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Dieses Buch stellt eine der größten Zivilisationen der Welt durch seine Miniaturmalerei vor und erzählt die Geschichte des großartigen Perserreiches mithilfe seiner Tradition einer kleinen, aber pulsierenden Kunstform. Die farbenfrohen Bilder, die eigentlich Buchillustrationen darstellen, führen ein in eine seltsame Welt voller Abenteuer, Helden und Herrscher. Das Layout dieser Mega Square-Ausgabe hebt drei Details jedes Bildes hervor und lässt den Betrachter so wundervolle Einzelheiten erkennen. In seinem praktischen Format ist diese einzigartige Sammlung das perfekte Geschenk für alle Kunstliebhaber.
Persian Miniatures is a picture book showcasing the Metropolitan Museum of Art's collection of popular Persian illustrations from the 14th to early 17th century. The book contains an introduction by M. S. Dimand which briefly explains the history and importance of these Persian miniatures and the artists who made them
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
The thirteenth volume based on the Giorgio Levi Della Vida conference reassesses the role of the Iranian peoples in the development and consolidation of Islamic civilization. In his key essay, Ehsan Yarshater casts fresh light on that role challenging the view that, after reaching a climax in Baghdad in the ninth century, Islamic culture entered a period of decline. In fact, he maintains, a new and remarkably creative phase began in Khurasan and Transoxania, symbolized by the adoption of Persian as a medium of literary expression. By the mid-sixteenth century, Persian literary and intellectual paradigms had spread from Anatolia to India, encompassing the greater part of the Islamic world. Yarshater also challenges traditional assumptions about the 'Islamization of Persia'. In the essays which follow, six distinguished scholars consider the historical, cultural, and religious aspects of the Persian presence in the Islamic world.
Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Lukonin, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10th century BCE through the early 20th century. In the second part of the book they have catalogued Persian Art giving locations, origins, descriptions, and artist biographies where available. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art ?? whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters ?? displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.