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Outstanding collection of 400 motifs: floral designs, geometrics, arabesques, mythical creatures, rosettes, paisley patterns, palmettes, medallions, border and marginal decorations, scrolls, curves, and hunting scenes.
This study surveys a distinctive type of the “Islamic” book which has been largely neglected in previous scholarship: the genre of illustrated lithographed books produced in nineteenth- and early twentieth-century Iran. In addition to introducing the history of printing in Iran and surveying the investigated sources, the study supplies basic data on genres of illustrated books, artists active in lithographic illustration, and aspects germane to this particular field of art. The documentation includes bibliographical references for 116 illustrated books in a total of 351 particular editions and 150 plates with several hundred single illustrations. Lithographic illustration in Iran constitutes the legitimate successor to manuscript illustration, both in content and style. Contrasting with the latter’s refinement, lithographed illustrations were produced in large numbers and served as a powerful medium of popular iconography.
Collection of 761 miniature works of art representing 500 years of the bookplate from the first known example -- ca. 1450 -- to a wide range of fascinating 20th-century designs. Introduction.
One hundred complete fonts from Solo-type Typographers Catalog: upper and lower cases, alternate forms, swash forms, numerals, secondaries. Whiplash, organic, cursive, Orientalized, and other styles. This beautiful, wide range of type fluidities suggest elegance, originality, grace,and a nearness to nature. Most are not available anywhere else.
DIVThe 19th-century French illustrator's classic reference to the decorative ornament of history's major cultures; over 2,000 royalty-free motifs in 100 beautiful full-color plates. /div
Largest collection of decorated artifacts, all in line; prehistoric, Egyptian, Islamic, Baroque, Victorian, other areas, times. 3,700 illustrations.
First Published in 1987, this volume offers a bibliography of biographies, autobiographies and books on contemporary politics by prominent 20th century figures on the topic of Iran.
Explains and illustrates some fifteen aspects of symmetry-related subjects.
This groundbreaking collaboration between an anthropologist and a mathematician constitutes both a collection of symmetrical pattern designs from many cultures and a monograph on pattern design and the classification of symmetrical patterns. Intended for art historians, anthropologists, classical archaeologists, and others interested in the study of material culture, it can also serve as a reference and inspiration for the use of symmetrical patterns in art and design. "This richly illustrated study brings to light dozens of intriguing examples of symmetrical designs, for instance, in a Zulu loincloth, a Japanese chopstick case, a New England quilt, a Tibetan 'Plaque of a Thousand Lamas,' a Hawaiian water gourd. The same pattern found in a fantastical drawing of lizards by M. C. Escher is echoed in a Fijian basket lid and an Egyptian wall mosaic." — Publishers Weekly "This extremely useful guide to classifying plane pattern designs … is extensively illustrated with carvings, textiles, baskets, tiles, and poetry, which are used as examples of various symmetry patterns." — American Anthropologist "An impressive book—both in terms of its physical appearance and its content ... will undoubtedly become the major reference on the analysis of patterns in terms of symmetry properties." — Antiquity
Poetry. IN WINESELLER'S STREET is about hope. About a world seen through eyes that don't idolize individualism and separation. It reflects the human potential of living in a world of harmony and grace. No poet and no tradition does this better than Hafez. During a time of international political and religious chaos and violence, perhaps no other work is more essential to our survival and recovery. Here, Hafez is accessible, and in his accessibility, concise. Always the humble teacher, Hafez sits with us on the barstool in the town pub like a mirror, reflecting back our dreams.