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The impact of Persian life and literature upon Victorian England was tremendous. It found its public demonstration in the visit of the Shah, but the number of men of letters who turned to the Persian classics for inspiration were as numerous as they were great: William Jones, Charles Murray, Edward Browne, George Borrow, Richard Burton, Edward Palmer and, of course, Fitzgerald, translator of the Rubaiyat.
This volume is a fascinating portrait of a part of the world uneasily balanced between many loyalties – East and West, European and Arabic. The coronation of the Shah in 1967 marked the end of the need for foreign aid, and Iran emerged from her struggles to become the leading nation in the Middle East. Written before the crippling Iran-Iraq war broke out, this book looked forward to Iran’s great future, which, in the author’s opinion, could only be achieved if she broke with her traditions to form a new material and spiritual synthesis.
This volume analyses British exhibitions of Middle Eastern (particularly ancient Egyptian and Persian) artefacts during the nineteenth and early twentieth centuries – examining how these exhibitions defined British self image in response to the Middle Eastern ‘other’. This study is an original interpretation of the exhibition space along intersectional constructionist lines, revealing how forces such as gender, race, morality and space come together to provide an argument for British supremacy. The position of museums as instruments of representation of display made them important points of contact between the British national imperialist scheme and the public. Displays in the British Museum, Victoria and Albert Museum and Burlington House provide a focus for analysis. Through the employment of a constructionist lens, the research outlines a complex relationship between British society and the Middle Eastern artefacts presented in museums during the nineteenth and early twentieth centuries. This allows a dialogue to emerge which has consequences for both societies which is achieved through intersections of gender, race and morality in space. This book will be of value to students and scholars alike interested in museology, cultural studies, history and art history.
The impact of Persian life and literature upon Victorian England was tremendous. It found its public demonstration in the visit of the Shah, but the number of men of letters who turned to the Persian classics for inspiration were as numerous as they were great: William Jones, Charles Murray, Edward Browne, George Borrow, Richard Burton, Edward Palmer and, of course, Fitzgerald, translator of the Rubaiyat.
A study of the wealth of meanings that 'Persia' - real or imagined - held for Victorian poetryTakes a broad, interdisciplinary approach to a significant strand in the 'Oriental' texture of Victorian poetry Contributes to a growing body of research on the process of cultural exchange between the West and the 'Orient' Provides the first systematic index of nineteenth-century 'Persianised' poemsOffers a distinctive mix of history and literature, dealing with an array of texts, ranging from ancient Greece to nineteenth-century British travel writings The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated. Providing the first systematic index of nineteenth-century poems that were in any way involved with Persia, the book explores its presence across a broad range of works incorporating literary, historical and cultural material.
The impact of Persian life and literature upon Victorian England was tremendous. It found its public demonstration in the visit of the Shah, but the number of men of letters who turned to the Persian classics for inspiration were as numerous as they were great: William Jones, Charles Murray, Edward Browne, George Borrow, Richard Burton, Edward Palmer and, of course, Fitzgerald, translator of the Rubaiyat.
"Hasan Javadi presents a survey of the subject often only briefly mentioned, or entirely disregarded, in many histories of English Literature. Students of that literature know of Edward FitzGerald's Ruba'iyyat or Matthew Arnold's Sohrab and Rustum, but many are unaware of the fascination that the East, including Persia, has exercised over European minds. Though dealing primarily with English literature, Javadi includes in his account some continental European Orientalists of note as well. Beginning in the late Middle Ages when the Bible and the classics were the main sources of information about Persia; the book covers the 16th and 17th centuries, when travel was beginning to increase Western knowledge about the East. There is a detailed account of Persian themes in Romantic poetry and prose, and a discussion of the works of travelers and novelists such as James Morier, whose Hajji Baba of Ispahan is still a popular novel for many Iranians."--BOOK JACKET.
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program. Visit www.luminosoa.org to learn more. What is the role of the material world in shaping the tensions and paradoxes of imperial sovereignty? Scholars have long shed light on the complex processes of conquest, extraction, and colonialism under imperial rule. But imperialism has usually been cast as an exclusively human drama, one in which the world of matter does not play an active role. Lori Khatchadourian argues instead that things—from everyday objects to monumental buildings—profoundly shape social and political life under empire. Out of the archaeology of ancient Persia and the South Caucasus, Imperial Matter advances powerful new analytical approaches to the study of imperialism writ large and should be read by scholars working on empire across the humanities and social sciences.