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The first book-length study in English of Alfred Hitchcock's Rope (1948), Perpetual Movement offers both a production history that draws extensively upon little-known archival materials, including set drawings and drafts of the screenplay, and a close examination of the film in which Neil Badmington analyzes each of Rope's eleven shots. Writing in an accessible and engaging style, Badmington explores the film's treatment of space, sound, editing, sexuality, source material, design, intertexuality, narrative, and music. He looks at Hitchcock's struggle with censorship while planning, shooting, and distributing the film. Perpetual Movement also addresses Rope's reception and legacy, explaining why the film's unusual qualities provide such lasting appeal for viewers.
Imprisoned for life aboard a zeppelin that floats high above a fantastic metropolis, greeting-card writer Harold Winslow pens his memoirs. His only companions are the disembodied voice of Miranda Taligent, the only woman he has ever loved, and the cryogenically frozen body of her father, Prospero, the genius and industrial magnate who drove her insane. As Harold heads toward a last desperate confrontation with Prospero to save Miranda's life, he finds himself an unwitting participant in the creation of the greatest invention of them all: the perpetual motion machine. Beautifully written, stunningly imagined, and wickedly funny, Dexter Palmer's The Dream of Perpetual Motion is a heartfelt meditation on the place of love in a world dominated by technology.
From the Chinese Emperors to the Romans and the Byzantines, from British Foreign Office agents in the Great Game to today's hippies, backpackers and aid workers, a long line of "civilized", sedentary, peoples have again and again misunderstood nomads, and nomadism. Caricatured as backward herders, thieving pastoralists, or members of some vast and undifferentiated horde of humanity forever wandering the planet, nomads are usually perceived as anything but modern and almost always as on the verge of obsolescence. The Civilization of Perpetual Movement is the first examination of nomadism as a vital global political practice. Nick McDonell - bestselling novelist and war correspondent - draws upon his years spent with and research into nomads around the world to illuminate what is, and has always been, a most modern practice. In the lucid, evocative prose which earnt him comparisons with Graham Greene and John Le Carré in the New York Times, McDonell uncovers the ways nomads and states influence each other, historically and today - with surprising consequences, from the plains and mountains of Central Asia to the grasslands of the Great Rift Valley. Part literary meditation, part reflection on international relations, part original history, The Civilization of Perpetual Movement is firmly in the tradition of iconoclastic thinkers from Bruce Chatwin to James Scott to T. E. Lawrence.
This work aims to help the reader get both boys and girls excited about dance, build essential skills, and improve educational outcomes. It introduces over 100 movement experiences organized around six themes: rules; recipes; props; poetry and prose; objects and images; and integrated arts.
The deceptively simple task of making a mechanism which would turn forever has fascinated many famous men and physicists throughout the centuries. In fact, the basic tenets of engineering grew from the failures of these perpetual motion machine designers. This work offers an illustrated overview of perpetual motion machines and their inventors.
Piano accompaniment for Suzuki Cello School, Volume 1. Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
A new exploration of how digital media assert the relevance of dance in a wired world How has the Internet changed dance? Dance performances can now be seen anywhere, can be looped endlessly at user whim, and can integrate crowds in unprecedented ways. Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community. She looks at how, after 9/11, it became a crucial way of recuperating the common character of public spaces. She explores how crowdsourcing dance contributes to the project of performing a common world, as well as the social relationships forged when we look at dance as a gift in the era of globalization. Throughout, she asks how dance brings people together in digital spaces and what dance’s digital travels might mean for how we experience and express community. From original research on dance today to political economies of digital media to the philosophy of dance, Perpetual Motion provides an ambitious, invigorating look at a commonly shared practice.
Set in southern Ontario in the late nineteenth century, at a time when the machine age was coming into its own, Perpetual Motion chronicles the fortunes of settler Robert Fraser, a man obsessed with power and control. Driven by the idea of inventing a perpetual motion machine which will utilize natural energy, he neglects and destroys not only the nature around him but his own family too, as his overbearing rationality becomes a kind of tragic lunacy. First published in 1982, Perpetual Motion is Graeme Gibson’s superb evocation of a time when faith in material progress is still challenged by superstition and a lingering belief in magic. It is an ironic yet compassionate examination of the painful consequences of human folly.
In our scientific age an understanding of physics is part of a liberal education. Lawyers, bankers, governors, business heads, administrators, all wise educated people need a lasting understanding of physics so that they can enjoy those contacts with science and scientists that are part of our civilization both materially and intellectually. They need knowledge and understanding instead of the feelings, all too common, that physics is dark and mysterious and that physicists are a strange people with incomprehensible interests. Such a sense of understanding science and scientists can be gained neither from sermons on the beauty of science nor from the rigorous courses that colleges have offered for generations; when the headache clears away it leaves little but a confused sense of mystery. Nor is the need met by survey courses that offer a smorgasbord of tidbit--they give science a bad name as a compendium of information or formulas. The non-scientist needs a course of study that enables him to learn real science and make its own--with delight. For lasting benefits the intelligent non-scientist needs a course of study that enables him to learn genuine science carefully and then encourages him to think about it and use it. He needs a carefully selected framework of topics--not so many that learning becomes superficial and hurried; not so few that he misses the connected nature of scientific work and thinking. He must see how scientific knowledge is built up by building some scientific knowledge of his own, by reading and discussing and if possible by doing experiments himself. He must think his own way through some scientific arguments. He must form his own opinion, with guidance, concerning the parts played by experiment and theory; and he must be shown how to develop a taste for good theory. He must see several varieties of scientific method at work. And above all, he must think about science for himself and enjoy that. These are the things that this book encourages readers to gain, by their own study and thinking. Physics for the Inquiring Mind is a book for the inquiring mind of students in college and for other readers who want to grow in scientific wisdom, who want to know what physics really is.
For two decades Bruce Robbins has been a theorist of and participant in the movement for a "new cosmopolitanism," an appreciation of the varieties of multiple belonging that emerge as peoples and cultures interact. In Perpetual War he takes stock of this movement, rethinking his own commitment and reflecting on the responsibilities of American intellectuals today. In this era of seemingly endless U.S. warfare, Robbins contends that the declining economic and political hegemony of the United States will tempt it into blaming other nations for its problems and lashing out against them. Under these conditions, cosmopolitanism in the traditional sense—primary loyalty to the good of humanity as a whole, even if it conflicts with loyalty to the interests of one's own nation—becomes a necessary resource in the struggle against military aggression. To what extent does the "new" cosmopolitanism also include or support this "old" cosmopolitanism? In an attempt to answer this question, Robbins engages with such thinkers as Noam Chomsky, Edward Said, Anthony Appiah, Immanuel Wallerstein, Louis Menand, W. G. Sebald, and Slavoj Zizek. The paradoxes of detachment and belonging they embody, he argues, can help define the tasks of American intellectuals in an era when the first duty of the cosmopolitan is to resist the military aggression perpetrated by his or her own country.