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The Cape Cod Museum of Art's 2,000-piece collection of the works of more than 500 artists tells a fascinating story. This book highlights 122 artists and their works, which are included in this fine collection that has been built over three decades. Artists have had a rich tradition on Cape Cod, including the long-standing art colony in Provincetown that has drawn thousands of artists to this grand land. On the occasion of its 35th anniversary, the museum celebrates these artists who created pristine realism, impressionistic landscapes, insightful portraits, luminous still lifes, modernist paintings and sculptures, abstract adventures, and dramatic photographs, drawings, and prints. Along with the images, biographies of the artists, who represent the major art movements of the last 150 years, give insight into their remarkable talents and accomplishments, and a perspective on the creative culture on Cape Cod.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Assembling the voices of cultural leaders and curators, this book shares their insights on some of The Broad collection's most celebrated artists and works For decades, art patrons and philanthropists Eli and Edythe Broad have sought to foster public appreciation of postwar and contemporary art. Before founding The Broad museum in Los Angeles, their collection was made accessible by loaning artworks to institutions around the world through The Broad Art Foundation. Since 1984, more than 8,600 loans from The Broad collection have been made to over 500 museums and galleries. In 2015, The Broad collection found a permanent home when The Broad museum opened on Grand Avenue in downtown Los Angeles in a now iconic building designed by Diller Scofidio + Renfro. The Broad's permanent collection boasts works from artists such as John Baldessari, Jean-Michel Basquiat, Jeff Koons, Damien Hirst, Barbara Kruger, Roy Lichtenstein, Julie Mehretu, Cindy Sherman and Andy Warhol, among others. In this book, writers and curators give an overview of the very best of The Broad's vast collection, including in-depth essays on five works that have come to define the experience of visiting the museum. This book enriches our understanding of The Broad's art and architecture while also provoking, inspiring and fostering appreciation of art of our time.
The theory of Permanent Revolution has been associated with Leon Trotsky for more than a century since the first Russian Revolution in 1905. Trotsky was the most brilliant proponent of Permanent Revolution but by no means its sole author. The documents in this volume, most of them translated into English for the first time, demonstrate that Trotsky was one of several participants in a debate from 1903-7 that involved numerous leading figures of Russian and European Marxism, including Karl Kautsky, Rosa Luxemburg, Franz Mehring, Parvus and David Ryazanov. This volume reassembles that debate, assesses it with reference to Marx and Engels, and provides new evidence for interpreting the formative years of Russian revolutionary Marxism.
The Wallace Collection is both a national museum and the finest private collection of art ever assembled by one family. It was bequeathed to the nation in 1897 by Lady Wallace, widow of Sir Richard Wallace, the illegitimate son of the fourth Marquess of
Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.