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Reprint. Originally published: 1973. 2000 ed. includes new preface.
In these studies, scholars from the United States and Indonesia identify some of the cultural roots of Indonesian political behavior. The authors, representing the fields of anthropology, history, and political science, explore the ways in which traditional institutions, beliefs, values, and ethnic origins affect notions of power and rebellion, influence political party affiliations, and create new modes of cultural expression. Using two different but contemporary approaches, the authors show what can be learned about Indonesia through use of the Western concepts of "culture" and "politics". Professors Lev, Liddle, and Sartono illustrate how much can be gained from presenting Indonesian life in Western terms, while Professors Abdullah and Anderson contrast Indonesian and Western ideas. In an Afterword, Clifford Geertz reflects on the questions raised in these essays by discussing the tense relationships between Indonesian political institutions and the cultural framework in which they exist. CLAIRE HOLT was, until her death in 1970, Senior Research Associate of the Modern Indonesia Project, Cornell University. In Indonesia she served as assistant to the late Dr. W.F. Stutterheim, the noted archaeologist and cultural historian. She lectured extensively in Europe, the Far East, and the United States on Indonesian culture, and worked as a researcher and training specialist for the US Department of State.
Using cultural anthropology to analyze debates that reverberate throughout the human sciences, George E. Marcus and Michael M. J. Fischer look closely at cultural anthropology's past accomplishments, its current predicaments, its future direction, and the insights it has to offer other fields of study. The result is a provocative work that is important for scholars interested in a critical approach to social science, art, literature, and history, as well as anthropology. This second edition considers new challenges to the field which have arisen since the book's original publication.
The award-winning anthropologist Sherry B. Ortner draws on her longstanding interest in theories of cultural practice to rethink key concepts of culture, agency, and subjectivity.
For the past fifty years anxiety over naturalism has driven debates in social theory. One side sees social science as another kind of natural science, while the other rejects the possibility of objective and explanatory knowledge. Interpretation and Social Knowledge suggests a different route, offering a way forward for an antinaturalist sociology that overcomes the opposition between interpretation and explanation and uses theory to build concrete, historically specific causal explanations of social phenomena.
This is a comprehensive introduction to the social and cultural anthropology of South-East Asia. It provides an overview of the major theoretical issues and themes which have emerged from the engagement of anthropologists with South-East Asian communities; a succinct historical survey and analysis of the peoples and cultures of the region. Most importantly the volume reveals the vitally important role which the study of the area has occupied in the development of the concepts and methods of anthropology: from the perspectives of Edmund Leach to Clifford Geertz, Maurice Freedman to Claude Levi-Strauss; Lauriston Sharp to Melford Spiro.
Balinese texts, temples, theatre performances and rituals, in seven essays, are placed into specific political contexts in an effort to gain a deeper understanding of the changing relations between state and society on the complex island of Bali. How have local communities been linked to various claimants to state sovereignty through Bali's history? What have been the forms and functions of the institutions that have joined peasants with kings and bureaucrats? How have these institutions changed and in what ways have they remained the same over the centuries? How have these relationships been represented by Balinese to themselves? And, how should research on these issues be carried further forward? The contributors to this volume—I Gusti Ngurah Bagus, Hildred Geertz, Henk Schulte Nordholt, Raechelle Rubinstein, David J. Stuart Fox, Adrian Vickers, and Carol Warren—represent the disciplines of anthropology, literature and history, but all of them cut creatively across disciplinary lines. In contrast to previous Bali research, these studies put more emphasis on historical background and pay close attention to local Balinese perspectives. Early and colonial history form the frame of several papers, while others deal with major changes in the recent past. While each paper taken alone has its own specialized concerns, if the set is read as a series an outline can be discerned, not only of Balinese history and culture, but also of some characteristic features of the new research on Bali being carried out in the 1980s. The interdisciplinary approach of this volume makes it challenging reading for a wider audience of Southeast Asianists.
A room in a pub. Some musicians facing each other. They play well-known traditional Irish tunes on flutes, tin whistles, and fiddles. Every musician plays the melodic line adding her own variations and grace notes. Some musicians are just listening; others are cracking jokes. The crowd nearby is composed of friends, occasional patrons, a regular audience, and curious tourists. Some seem not to care; some come closer to listen or perhaps even participate. This is called a “session”. From an anthropological point of view, sessions are not just a musical environment. They are a combination of social interactions, suggesting specific dynamics between community, subjects and cultural items. A scene like that can be found the world over, from Dublin to Boston and Rome. During the last forty years the practices and the appreciation of this particular music, and of this particular setting, have moved decisively from local arenas into the global marketplace. A transnational perspective is, therefore, necessary. As such, this book will appeal to a very wide range of readers, from musicians and aficionados to scholars and students.