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The Great War caught a generation of American soldiers at a turning point in the nation's history. At the moment of the Republic's emergence as a key player on the world stage, these were the first Americans to endure mass machine warfare, and the first to come into close contact with foreign peoples and cultures in large numbers. What was it like, Richard S. Faulkner asks, to be one of these foot soldiers at the dawn of the American century? How did the doughboy experience the rigors of training and military life, interact with different cultures, and endure the shock and chaos of combat? The answer can be found in Pershing's Crusaders, the most comprehensive, and intimate, account ever given of the day-to-day lives and attitudes of the nearly 4.2 million American soldiers mobilized for service in World War I. Pershing’s Crusaders offers a clear, close-up picture of the doughboys in all of their vibrant diversity, shared purpose, and unmistakably American character. It encompasses an array of subjects from the food they ate, the clothes they wore, their view of the Allied and German soldiers and civilians they encountered, their sexual and spiritual lives, their reasons for serving, and how they lived and fought, to what they thought about their service along every step of the way. Faulkner's vast yet finely detailed portrait draws upon a wealth of sources—thousands of soldiers' letters and diaries, surveys and memoirs, and a host of period documents and reports generated by various staff agencies of the American Expeditionary Forces. Animated by the voices of soldiers and civilians in the midst of unprecedented events, these primary sources afford an immediacy rarely found in historical records. Pershing's Crusaders is, finally, a work that uniquely and vividly captures the reality of the American soldier in WWI for all time.
In this absorbing history of progressive-era America, acclaimed historian David Traxel paints a vivid picture of a tumultuous time of change that was the foundation for the twentieth century.. With WWI on the horizon, the struggles to end child labor, improve public health, advance education, win votes for women, and rid cities of corrupt political machines brought forth passionate responses from millions of Americans. There was a demand for reform and a desire for a more efficient and compassionate society. From wide-eyed dreamers to hard-line politicians, seasoned reporters to diary keeping soldiers, these crusaders–Jack Reed, Theodore Roosevelt, Woodrow Wilson, Margaret Sanger, and “Mother” Jones to name a few–come alive in these pages.
Samuel "Roxy" Rothafel (1882–1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to Rothafel's multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New York's most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. Roxy's interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release "events," and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.
This important new history of the development of a leadership corps of officers during World War I opens with a gripping narrative of the battlefield heroism of Cpl. Alvin York, juxtaposed with the death of Pvt. Charles Clement less than two kilometers away. Clement had been a captain and an example of what a good officer should be in the years just before the beginning of the war. His subsequent failure as an officer and his redemption through death in combat embody the question that lies at the heart of this comprehensive and exhaustively researched book: What were the faults of US military policy regarding the training of officers during the Great War? In The School of Hard Knocks, Richard S. Faulkner carefully considers the selection and training process for officers during the years prior to and throughout the First World War. He then moves into the replacement of those officers due to attrition, ultimately discussing the relationship between the leadership corps and the men they commanded. Replete with primary documentary evidence including reports by the War Department during and subsequent to the war, letters from the officers detailing their concerns with the training methods, and communiqués from the leaders of the training facilities to the civilian leadership, The School of Hard Knocks makes a compelling case while presenting a clear, highly readable, no-nonsense account of the shortfalls in officer training that contributed to the high death toll suffered by the American Expeditionary Forces in World War I.
The events of September 11, 2001, had reverberations which were felt across the world, not just in the United States. In their aftermath the United States refocused its foreign policies, a process that had a major impact upon the Asia Pacific region, especially China. In this cross-disciplinary collection of essays, almost two dozen scholars, the majority of them from China, range across a wide spectrum of issues to address just how Nine-Eleven affected the United States globally and at home. Different authors discuss non-Americans’ images of the United States, the nation’s international position and policies, the mindset and influence of neo-conservatives, American internal politics, debates over immigration, the cultural repercussions of Nine-Eleven for television, literature, drama, art, and music, and the implications of efforts to commemorate the events of September 11, 2001. Uniting all these essays is the effort to view the events of September 11, 2001, not in isolation but in a much broader context, a framework encompassing the entire sweep of US involvement in the world since the seventeenth century, and the country’s political, intellectual, cultural, and literary history and traditions. The dialogue among them produces a complicated and fruitful dialectical network of cross-fertilization across different areas, a stimulating and intricate cat’s cradle from which the enterprising reader may draw new and profitable intellectual discoveries.
This is a print on demand edition of a hard to find publication. Surveys the U.S. Army¿s approach to media relations from the Spanish-American War to the first Gulf War. The relationship between the Army and the media is considered in the broader context of the U.S. Government¿s approach to info. mgmt. (IM) Here is an overview of how the U.S. Army has approached its relations with the media over the previous century. Since World War I a number of bureaucratic manifestations of IM have been tried in wartime. With the exception of the U.S. Info. Agency, whose tenure spanned the period from 1953 to 1999, all the other manifestations of bureaucratic IM rose and fell during the wars in which they were created. The need for units in the field to participate in IM is a major challenge for future operations. Illus.