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In honor of the 70th anniversary of Pop's Choklit Shoppe, Archie Comics is proud to present a collection of stories featuring the hippest spot in Riverdale. The Choklit Shoppe and it's owner, Pop Tate, first appeared in Pep Comics #46 in 1944. Since then, it's been a major cornerstone in the Archie universe, serving as the perfect meeting place, date location, and home away from home. Celebrate the best diner in Riverdale with over 200 pages of stories, pin-ups, behind-the-scenes features and more!
This beautifully remastered deluxe $19.99 hardcover version of the best-selling THE BEST OF ARCHIE COMICS BOOK 2 is jam-packed with over 400 pages of the funniest and most iconic Archie stories of the past 70 years, lovingly hand-selected by Archie creators, editors, and historians from 200,000 pages of material. This edition includes a full book redesign, additional decade by decade content and newly remastered art and coloring on selected stories. Designed to be enjoyed by both kids and adults together, THE BEST OF ARCHIE COMICS BOOK 2 DELUXE EDITION includes a decade by decade overview of Archie Comics in pop culture and introductions to each story by celebrities, Archie artists, writers, staff, and editors sharing why these beloved stories have become such an integral part of the American entertainment landscape.
The ultimate guide to underground sounds 1965-1982. The book features release details and in-depth reviews for more than 5,000 obscure LPs from the USA and Canada, 1965-1982, including reissue data and value ratings. The main genres are psychedelia, garage, folk & folkrock, hippie rock, progressive rock, and hard-rock. There is also a wide selection of interesting and rare singer-songwriter, harmony pop, soft rock, lounge-rock, avant-garde, vanity-pressings and "outsider" albums. This is the first ever comprehensive guide to the vintage musical underground of North America, and opens up a gigantic field of outstanding music that has earlier been exclusive and hard to grasp. There's also a buyer's guide, a glossary, a historical background, fun Top 10 lists, and much more. The massive book is loaded with color images of obscure and trippy album sleeves, posters and band photos, many of which have never been published before, and a foreword by Mike Stax of Ugly Things magazine. Highlights:- The largest selection ever presented of underground albums from North America 1965-1982.- Original release data and in-depth commentary from world-leading rare record experts.- Ratings of LP market value, detailed reissue data, and full color images of rare and trippy albums sleeves.- Special feature essays about rare Exotica, Lounge, '70s Funk & Soul, Southern Rock and New Age albums, written by leading field collectors.- A brand new round of informative and hilarious Top 10 Lists that were a popular part in the first book.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
Since its first edition in 1964, this book has been dubbed "the bible" for collectors of pre-war African American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African American style, excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies--about 20,000 titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers, alternative takes. There are also short accounts of the major "race labels" that recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised, enlarged, and reset fourth edition. The scope has been widened by the addition of about 150 new artists in addition to newly discovered recordings by other artists. The compilation now includes recordings by groups such as the Fisk Jubilee Singers, the Pace Jubilee Singers, and the Tuskegee Institute Singers, who, although they employed African American materials and musical devices, were designed to appeal to a predominantly white audience. Early cylinder recordings of gospel music from the 1890s are included for the first time. Previous editions of this work are applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of new information from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross checking.
(Piano/Vocal/Guitar Artist Songbook). 12 songs from the third album by this Mississippi rock band: Behind Those Eyes * Here by Me * It's Not Me * Landing in London * Let Me Go * My World * The Real Life * Right Where I Belong * and more.
Archie Comics Explosion is the latest volume of the biggest Archie graphic novels ever, featuring over 100 full-colour stories in a format akin to the hugely popular Archie Digest series, and at an amazing price. This volume collects 1000 pages of the Archie comic stories, featuring the same mix of wild humour, awkward charm and relatability that has kept Archie and the gang popular for over 70 years.
The Iroquois culture and traditional Longhouse spirituality has a universal appeal, a ring of truth to it that resonates not only with other indigenous people, but also with non-Native people searching for their own spiritual roots. Raised in the home of a grandmother who spoke only Mohawk, Sakokweniónkwas (Tom Porter) was asked from a young age, to translate for his elders. After such intensive exposure to his grandparents' generation, he is able to recall in vivid detail, the stories and ceremonies of a culture hovering on the brink of extinction. After devoting most of his adult life to revitalizing the culture and language of his people, Tom finally records here, the teachings of a generation of elders who have been gone for more than twenty years. Beginning with an introduction about why he is only now beginning to write all this down, he works his way chronologically through the major events embedded in Iroquois oral history and ceremony, from the story of creation, to the beginnings of the clan system, to the four most sacred rituals, to the beginnings of democracy, brought to his people by the prophet and statesman his people refer to as the Peacemaker. Interspersed with these teachings, Tom tells us in sometimes hilarious, sometimes tragic detail, the effect of colonization on his commitment to those teachings. Like a braid, the book weaves back and forth between these major teachings, and briefer teachings on topics such as pregnancy, child-rearing and Indian tobacco, weaving the political with the spiritual. Through his recollections of "Grandma," and what she said, we also get an inside view of the life of a Mohawk man, and his struggles. Sometimes articulate and at other times inventive with his second language of English, Tom takes us on the journey with him, asking us to trade eyes, by "erasing the blackboard" to see if we "can understand what a Mohawk sees, feels, is happy about and is sad about." Chapter sections and headings include: The Opening Address, Colonialism, Creation Story, Language in 3D, The Clan System, Trading Eyes, Funerals and Contradictions, A Language Dilemma, The Fog, Where We've Settled, The Four Sacred Rituals, Atenaha: the Seed Game, The Four Sacred Beings, Three Souls or Spirits and Ohkí:we, Weddings, Pregnancies, A Spiritual Ladder, Child Rearing Methods, The Great Law of Peace, Some Notes on Tobacco and Other Medicine, The Leadership, Casinos, Prayer?, The Future and The Closing Address. There is also an appendix of interviews with Tom's children, entitled: What Grandma's Great-Grandchildren Learned. Written as it is, by someone raised predominantly by a grandmother, it contains teachings which might otherwise be lost. The Iroquois culture and traditional Longhouse spirituality (of which Mohawk is one of five - and more recently six - nations) has a universal appeal, a ring of truth to it that resonates not only with other indigenous people, but also with non-Native people searching for their own spiritual roots. Due to the suppression of indigenous spirituality and culture, not only in Iroquois country, but across North America, many are searching to recover the remnants of what has been lost. This book makes a significant contribution to doing that, having been written by one of the original leaders of the revitalization movement. During the 1960s and 1970s this Mohawk Bear Clan Elder traveled extensively across North America with a group called the White Roots of Peace, a group which has been credited as the original stimulus for the growing trend to return to traditional ways on this continent.