, and especially to classrooms. Examining specific CD-ROM titles, including, Sim City, Civilization, and Phantasmagoria, the contributors argue that CD-ROMs are complex texts worthy of close consideration, both for how they have changed our understanding of space and genre, and for how they will impact the development of future media. By examining particular CD-ROM texts and contexts, On a Silver Platter probes this new medium for insight and understanding into the current state of multimedia and into the future of technology.
"Eli Robideaux in her shop asking to "borrow" money is not how Char Jones imagined their reunion. Her dreams were more the I've-come-to-my-senses variety than the gimme-your-cash kind. Regardless, it seems Char's high school crush on him hasn't gone away. If anything, the adult Eli is even more irresistible. And, okay, part of that attraction is the fact he needs her help--again. Seems he's searching for the missing pieces of himself. She may hold a key to one of those pieces--the son he didn't know they had, the one she put up for adoption. Maybe now is a good time to find their son. And maybe this is their chance to finally be together, to be the family she'd always wanted with Eli."--Page 4 of cover.
We as adults are reflected in our children, those in our literature as well as those in our familes, and so it is natural to want to examine their presence among us. Children and child speech are important literary elements which merit careful critical analysis. Surprisingly, comprehensive studies of the child in American fiction have not been previously attempted and fictional child speech, even that of individual characters has been almost totally ignored. Nevertheless, the language of fictional children warrants attention for several reasons. First, language and language acquisition are primary issues for children much as sexual development is primary issues for adolescents. Second, because vast linguistic efforts have been directed toward language acquisition research, a broad base of concrete information exists with which to explore the topic. And, third, language is a key which opens many doors. An understanding of fictional children's language leads to discoveries about various critical questions, sociological and psychological as well as textual and stylistic. This study examines the presentation of children and child language in American fiction by applying general linguistic principles as well as specific findings from child language acquisition research to children's speech in literary texts. It clarifies, sorts, and assesses the representations of child speech in American fiction. It tests on fictional discourse linguistic concepts heretofore applied exclusively to naturally occurring child language. The aim is not to evaluate the degree of realism in writers' presentations of child language, for that would be a simplistic and reductive enterprise. Rather, the overall object is to analyze fictional child language using linguistic methods.
Interpreting the Rules and Other Basics: Offers, Objections and the Judge's Function; Judicial Notice, Presumptions, and Burdens: Substitutes for Evidence; Relevancy, its Counterweights and Related Exclusionary Rules; A Special Relevancy rs. Counterweights Problem Area: Similar Acts, Character, Propensity; Privileges; Witnesses: Competency, Examination and Impeachment; Opinions, Experts and Scientific Evidence; Hearsay: Basic Theory and Rationale; Hearty Rule Modifications for Admissions and Witnesses' Prior Statements; Exceptions to the Hearsay Rule; Authentication, Exhibits and the Best Evidence Rule.
For the twentieth-century naturalist and poet Loren Eiseley, the relationship between human beings and the natural world has become unnatural, divided by the era of modern technology. Loren Eiseley’s Writing across the Nature and Culture Divide analyses how the philosopher of science becomes a boundary crosser in time and space. Qianqian Cheng points to Eiseley’s method of uniting science and the humanities to reflect on human evolution and the past and future role of science with a visionary and poetic imagination. Seizing the connectedness of living beings, Eiseley, and now Cheng, makes us aware of the presence of nature even in daily urban life. Qianqian Cheng unveils Eiseley’s merits, showing the poet as a necessary voice in the urgent mission to make individuals realize their responsibility to respond ethically to the living world.