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Collection of favorite tales including Sleeping Beauty and Bluebeard.
Mother Goose Refigured presents annotated translations of Charles Perrault’s 1697 fairy tales that attend to the irony and ambiguity in the original French and provide a fresh take on heroines and heroes that have become household names in North America. Charles Perrault published Histoires ou Contes du temps passé ("Stories or Tales of the Past") in France in 1697 during what scholars call the first "vogue" of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Translating the original Histoires ou Contes means grappling not only with the strangeness of seventeenth-century French but also with the ubiquity and familiarity of plots and heroines in their famous English personae. From its very first translation in 1729, Histoires ou Contes has depended heavily on its English translations for the genesis of character names and enduring recognition. This dependability makes new, innovative translation challenging. For example, can Perrault's invented name "Cendrillon" be retranslated into anything other than "Cinderella"? And what would happen to our understanding of the tale if it were? Is it possible to sidestep the Anglophone tradition and view the seventeenth-century French anew? Why not leave Cinderella alone, as she is deeply ingrained in cultural lore and beloved the way she is? Such questions inspired the translations of these tales in Mother Goose Refigured, which aim to generate new critical interest in heroines and heroes that seem frozen in time. The book offers introductory essays on the history of interpretation and translation, before retranslating each of the Histoires ou Conteswith the aim to prove that if Perrault's is a classical frame of reference, these tales nonetheless exhibit strikingly modern strategies. Designed for scholars, their classrooms, and other adult readers of fairy tales, Mother Goose Refigured promises to inspire new academic interpretations of the Mother Goose tales, particularly among readers who do not have access to the original French and have relied for their critical inquiries on traditional renderings of the tales.
"The Tales of Mother Goose" by Charles Perrault (translated by Charles Welsh). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
A spectacular menagerie of seven classic favourites tales from Charles Perrault in one beautiful volume, re-told and illustrated by Val Biro. Gold foiled, matt laminated cover with spot UV on the illustrations gives an extra special feel. A perfect gift.
This is a collection of the famous Mother Goose fairy tales that have been popular with kids for generations. From the intro: "What virtues do these stories possess that have kept them alive for so long a time? They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and seriousness. Again, to mature people the reward of well-doing and the punishment of evil conduct portrayed in these stories are apt to seem too realistic, too much also on the cut-and-dried pattern; but it is far different with children. They have a very concrete sense of right and wrong, and they demand a clear, explicit, tangible outcome for every sort of action. They must have concrete, living examples, with the appropriate outcome of each, set before them. A modest, faithful child will be strengthened in his good qualities; while one lacking these will have them aroused, to some extent at any rate, by following Cinderella in her career. Arrogance and selfishness come to unhappy straits in this fancy world, and they are likely to fare the same in the real world; so it would be better to part company with them, and take up with gentleness and kindliness and faithfulness instead. And every one may be of some help to others if he be only of the right mind. The brother who thought himself faring badly with only a cat for a legacy learns betimes that even so small and apparently helpless a creature may be of much service when he is rightly disposed. A person might think little Thumb could accomplish nothing of value to any one, but he again teaches the child that all depends on the willingness to be of assistance, the good-heartedness, the fellow-feeling which one has for others. In making this version anew the translator has endeavored to retain the characteristics of the style of the early chap-book versions, while evading the pompous, stilted language and Johnsonian phraseology so fashionable when they were first translated."
'The Tales of Mother Goose', as first collected by Charles Perrault in 1696 are here presented, with a translation by Charles Welsh and an Introduction by M.V. O'Shea. Perrault (1628-1703) was among the first writers to bring magical children's stories into the literary mainstream, proving to their original seventeenth century readers that such works were important, enjoyable, as well as thought-provoking. The stories in this particular text encompass favorites such as 'Blue Beard', 'Little Red Riding-Hood', 'Sleeping Beauty', 'Puss in Boots' and 'Cinderella' as well as other, less well known tales such as 'Riquet of the Tuft', 'Little Thumb' and 'The Fairy.' The text is accompanied by the wonderful black-and-white illustrations of D.J. Munro, inspired by - and in the style of, the great artist Gustave Dore (1832-1883), who worked primarily with wood engraving. These images further refine and enhance the storytelling of the legendary Perrault. This is a book to be enjoyed and appreciated by both young and old alike."
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'The Tales of Mother Goose', as first collected by Charles Perrault in 1696 are here presented, with a translation by Charles Welsh and an Introduction by M.V. O'Shea. Perrault (1628-1703) was among the first writers to bring magical children's stories into the literary mainstream, proving to their original seventeenth century readers that such works were important, enjoyable, as well as thought-provoking. The stories in this particular text encompass favorites such as 'Blue Beard', 'Little Red Riding-Hood', 'Sleeping Beauty', 'Puss in Boots' and 'Cinderella' as well as other, less well known tales such as 'Riquet of the Tuft', 'Little Thumb' and 'The Fairy.' The text is accompanied by the wonderful black-and-white illustrations of D.J. Munro, inspired by - and in the style of, the great artist Gustave Dore (1832-1883), who worked primarily with wood engraving. These images further refine and enhance the storytelling of the legendary Perrault. This is a book to be enjoyed and appreciated by both young and old alike."