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As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Tennyson had a life-long interest in the legend of King Arthur and after the huge success of his poem 'Morte d'Arthur' he built on the theme with this series of twelve poems, written in two periods of intense creativity over nearly twenty years. Idylls of the King traces the story of Arthur's rule, from his first encounter with Guinevere and the quest for the Holy Grail to the adultery of his Queen with Launcelot and the King's death in a final battle that spells the ruin of his kingdom. Told with lyrical and dreamlike eloquence, Tennyson's depiction of the Round Table reflects a longing for a past age of valour and chivalry. And in his depiction of King Arthur he created a hero imbued with the values of the Victorian age - one who embodies the highest ideals of manhood and kingship.
The poet's reputation has weathered even the most vitriolic attempts to discredit both the man and his writings; and as criticism of the late twentieth century demonstrates, Tennyson's claim to pre-eminence among the Victorians is now unchallenged."
Alfred Tennyson Tennyson, 1809-1892 and Thomas Stearns Eliot, 1888-1965, English poets.
By analyzing Tennyson's use of memory in his poetry, this study shows Tennyson as the abiding experimentalist in the use of the poetic memory—through it, he presents his diverse themes in a variety of ways. Discussed in this book are selections from his earliest volumes and “Poems (1842)”, “In Memoriam”, “Maud”, and “Idylls of the King”, which are chosen not only for their rich illustrative variety in the use of memory but also because they span the whole of his poetic career and, therefore, attest to his consistent concern with memory.
Many readers are aware of Alfred Tennyson's treatment of legendary battles in such poems as Boadicea, The Revenge, Battle of Brunanburh, and Achilles over the Trench. Yet among Tennyson's most neglected works are his first battle poems, pieces that reflect the poet's immersion in the literature of the heroic age. J. Timothy Lovelace argues that Tennyson's war poems reflect image patterns of the Illiad and Aeneid , and reinvigorate the heroic ethos that informs these and other ancient texts. Highlighting the heroic aspects of Maud and the Idylls of the King , this book shows that Tennyson's early grounding in the Homeric tradition greatly influenced his later, celebrated work on martial subjects.