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This book includes a reference of the zoos in the world, plus explanations and photographs of animals and which zoo they can be found in. It is volume 2 and includes listings from G to P.
This is a book that explores in detail the use that Americans have made of their history for commercial, cultural, and ideological purposes. It focuses on popular adaptations of historical incidents and artifacts to reveal how successive generations of Americans have been able to adapt their heritage to address the needs of their contemporaries. Further, it indicates how the past has helped to shape the attitudes of later generations toward their own society.
A treasury of eclectic information about different varieties of roses looks at the stories behind their colorful names, probing elements of folklore, poetry, art, literature, science, myth, and other sources to reveal the history of naming and cultivating roses, from ancient times to the present day.

Hearings

United States. Congress. Senate. Committee on Appropriations

Published: 1944

Total Pages: 584


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“A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism