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Pericles and Aspasia is a unique and compelling work of historical fiction that imagines the love affair between the Athenian statesman Pericles and the enigmatic courtesan Aspasia. The book is written in the form of letters exchanged between Pericles, Aspasia, and other historical figures, and vividly evokes the intellectual and cultural milieu of ancient Athens. It is a fascinating and thought-provoking exploration of love, politics, and philosophy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This Elibron Classics title is a reprint of the original edition published by Roberts Brothers in Boston, 1884.
According to legend, Aspasia of Miletus was a courtesan, the teacher of Socrates, and the political adviser of her lover Pericles. Next to Sappho and Cleopatra, she is the best known woman of the ancient Mediterranean. Yet continued uncritical reception of her depiction in Attic comedy and naive acceptance of Plutarch's account of her in his Life of Pericles prevent us from understanding who she was and what her contributions to Greek thought may have been. Madeleine Henry combines traditional philological and historical methods of analysis with feminist critical perspectives, in order to trace the construction of Aspasia's biographical tradition from ancient times to the present. Through her analysis of both literary and political evidence, Henry determines the ways in which Aspasia has become an icon of the sexually attractive and politically influential female, how this construction has prevented her from taking her rightful place as a contributor to the philosophical enterprise, and how continued belief in this icon has helped sexualize all women's intellectual achievements. This is the first work to study Aspasia's biographical tradition from ancient Greece to the present day.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1879 edition. Excerpt: ... CCXXm. AXCIBIADES TO PERICLES. Potidaea has surrendered. The dead of the city are scarcely more shadows than the living, and yet how bravely they fought to the last! I should have been sorry for them a few months ago; but I have now learnt what it is to be a soldier. We must rise superior to pain, and then take another flight, farther afield, and rise superior to pity. Beside, the Potidaeans were traitors; and next, they were against us; and furthermore, they were so wicked as to eat one another rather than submit. This shows their malice. Now we have done nothing half so bad toward them; and I assure you, if others are disposed to such cruelty, I will take no part in it; for who would ever kiss me afterward? CCXXIV. PERICLES TO ALCIBIADES. The remembrance of past days that were happy, increases the gloominess of those that are not, and intercepts the benefits of those that would be. In the midst of the plague this reflection strikes me, on the intelligence I have received from Lampsacos. You likewise will be sorry, O Alcibiades! to hear that Anaxagoras is dying. Although he seldom conversed with you, and seldom commended you in private, believe me, he never omitted an occasion of pointing out to your friends any sign you had manifested of ability or virtue. He declined the character of teacher, yet few have taught so much, wherever his wisdom was accessible. Philosophers there have been indeed, at Athens and elsewhere, earnest in the discovery and in the dissemination of truth; but, excepting Thales and Pherecydes, none among them has been free from ostentation, or from desire of obtaining the absolute and exclusive possession of weak and ductile minds. Now the desire of great influence over others is praiseworthy only where great good...
An excerpt of a review from The Monthly Review: IN his "Imaginary Conversations of Literary Men and Statesmen," Mr. Landor established his right to the title of the English Literary Dramatist. That work displayed no ordinary acquaintance with the great men of antiquity — no ordinary enthusiasm and fidelity in personating their characters and feelings, by turns humorous, tender, quaint, or lofty, as the subject required. Without caricature, and without effort, he seemed to place himself in the situation of the individuals represented, and to utter the very words, and suggest the very sentiments which they themselves would or must have done. It was also well observed of that work, that the author succeeded best when going far back into antiquity, and that according to the distance which the object or character contemplated stood from him, so did his views expand, and the more worthy did he become of the admirable models supposed to he imitated, Accordingly, we remember, that his dialogue between Pericles and Sophocles was one of the happiest efforts which his " Conversations" presented. It is therefore reasonable to expect, when the former of these illustrious names is introduced again, upon a wider field and along with a more numerous array of contemporary personages who are prominent in the temple of fame, that our author's power will not be less felicitous than when he first personated that great commander, statesman, and orator, especially since the celebrated Aspasia is the heroine in the series of Letters constituting the work. Indeed we have to say, that for all that is minute and graceful in scholarship, for all that is precise and noble in sentiment, and all that is descriptive in situation, these Letters surpass the Dialogues formerly published. In truth, the work is so purely classical, so highly finished, and the characters so little known by the mass of readers now-a-days, who are attracted by tinsel more than by substantial riches, because these are not allowed the time necessary for weighing and valuing them, that we fear it will not obtain the popularity which more exciting but much more flimsy productions secure. If it may require of the reader, as Mr. Landor himself suggests, the "learning by heart two first 'Years' of Thucydides," ere he can relish the volumes before us, something not much different from a sealed book is presented to nineteen-twentieths of the reading community. We must, however, select a few gems, without any thing like lengthened comment or discussion; the imaginary nature of the performance, and the subjects treated of, affording small scope for anything more than a taste for the author's beauties, and an appreciation of the intellectual and critical powers displayed. As already intimated, there is a diversity of characters and topics introduced in these Letters. Besides Pericles, the eloquent, the venerable, but not the spotless, and Aspasia, the lively, but passionate and erring, her early companion Cleone figures prominently in the correspondence; the gods, the poets and philosophers of Greece, the arts, and the manners of the age, being, with other and kindred themes, besides the love of the hero and heroine, constantly blended in learned and most terse as well as polished style. Our first extract shall be from a letter of the sensible and affectionate Cleone to the lovely Aspasia. Though her numerous criticisms on the poets are learned and profound, she is not above directing her taste to ornaments of dress—as witness the following artist-like particularity….