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PEP COMICS #71Featuring: Archie, Katie Keene, Jughead, Li'l Jinx, Suzie, Betty and VeronicaNow you can enjoy again - or, for the first time - some of the best in classic comics with these public domain reprints from Golden Age Reprints . This book contains the full issue of PEP COMICS #71. Be sure to check out our entire line of full-color comic reprints!The classic comic reprints from GOLDEN AGE REPRINTS and UP History and Hobby are reproduced from actual comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available. For our complete classic comics library catalog contact [email protected] OR VISIT OUR WEB STORE AT www.goldenagereprints.com
It's time to introduce a new generation to the small-town boy who's always in big trouble. Luckily, Archie has Jughead to help him solve problems! These best pals are featured in their own series of graphic digests: Jughead with Archie. The original art and wholesome stories show what friendship and teamwork are all about in the Archie Digest Library.
It was the series that changed comics forever, with the first showcase of everyone's favorite redheaded teen! PEP COMICS is the latest cornerstone title to join the Archie Comics Presents line. Originally running from 1940 all the way into the '80s, this title was the platform for Archie's first appearance in 1941, and introduced many of the Riverdale citizens that the world still follows over 80 years later. This collection contains the best Archie stories found in the original series, and illustrates how the characters evolved during that run.
Archie and his friends present a collection of quarterly classic-style stories sure to be music to your ears! Follow Archie from the record store to the recording studio to the music awards in this collection of stories of musical mishaps and mirthful melodies!
A complete critical guide to the history, form and contexts of the genre, Children's and Young Adult Comics helps readers explore how comics have engaged with one of their most crucial audiences. In an accessible and easy-to-navigate format, the book covers such topics as: - The history of comics for children and young adults, from early cartoon strips to the rise of comics as mainstream children's literature - Cultural contexts – from the Comics Code Authority to graphic novel adaptations of popular children's texts such as Neil Gaiman's Coraline - Key texts – from familiar favourites like Peanuts and Archie Comics to YA graphic novels such as Gene Luen Yang's American Born Chinese and hybrid works including the Diary of a Wimpy Kid series - Important theoretical and critical approaches to studying children's and young adult comics Children's and Young Adult Comics includes a glossary of crucial critical terms and a lengthy resources section to help students and readers develop their understanding of these genres and pursue independent study.
The Bible has inspired Western art and literature for centuries, so it is no surprise that Christian iconography, characters, and stories have also appeared in many comic books. Yet the sheer stylistic range of these comics is stunning. They include books from Christian publishers, as well as underground comix with religious themes and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher. Christianity and Comics presents an 80-year history of the various ways that the comics industry has drawn from biblical source material. It explores how some publishers specifically targeted Christian audiences with titles like Catholic Comics, books featuring heroic versions of Oral Roberts and Billy Graham, and special religious-themed editions of Archie. But it also considers how popular mainstream comics like Daredevil, The Sandman, Ghost Rider, and Batman are infused with Christian themes and imagery. Comics scholar Blair Davis pays special attention to how the medium’s unique use of panels, word balloons, captions, and serialized storytelling have provided vehicles for telling familiar biblical tales in new ways. Spanning the Golden Age of comics to the present day, this book charts how comics have both reflected and influenced Americans’ changing attitudes towards religion.
 When Superman debuted in 1938, he ushered in a string of imitators--Batman, Wonder Woman, Captain Marvel, Captain America. But what about the many less well-known heroes who lined up to fight crooks, super villains or Hitler--like the Shield, the Black Terror, Crimebuster, Cat-Man, Dynamic Man, the Blue Beetle, the Black Cat and even Frankenstein? These and other four-color fighters crowded the newsstands from the late 1930s through the early 1950s. Most have since been overlooked, and not necessarily because they were victims of poor publication. This book gives the other superheroes of the Golden Age of comics their due.
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Collects 26 comics pencilled by Dan DeCarlo between 1958 and 1969.
Archie comics are hilarious. So are monkeys. What happens when they're mixed together? Stories so good, you'll go bananas! We're up to some serious monkey business in this 100-page digital exclusive, collecting our most outrageous primate pranks! What happens when Archie tries to bring a monkey home as a pet? See what happens when an ape goes ape over Josie and the Pussycats' drummer, Melody! Then, Sabrina's magic goes haywire and things get a little hairy! Grab a seat on your favorite tire swing and enjoy!