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Este artículo discute cómo contribuye el periodismo digital en México para crear una esfera pública virtual de acuerdo con los ideales de la democracia deliberativa. El trabajo presenta hallazgos de un análisis cualitativo de tres importantes periódicos digitales y un análisis de contenido de 1 390 comentarios a sus noticias nacionales. Las plataformas ofrecen espacios limitados para la participación y las discusiones deliberativas son escasas y carecen de argumentos sólidos, tolerancia o congruencia.
"La afirmación de que las redes sociales representan una amenaza para el periodismo se convirtió en un axioma mediático. Es una frase muy llamativa, pero falsa." José Pérez-Espino Los nuevos formatos de presentación y consumo de contenidos informativos han obligado a los periodistas a buscar una reinvención permanente. En cualquier caso, asegura José Pérez-Espino, sobrevivirán los medios que apuesten por la investigación para dar sentido a la pluralidad, siempre que usen las herramientas digitales disponibles bajo principios éticos y de compromiso con sus lectores. Sin embargo, la tecnología y las redes sociales no representan una amenaza real para el periodismo: las verdaderas amenazas son la impunidad y la indolencia en las agresiones y los asesinatos de comunicadores. En tal contexto, asegura José Pérez-Espino, resulta fundamental exigir a las autoridades investigaciones puntuales para aclarar los crímenes y hacer justicia. Sin duda, estamos ante un reportaje contundente y de gran actualidad que aborda los elementos necesarios para emprender una urgente reflexión acerca del futuro de ese oficio de alto riesgo llamado periodismo.
Fact is torn from fiction in this first biography of Mexico’s famous independence heroine, which also traces her subsequent journey from history to myth. María Ignacia Rodríguez de Velasco y Osorio Barba (1778–1850) is an iconic figure in Mexican history. Known by the nickname “La Güera Rodríguez” because she was so fair, she is said to have possessed a remarkably sharp wit, a face fit for statuary, and a penchant for defying the status quo. Charming influential figures such as Simon Bolívar, Alexander von Humboldt, and Agustín de Iturbide, she utilized gold and guile in equal measure to support the independence movement—or so the stories say. In La Güera Rodríguez, Silvia Marina Arrom approaches the legends of Rodríguez de Velasco with a keen eye, seeking to disentangle the woman from the myth. Arrom uses a wide array of primary sources from the period to piece together an intimate portrait of this remarkable woman, followed by a review of her evolving representation in Mexican arts and letters that shows how the legends became ever more fanciful after her death. How much of the story is rooted in fact, and how much is fiction sculpted to fit the cultural sensibilities of a given moment in time? In our contemporary moment of unprecedented misinformation, it is particularly relevant to analyze how and why falsehoods become part of historical memory. La Güera Rodriguez will prove an indispensable resource for those searching to understand late-colonial Mexico, the role of women in the independence movement, and the use of historic figures in crafting national narratives.
Ranging from travel to wellbeing and fashion to food, Lifestyle Journalism explores a wide variety of subjects within a growing field. This edited collection examines the complex dynamics of the ever-evolving media environment of lifestyle journalism, encompassing aspects of consumerism, entertainment and cosmopolitanism, as well as traditional journalistic practices. Through detailed case studies and research, the book discusses themes of consumer culture, identity, representation, the sharing economy and branding while bringing in important new aspects such as social media and new cultural intermediaries. International and cross-disciplinary, the book is divided into four parts: emerging roles; experience and identity in lifestyle media; new players and lifestyle actors; and lifestyle consumerism and brands. Featuring case studies from a variety of countries including Turkey, the US, Chile and the UK, this is an important resource for journalism students and academics.
This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines.
Los informativos en el entorno digital contemporáneo cuentan con una serie de nuevas posibilidades para su conformación, para su difusión diversificada y oportuna, y para convocar e involucrar de modos diferentes y creativos a sus audiencias. Éstas, a su vez, cada vez más se involucran activamente con la información, no sólo en su recepción como ha sido siempre, sino en su producción y emisión también, interactuando de maneras imprevisibles con ella, ampliándola, reconstruyéndola, reinventándola y corrigiéndola, pero manteniéndola en circulación con diversos grados de modificación. Los autores reunidos en este libro contribuyen, desde sus posiciones e interacciones, con información para entender aspectos particulares de lo informativo.
This book updates and revalidates critical political economy of communication approaches. It is destined to become a work of reference for those interested in delving into debates arising from the performance of traditional and new media, cultural and communication policy-making or sociocultural practices in the new digital landscape.