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Originally published in 2003 by Faber and Faber Ltd., London.
The beloved and award-winning artist, critic and novelist John Berger's first collection of essays on art, politics and creativity When first published in 1960 Permanent Red established John Berger as a firebrand critic who was willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth. Why should an artist's way of looking at the world have any meaning for us? Why does it give us pleasure? Any artwork reflects the artists intentions, but also its times: therefore all art is political. In his first collection of writing on art, Permanent Red, published in 1960, John Berger controversially argues that the contemporary artist should strive for a realism that aims for hope, to improve the world. Surveying the work of both historic figures as well as contemporary artists such as Picasso, Leger and Matisse, he explore the role of the artists and divides them into ones that struggle, ones that fail and twentieth century masters. He also argues why we should study the work of the past in order to understand the present and to rethink the future.
Nationally syndicated talk show host and political strategist Hugh Hewitt delivers this insider's guide to the 2006 elections and the crucial messages GOP candidates and activists will be adopting to foster the spread of Red States.
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This latest edition of Coloring of Plastics: Fundamentals offers an updated introduction to color as a science while also providing the foundation for many additional technological subjects. The basic families of colorants are described, along with their properties. The material examines how statistical analysis can improve the consistency of colored polymer production runs as well as the colorants used to match the color. Other important topics covered in Coloring of Plastics: Fundamentals, Second Edition include: * Environmental issues and the reuse of discarded material * Potential problems with the interaction between colorants and other additives * Measurement information and matching, visually and instrumentally * Techniques for incorporating colorants into polymers as compounds or concentrates * Special effect colorants Polymer and colorant manufacturers, plastics compounders, and coating and synthetic fiber industries will acquire an enhanced appreciation of the complex technological issues a colorist must consider if a plastics coloring project is to succeed.