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The touching, magical story of a boy in a war-torn country and the stone lion that rescues him. Renato loves his home in Florence, Italy. He loves playing with his friends in the Piazza della Signoria. He loves walking home by the beautiful buildings and fountains with his father in the evenings. And he especially loves the stone lion who seems to smile at him from a pedestal in the piazza. The lion makes him feel safe. But one day his father tells him that their family must leave. Their country is at war, and they will be safer in America. Renato can only think of his lion. Who will keep him safe? With luminous watercolor paintings, Barbara DiLorenzo captures the beauty of Florence in this heartwarming and ultimately magical picture book.
A trio of friends from New York City find themselves trapped inside a mechanical board game that they must dismantle in order to save themselves and generations of other children in this action-packed debut that’s a steampunk Jumanji with a Middle Eastern flair. Nothing can prepare you for The Gauntlet… It didn’t look dangerous, exactly. When twelve-year-old Farah first laid eyes on the old-fashioned board game, she thought it looked…elegant. It is made of wood, etched with exquisite images—a palace with domes and turrets, lattice-work windows that cast eerie shadows, a large spider—and at the very center of its cover, in broad letters, is written: The Gauntlet of Blood and Sand. The Gauntlet is more than a game, though. It is the most ancient, the most dangerous kind of magic. It holds worlds inside worlds. And it takes players as prisoners.
In the war-ravaged England of 1940, Charlotte Bromley is sure of only one thing: Kitty McLaughlin is her best friend in the whole world. But when Charlotte's scientist father makes an astonishing discovery that the Germans will covet for themselves, Charlotte is faced with an impossible choice between danger and safety. Should she remain with her friend or journey to another time and place? Her split-second decision has huge consequences, and when she finds herself alone in the world, unsure of Kitty's fate, she knows that somehow, some way, she must find her way back to her friend. Written in the spirit of classic time-travel tales, this book is an imaginative and heartfelt tribute to the unbreakable ties of friendship.
To twelve-year-old Molly Nathans, perfect is: —The number four —The tip of a newly sharpened No. 2 pencil —A crisp white pad of paper —Her neatly aligned glass animal figurines What’s not perfect is Molly’s mother leaving the family to take a faraway job with the promise to return in one year. Molly knows that promises are sometimes broken, so she hatches a plan to bring her mother home: Win the Lakeville Middle School Poetry Slam Contest. The winner is honored at a fancy banquet with white tablecloths. Molly is sure her mother would never miss that. Right...? But as time passes, writing and reciting slam poetry become harder. Actually, everything becomes harder as new habits appear, and counting, cleaning, and organizing are not enough to keep Molly's world from spinning out of control. In this fresh-voiced debut novel, one girl learns there is no such thing as perfect.
"Macmillan doesn't shy away from difficult questions about addiction and recovery and, rightly, doesn't answer them ... this is a bold, timely and searching play" - Financial Times Emma was having the time of her life. Now she's in rehab. Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth. But she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up? People, Places & Things premiered at the National Theatre in 2015 before transferring to London's West End and St. Ann's Warehouse in New York. This edition is published to coincide with the return to the West End in June, 2024
Americans and Britons are exposed to unedited texts, scripts, and speech from one another's dialects at an unprecedented and accelerating rate. Most people have no trouble understanding the general meaning of language in the other dialect, but readers and listeners very often fail to understand or misunderstand critical words, references, and allusions for lack of familiarity of the social and cultural contexts that underlie various usages. This book remedies this gap in understanding by cataloguing the differences that language users on either side of the Atlantic are likely to encounter in their dealings with the other dialect. By taking a culturally neutral stance it addresses the needs of both British and American readers and listeners. The thematic organization of the book allows the user to access language differences in various subject areas, where words likely to be needed at the same time can all be found together. Chapters include; Politics, Law, and Government; Business and Money; Medicine and Healthcare; Education; Food, Clothing, and Shelter; Transportation; Sports; and Profanity and Obscenity, in addition to basic information on orthography, weights and measures, etc. The appendices and extensive index provide a ready point of entry for quick look-ups, and there will be an extra chapter on Canadian, Australian, and Asian English.
The hidden language of objects and landscape considered through the work of five contemporary Canadian artists: Bonnie Devine, Michael Maranda, Loretta Paoli, Arthur Renwick and Laurel Woodcock.
This book challenges media-celebrated evolutionary studies linking Indo-European languages to Neolithic Anatolia, instead defending traditional practices in historical linguistics.
Tour groups, exhibits, paintings, sculptures ... The museum is teeming with common and proper nouns, everywhere you look! Person, Place, and Thing make sure readers not only discover factual grammar basics inside, but also lots of fun, laughter, and adventure.