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Covering the full spectrum of treatment guidance for dance artists, circus artists, musicians, and more, this practical title by Dr. Lauren E. Elson expertly explores the intersection of sports medicine and performing arts medicine. Ideal for practicing and trainee physiatrists, physical and occupational therapists, and sports medicine physicians, it addresses a wide range of relevant topics including auditory symptoms in musicians; management of the dancer’s foot and ankle, hip, and spine; return-to-dance or return-to-performance guidelines; and much more.
Performing Arts Medicine (PAM) is a growing area of specialization within the performing arts field, which addresses the multi-faceted health and wellness of performing artists. This sub-discipline within performing arts is interdisciplinary in nature, involving the expertise of performing arts educators and researchers, physicians and other health professionals. This first of its kind text appeals to a very wide audience that includes performing arts clinical practitioners and health science researchers as well as performing arts pedagogues and performing arts students. The first part of the text gives the reader an overview of the field and discusses over-arching themes and issues in PAM. Part two presents an array of music and dance research involving primarily case studies that address significant issues of concern for performing artists and have implications for pedagogical practice. Part three provides research-based perspectives derived from professionals sharing their in-practice experiences. Finally, part four describes useful PAM models of implementation supporting the needs of performing artists in different settings. Written by experts in the field, Perspectives in Performing Arts Medicine Practice is a valuable resource for performing arts physicians, educators and researchers.
Performing Arts Medicine should be invaluable to both physicians and performing artists. It provides guidelines for physicians interested in learning about and caring for the specialized problems of performers. It also provides information useful and understandable for performers and their teachers. Acquiring such knowledge helps performers understand their bodies and avoid injuries; and it puts them in a much better position to assess the quality of the medical care they receive when health problems occur. Teachers and performers will be well served by learning the principles and facts between covers,, and by participating actively in the acquisition of new knowledge and the further evolution of performing arts medicine.
In the last few years, concerns about dancers’ health and the consequences of physical training have increased considerably. The physical requirements and type of training dancers need to achieve to reach their highest level of performance while decreasing the rate of severe injuries has awakened the necessity of more scientific knowledge concerning the area of dance, in part considering its several particularities. Scientific Perspectives and Emerging Developments in Dance and the Performing Arts is a pivotal reference source that provides vital research designed to reduce the gap between the scientific theory and the practice of dance. While highlighting topics such as burnout, mental health, and sport psychology, this publication explores areas such as nutrition, psychology, and education, as well as methods of maintaining the general wellbeing and quality of the health, training, and performance of dancers. This book is ideally designed for dance experts, instructors, sports psychologists, researchers, academicians, and students.
Performing Arts Medicine, 3rd edition, updates and expands chapters from the previous editions of this ground-breaking text. It provides a unique compilation of expert insights into the medical and psychological care and treatment of artists in all genres of the performing artists. This book reviews the history of arts medicine, provides an overview of the causes of medical problems in performing artists, and offers expert, comprehensive chapters by world-renowned specialists on neurological, visual, vocal, auditory, respiratory, musculoskeletal, psychological, and other problems encountered by performers. It also includes chapters on hearing loss, hand and arm surgery in musicians, physical therapy for musicians, dancers¿ back and leg injuries, the development of young performers, and other topics. This unique text was written to provide insight for physicians, but the information contained is just as valuable for performers and for acting, music, and dance teachers. Covering music, dance, voice, and theater arts. Available in e-book and print editions.
This issue of Physical Medicine and Rehabilitation Clinics, guest edited by Dr. Kathleen L. Davenport, will discuss a number of important topics in Dance Medicine. This issue of one of four issues selected each year by series Consulting Editor, Santos Martinez. Topics discussed in this issue include, but are not limited to: Rehabilitation of the Dancer, Access to Healthcare Among Dancers, Dry Needling and Acupuncture, Nutrition Periodization in Dancers, Choreography Specific Cross Training for Dancers, Mental and Physical Resilience in Dancers, Pointe Readiness Screening, Dancers with Disabilities, Special Considerations for the Growing Dancer, Supplemental Training in Dance: Systematic Review, Concussions in Dancers and Other Performing Artists, and Nutritional Concerns for the Artistic Athlete.
The energy required to create the kind of music that gives you chills or the dance performance that inspires you to try ballet requires hours of practice. All that practice sometimes leads to pain and injury. It could be a nagging ache in a pianist's thumb every time he practices, a singer's sore throat, or a stress fracture in a dancer. Seneca Storm, MD, from the Michigan State University College of Osteopathic Medicine addresses Performing Arts Medicine in this issue. Like any injury, it's important to treat it before it impairs or impedes a performance. Look for chapters on movement therapies, eating disorders in dancers and more.
In the field of dance medicine and science, there is limited literature addressing dancers' access to healthcare. Between 2007 and 2009, the journal Medical Problems of Performing Artists published three articles evaluating the current status of performing arts medicine in three countries; Cuba (2007), Australia (2008), and the United States (2009). American physician and researcher Mary Air identifies that "in many countries...dancers are largely disconnected from medical resources readily available to other professional athletes due to low income, tenuous job stability, lack of adequate health insurance, poor Workers' Compensation, and underdeveloped networking systems between dancer and medical institutions" (Air, 2009, p. 42). The research that forms the basis of this abstract (presentation) directly addresses the gap in research on dancers and healthcare.